Eddie Cano -

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Review by Aline Chahine

Eddie Cano's self-titled album is a masterpiece of Latin jazz. The album features a blend of traditional Latin rhythms and jazz improvisation that is both playful and soulful. The album's opening track, "Cumbanchero," sets the tone for the rest of the album with its upbeat tempo and infectious melodies.

Throughout the album, Cano showcases his virtuosic piano playing, backed by a talented group of musicians that includes percussionists, trumpeters, and saxophonists. The album's standout tracks include "Mambo Inn," a lively and energetic track that features a captivating horn section, and "Bossa Nova Cha Cha," a smooth and sultry tune that highlights Cano's impeccable sense of rhythm.

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Artist: Eddie Cano

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Formats

Vinyl

About Eddie Cano

Latin-jazz pianist, leader, composer and arranger born June 6,1927, Los Angeles; died January 30,1988, Los Angeles. Eddie Cano spent most of his career connecting the dots between jazz and Latin styles. He found an appreciative audience for a series of albums under his own name released in the '50s and '60s by labels such as Atco, Reprise, and RCA, his following similar to that of vibraphonist and bandleader . Cano also drew on dance crazes such as the cha cha and the Watusi to promote his efforts. His family was rich musically, Cano's father a bass guitarist, his grandfather a member of the Mexico City Symphony. Cano studied bass with his grandfather and private teachers, also studied piano and trombone, spent two years in the Army beginning in 1945, and then began hitting stages in a group led by . He soon made a connection with , a singer whose forte was balladry and with whom Cano would collaborate off and on over the next decade. The pianist had his own bands going as early as 1948, but continued working with Jeffries, Bobby Ramos, and Tony Martinez. As a composer, Cano came up with a large repertoire, including the tasty "Algo Sabroso," the friendly "Cal's Pals," the wiggly "Watusi Walk," and the thrilling "Ecstasy" -- not to mention "Honey Do," which could be a cross-genre answer song to Carl Perkins' popular "Honey Don't." While many of his peers concentrated on the peerless thrust of Latin rhythms, Cano hardly ignored this component but seemed equally intent on emphasizing the kind of complex, provocative harmonic and melodic structures associated with modern jazz. ~

Real Name

    • Edward Cano

Name Vars

  • CAno
  • Cano
  • E. Cano
  • E.Cano
  • Eddie C.
  • Eddie Cano Jr.
  • Eduard Cano, Jr.
  • Edward Cano, Jr.
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Summary by Aline Chahine

Eddie Cano's self-titled album is a must-listen for fans of Latin jazz. The album's fusion of Latin and jazz styles creates a sound that is both familiar and fresh, and Cano's expert musicianship is on full display throughout. The album is a testament to Cano's talent and creativity, and is sure to delight listeners of all ages and backgrounds.