Tony De La Rosa - Corazon Prisionero El Mosquito Carinoso

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Review by Katja Rupp

Corazon Prisionero El Mosquito Carinoso by Tony De La Rosa is a delightful album that showcases the artist's mastery of traditional Mexican music. The album features 12 tracks that are sure to get listeners tapping their feet and swaying along to the beat.

One of the standout tracks on the album is "Corazon Prisionero," a classic ranchera that showcases De La Rosa's emotive vocals and his ability to convey deep emotions through his music. Another highlight is "El Mosquito Carinoso," a playful cumbia that features lively accordion and percussion.

Throughout the album, De La Rosa is backed by a talented group of musicians who bring his songs to life with their expert playing. The production is top-notch, with each instrument and vocal track perfectly balanced to create a rich and vibrant sound.

Download Tony De La Rosa - Corazon Prisionero El Mosquito Carinoso
Artist: Tony De La Rosa
Album: Corazon Prisionero El Mosquito Carinoso

Table of Contents

Download

Filename: tony-de-la-rosa-corazon-prisionero-el-mosquito-carinoso.rar
  • MP3 size: 14.2 mb
  • FLAC size: 96.2 mb

Tracks

TrackDurationPreview
El Mosquito Carinoso2:01
Corazon Prisionero2:48

Catalog Numbers

BG-258

Labels

Bego

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Formats

  • Vinyl
  • 7"
  • 45 RPM

About Tony De La Rosa

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Antonio "Tony" De La Rosa was born in October 31, 1931, in Sarita, Texas, a worker's hamlet on the sprawling King Ranch. He was among 12 children in a family of field laborers. When he was six, De La Rosa's mother taught him to play the harmonica. "Then," he said, "I heard the accordion on the radio. I heard the accordion come from a radio in the kitchen. I got hold of one and learned to pick out the chords." At first, he imitated the recordings of pioneer accordionist Narciso Martínez. At age sixteen, Tony went to nearby Kingsville and played in the small taverns there. "I spent a lot of time with my accordion on one side of me and the shoeshine box on the other," he said. In 1949, De La Rosa made his first recording, featuring two polkas, "Sarita" and "Tres Ríos," for the Arco label in Alice, Texas. The next year he joined the Ideal label. By the mid-1950s, his band, or conjunto, was the most popular in Texas. By that time, too, he had codified the instrumentation that endures to this day: button accordion, amplified bajo sexto (a type of 12-string guitar used as a rhythm instrument), electric bass, and drums. By adding drums and replacing the upright acoustic bass, or tololoche, with the amplified instrument, De La Rosa changed the music itself. The polka tempo slowed, ushering in the new tacuachito dance style with the slow, gliding movements of the possum (tachache). The accordion and bajo sexto players were freed to develop more stylistic nuances, and De La Rosa's accordion playing was marked by a more staccato, deliberate character. His much-imitated 1956 instrumental rendition of the song "Atotonilco" hastened acceptance of these changes. , which has included two of the leader's brothers, has toured constantly all over the United States. It has recorded more than 75 albums and many single discs. Tony De La Rosa was inducted into the Conjunto Music Hall of Fame in San Antonio in 1982.

Name Vars

  • A. De La Rosa
  • Antonio De La Rosa
  • De La Rosa
  • De la Rosa
  • T. De La Rosa
  • Tone De La Rosa
  • Tony De La Rasa
  • Tony De La Rosa Y Su Conjunto
  • Tony De Las Rosa
  • Tony de la Rosa
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Summary by Katja Rupp

Corazon Prisionero El Mosquito Carinoso is a must-listen for fans of traditional Mexican music. Tony De La Rosa's talent and passion for his craft are evident in every note, making this album a true masterpiece.