Stockhausen, Suzanne Stephens - In Freundschaft Traum Formel Amour
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Tracks
Track | Duration | Preview |
---|---|---|
ZYKLUS VI | 1:46 | |
Traum-Formel | (7:54) | |
Sei Wieder Fröhlich | 1:39 | |
ZYKLUS IV | 0:54 | |
Fünfschichtige Formel | 2:57 | |
ZYKLUS VII | 1:12 | |
Zweiter Formel-Durchgang | 2:52 | |
ZYKLUS (CYCLE) II | 0:56 | |
Amour | ||
Ausgang | 1:07 | |
Die Schmetterlinge Spielen | 7:36 | |
Dein Engel Wacht Über Dir | 2:54 | |
Explosion 2 | 0:25 | |
Synthese Der Beiden Schichten | 1:39 | |
Vier Sterne Weisen Dir Den Weg | 8:31 | |
In Freundschaft | (14:17) | |
Ein Vöglein Singt An Deinem Fenster | 4:06 | |
ZYKLUS III | 0:58 | |
Formel | 0:54 | |
Explosion 1 | 1:23 | |
Introduktion | 3:06 | |
ZYKLUS V | 1:04 |
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Catalog Numbers
423 378-2Labels
Deutsche GrammophonListen online
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Formats
CDCredits
Role | Credit |
---|---|
Basset Horn | Suzanne Stephens (tracks: 12 to 15) |
Clarinet | Suzanne Stephens (tracks: 1 to 11, 16 to 20) |
Composed By | Karlheinz Stockhausen |
Edited By | Jürgen Bulgrin, Klaus Hiemann |
Mixed By | Jürgen Bulgrin, Klaus Hiemann |
Engineer | Dieter Becker (tracks: 16 to 20), Hans Küstermann (tracks: 12 to 15), Karl Sieben (tracks: 1 to 11) |
Liner Notes | Karlheinz Stockhausen |
Recording Supervisor | Barbara Valentin (tracks: 12 to 20), Martha De Francisco (tracks: 1 to 11) |
Notes
- Tracks 1-11 recorded April, 1979 at WDR, Köln.
- Tracks 12-15 recorded September, 1984 at WDR, Köln.
- Tracks 16-20 recorded March, 1980 at WDR, Köln.
- With a 32-page booklet with notes in German, English, and French.
- ℗ 1988 Polydor International GmbH, Hamburg
- © 1988 Karlheinz Stockhausen
Barcodes
- Barcode: 02894233782
- SPARS Code: ADD
- Label Code: LC 0173
About Stockhausen, Suzanne Stephens
Born: August 22, 1928 (Mödrath, Kerpen, Germany)
Died: December 05, 2007 (Kürten, Germany)
Karlheinz Stockhausen was a German composer, acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is most known for his groundbreaking work in electronic music, aleatory (controlled chance) in serial composition, and musical spatialization.
He studied with Martin at the Cologne Musikhochschule (1947-51), but the decisive stimulus came from his encounter with Messiaen's Mode de valeurs at Darmstadt in 1951. There he saw the possibilities of long-range serial process which he pursued in Kreuzspiel (1951) and KontraPunkte (1952), both for piano-based ensemble. The latter piece was written during a period of study with Messiaen in Paris, and while there Stockhausen made his first foray into electronic music. On returning to Cologne he continued this activity, notably in Gesang der Jünglinge (1956) for vocal and synthesized sounds on tape. At the same time, he pursued the ramifications of serial instrumental music. In 1958 he made his first visit to the USA, and around this time his music became more relaxed, both in its density of events and in its notational exactitude. This was partly a result of 's influence, and partly it came from the experience of electronic music, which suggested a different way of hearing.
His influence extended over a whole generation of European composers, including such contemporaries as Boulez and Berio.
Father of , Christel, , , Julika and .
Real Name
- Karlheinz Stockhausen
Name Vars
- K. Stockhausen
- K.-H. Stockhausen
- Karl Heinz Stockhausen
- Karl-Heinz Stockhausen
- KarlHeinz Stockhausen
- Karlheinz
- Stock Havsen
- Stockhausen
- Карлхајнц Штокхаузен