Tuxedomoon - Pinheads On The Move

Review by Alexandria Gutierrez

Pinheads On The Move by Tuxedomoon is a captivating album that showcases the band's experimental and avant-garde sound. The album features a unique blend of electronic and acoustic instruments, with haunting vocals and intricate arrangements that create a dreamlike atmosphere.

The opening track, "Loneliness," sets the tone for the album with its eerie synth lines and ethereal vocals. The album continues with tracks like "In A Manner Of Speaking," which features a beautiful piano melody and emotive vocals, and "Dark Companion," which showcases the band's use of unconventional instrumentation and complex rhythms.

Throughout the album, Tuxedomoon demonstrates their mastery of mood and atmosphere, with tracks like "What Use?" and "Again" creating a sense of melancholy and introspection. The album also includes more upbeat tracks like "Egypt" and "Watching The Blood Flow," which showcase the band's ability to blend different genres and styles.

Download Tuxedomoon - Pinheads On The Move

Artist: Tuxedomoon
Album: Pinheads On The Move

1988

Rating: 4.42

Review
About Album
Download
Tracks
Video
Images
Catalog Numbers
Labels
Listen online
Formats
Companies
Credits
Notes
Barcodes
About Artist
Summary
Comments
Related albums

Download

Filename: tuxedomoon-pinheads-on-the-move.rar

MP3 size: 225.5 mb
FLAC size: 2876.5 mb

Download

Tracks

Track	Duration	Preview
Next To Nothing	2:41
Fifth column
I Left My Heart in San Francisco	01:06
Joeboy the Electronic Ghost	2:57
Jingle 9	0:7
Une nuit au fond de la frayere
In Heaven	3:23
Martial / This Land	6:52
Jingle 6	0:08
Everything You Want	4:10
Jingle *7	0:11
Love/No Hope	5:23
Jingle 10	0:10
Martial/This Land	6:50
Waterfront seat
Pinheads On the Move	2:51
Next to nothing
Straight line forward
Martial/This land
Pinheads On The Move	2:50
Fifth Column	2:8
Pinheads on the move (reprise)
Over His Head	3:46
Jingle *10	0:10
Jingle *6	0:08
Une Nuit Au Fond De La Frayère	3:10
Next to Nothing	2:47
Jingle 7	0:15
I heard it through the grapevine
Egypt	4:40
Pinheads On The Move (Reprise)	6:43
I Heard It Through the Grapevine	5:32
Rhumba	5:43
Pinheads on the move
Une Nuit Au Fond de la Frayere	2:52
I Heard It Through The Grapevine	5:33
Everything you want
The Stranger	5:13
How Strange	6:00
In heaven
Straight Line Forward	3:12
Love / No Hope	5:20
Waterfront Seat	4:29
Touched	2:16
Joeboy The Electronic Ghost	2:55
Love/No hope
The stranger
I Left My Heart In San Francisco	1:6
Pinheads on the Move	02:51
I left my heart in San Francisco
Pinheads on the Move (Reprise)	06:36
Rhythm Loop	5:24
Joeboy the electronic ghost
Over his head
Une Nuit au Fond de La Frayère	02:52

Video

In Heaven - Tuxedomoon

Tuxedomoon - How Strange

Tuxedomoon - I Heard It Through The Grapevine

Images

ladda ner album Tuxedomoon - Pinheads On The Move

Album herunterladen Tuxedomoon - Pinheads On The Move

descargar álbum Tuxedomoon - Pinheads On The Move

lataa albumi Tuxedomoon - Pinheads On The Move

baixar álbum Tuxedomoon - Pinheads On The Move

last ned album Tuxedomoon - Pinheads On The Move

Catalog Numbers

Labels

Cramboy
Tokuma Japan Communications
Materiali Sonori, Cramboy
Normal
CRAMBOY
ArsNova

Listen online

écouter en ligne
escuchar en línea
kuunnella verkossa
online anhören
lyssna på nätet
ascolta in linea
online luisteren
ouvir online
lytte på nettet

Formats

CD
Compilation
2 × Vinyl
LP
Album
Promo
Test Pressing
White Label
No Cover
Unofficial Release
Limited Edition
Reissue
Repress

Companies

Role	Company
Produced At	Daylight Studio
Phonographic Copyright (p)	Joeboy Productions
Copyright (c)	Joeboy Music
Glass Mastered At	P+O Pallas
Recorded At	Deaf Club
Distributed By	Tokuma Japan Communications Co., Ltd.
Manufactured By	Tokuma Japan Corporation
Marketed By	Materiali Sonori
Licensed From	Cramboy

Credits

Role	Credit
Bass	Peter Principle
Electric Guitar	Peter Principle
Percussion	Peter Principle
Drum Programming	Peter Principle
Synthesizer	Peter Principle
Sequenced By	Peter Principle
Performer [Musique Concrete	Peter Principle
Garden Shears]	Peter Principle
Tape	Peter Principle
Design	Patrick Roques
Photography By	Patrick Roques
Engineer	Uri Barak, Vincent Kenis
Liner Notes	Blaine L. Reininger
Liner Notes [History Lesson	James Neiss
Bruxelles August 1987]	James Neiss
Performer [Mise En Scene	Bruce Geduldig
Magic Lanterns]	Bruce Geduldig
Producer	Peter Principle
Coordinator	Peter Principle
Technician [Designer & Builder Of Custom Electronic Equipment	Tom Tadlock
Production Guru]	Tom Tadlock
Violin	Blaine L. Reininger
Viola	Blaine L. Reininger
Acoustic Guitar	Blaine L. Reininger
Keyboards	Blaine L. Reininger
Performer	Blaine L. Reininger
Vocals	Winston Tong
Backing Vocals	Winston Tong
Other	Winston Tong
Soprano Saxophone	Steven Brown
Alto Saxophone	Steven Brown
Clarinet	Steven Brown
Synth [Rhythm Machines	Peter Principle
Sequencer	Peter Principle
Garden Shears	Peter Principle
Musique Concrete	Peter Principle
Tape Archives]	Peter Principle
Cover	Patrick Roques
Electronics [Designer & Builder Of Custom Electronic Equipement	Tom Tadlock
Film Director [Mise En Scene	Bruce Geduldig
Photography By [Insert	Mark Sangerman
Backcover Photography]	Mark Sangerman
Percussion [Electronic & Accoustic	Blaine L. Reininger
Musique Concrete]	Blaine L. Reininger
Presenter	Winston Tong
Drum Machine	Peter Principle
Synth	Peter Principle
Other [Designer & Builder Of Custom Electronic Equipment	Tom Tadlock
Written-By	Reininger (tracks: 1 to 5, 8, 9, 11, 12, 14, 16, 18 to 20), Van Lieshout (tracks: 17), Belfer (tracks: 10, 13), Principle (tracks: 4, 5,), Williams (tracks: 18), Brown (tracks: 1 to 5, 9, 10, 12 to 20), Tong (tracks: 3, 14)
August 1987	James Neiss
Brussels]	James Neiss
Liner Notes [Mise En Scene	W. T.
Madrid April 1983]	W. T.
Liner Notes [A La Recherche Des Tapes Perdus	Blaine L. Reininger
Bruxelles 1987]	Blaine L. Reininger

Notes

℗ 1987 Joeboy Productions/Crammed Discs.
© 1987 Joeboy Music/Crammed Music.
Produced at studio Daylight, Brussels, 1987.
Made in West-Germany.
Early singles, rehearsals, live recordings and other rarities.
Recorded in San Francisco, 1977 - 79 and in Europe, 1981 - 83
____________________________________________________________
Tracks 1 and 2 recorded spring 1978 as a 7" Joe Boy... The Electronic Ghost / Pinheads "O. T. M." (Original master destroyed by fire).
Tracks 3 and 5 recorded spring 1979 as 7" Stranger (Original master destroyed by fire).
Track 4 recorded as BRT radio jingles for 'Funkytown' show, late 1982.
Track 6 recorded Fall 1979 at the Deaf Club and released on the 'Can You Hear Me? Music From The Deaf Club' compilation. From the David Lynch film 'Eraserhead'.
Track 7 recorded live on the back of a carnival float in Castro Street in August 1977 for Gay Liberation Day celebrations.
Track 8 is a vocal take of 'Half-Mute' track. Rehearsal room recording made early 1979.
Track 9 recorded live at Madame Wong's, LA, 6:3:79.
Tracks 10, 12 and 13 recorded May 1979 for Ralph Records compilation 'Subterranean Modern'.
Tracks 11 and 15 previously released on Une Nuit Au Fond De La Frayere / Egypt. A-side is soundtrack for 'Ectoplasmic Formation' and recorded October 1981.
Tracks 14, 16 and 18 are rehearsal recordings from sometime 1977, summer 1979 and early 1979.
Track 17 recorded live - 'This Land' in Madrid, April 1983; 'Martial' at Teatro Petruzzelli, Bari (Italy) in November 1983, during which fans set fire to theatre & riot.
Track 20 recorded for 'Joe Boy...The Electric Ghost/Pinheads On The Move'-7" but replaced by faster version.
Issued in a standard jewel case with a 12-page poster-folded booklet.
Total playing time 70:35.
Recorded in San Francisco, 1977 - 79 and in Europe, 1981 - 83.
Track A1 & A2 taken from: Tuxedomoon - Joe Boy... The Electronic Ghost / Pinheads "O. T. M.".
Track A3 & A5 taken from: Winston Tong w/ Tuxedomoon - Stranger.
Track B1 previously released on Various - Can You Hear Me? Music From The Deaf Club.
Tracks B5, C1 & C2 previously released on Various - Subterranean Modern.
Tracks B6 & C4 previously released on Tuxedomoon - Une Nuit Au Fond De La Frayere / Egypt.
On this 2LP version there are 4 extra tracks:
A6 "Rythm Loop", D1 "Rhumba", D2 "Jingle 6", D3 "How Strange" and track 19 from the CD "Jingle 9" has been replaced by "Jingle 10".
This promo release has promo sticker on front, and promo marks on labels. It comes with 2 inserts with lyrics and bio in english and japanese.
Manufactured by Tokuma Japan Corporation, distributed by Tokuma Communications.
Tracks A1 + A2 taken from: Joe Boy...The Electric Ghost/Pinheads On The Move (Original master destroyed by fire)
Tracks A3 + A5 taken from: Stranger
(Original master destroyed by fire)
Track A6 recorded live in the Mutants loft 1977
Track B1 released on Can You Hear Me? Music From The Deaf
Track B2 recorded live on the back of a carnival float in Castro Street in August 1977 for Gay Liberation Day celebrations
Track B3 is a vocal take of Half Mute track
Track B4 recorded live at Madame Wong's, LA, 6:3:79
Tracks B5, C1, C2 released on Subterranean Modern
Tracks B6 + C4 previously released on Une Nuit Au Fond De La Frayere / Egypt
(Track B6 as a soundtrack for Ectoplasmic Formation)
Tracks C3 , C5 (summer 1979), D1 (early 1978), D4 (early 1979) are rehearsal recordings
Track C6: 'This Land' recorded live in Madrid, April 1983; 'Martial' recorded live at Teatro Petruzzelli, Bari (Italy) in November 1983
Track D3 recorded live at the Palms Cafe, San Francisco 28:5:78
Track D6 recorded for 'Joe Boy...The Electric Ghost/Pinheads On The Move'-7" but replaced by faster version.
Project coordinated & produced at studio Daylight, Brussels, 1987
Early singles, rehearsals and live recordings, & other rarities.
Recorded in San Francisco, 1977-79 and in Europe, 1981-83.
℗ 1987 Tuxedomoon / Crammed Discs
© 1977-1983 Tuxedomoon / Crammed Discs
Printed in Germany
Manufactured in Austria
A1: recorded Spring 1978 as a Joeboy...(Joeboy The Electronic Ghost) 7" A side on Tidal Wave Records, later reissued on Time Release. Original master destroyed by fire.
A2: B side of above. Master destroyed by fire.
A3: recorded Spring 1979 as Stranger A side released on Time Rlease. Hommage to Albert Camus.
A4, D2 & D5: recorded as BRT radio jingles for 'Funkytown' show, late 1982.
A5: recorded as b side of The Stranger. Master destroyed by fire.
A6: recorded live in the Mutants loft at a party for special show set in an airplane, 1977.
B1: recorded Fall 1979 at the Deaf Club & released on the Can You Hear Me? Music From The Deaf Club compilation on Walking Dead Records. From the David Lynch film 'Eraserhead'.
B2: recorded live on the back of a carnival float in Castro Street in August 1977 for Gay Liberation Day celebrations.
B3: vocal take of Half-Mute track. Rehearsal room recording made early 1979.
B4: recorded live at Madame Wong's, LA, 6:3:79
B5, C1 & C2: recorded May 1979 for Ralph Records compilation Subterranean Modern.
B6: a night at the spawning grounds made to measure for Sordide Sentimental as a Soundtrack for 'ectoplasmic formation' SS 7" A side recorded 1981. Une Nuit Au Fond De La Frayere / Egypt
C3: rehearsal recording 1977 sometime.
C4: Sordide Sentimental B side.
C5: rehearsal recording Summer 1979.
C6: This Land recorded live in Madrid, April 1983. Martial recorded live at Teatro Petruzzelli, Bari (Italy) in November 1983, during which set fire to theatre & riot. Listen closely on headphones & consult Italian phrasebook.
D1: recorded on fourtrack, early 1978.
D3: recorded live at the Palms Cafe, San Francisco 28:5:78.
D6: recorded as 7" A side but replaced by faster version.
© 1987 Joeboy Music/Crammed Music except B1: copyright control and B2: Jobete Music
p 1987 Normal Records
Made in Germany
________________
Gatefold sleeve and printed inner sleeves
Track listings on two sheets A4.
Track A1 & A2 taken from: Joe Boy...The Electric Ghost/Pinheads On The Move.
Track A3 & A5 taken from: Stranger.
Track B1 previously released on Can You Hear Me? Music From The Deaf Club.
Tracks B5, C1 & C2 previously released on Subterranean Modern.
Tracks B6 & C4 previously released on Une Nuit Au Fond De La Frayere / Egypt.
Pinheads on the Move is a two-disc gathering rare materials from the far history of Tuxedomoon - singles, B-sides, rehearsals, live tracks and jingles for radio programs Most of the recordings and performances date are from 77-79 - Best for dark Alchohol nights
Limited to 500 copies.
Reissue on blue label
Sleeve: Printed in Germany
CD: Manufactured in Austria
A sticker with a barcode on the jewel case covers the original barcode on back.

Barcodes

Rights Society: BIEM, GEMA, SABAM/TM
Label Code: LC 8689
Matrix / Runout: 5050CD-P+O-0464-07-87 02.
Matrix / Runout (A): 20CRL-3016A1
Matrix / Runout (B): 20CRL-3016B1
Matrix / Runout (C): 20CRL-3017C1
Matrix / Runout (D): 20CRL-3017D1
Barcode: 4988008037715
Rights Society: JASRAC
Barcode: 4988008058130
Matrix / Runout (Sdie A Printed): C BOY 5050 A 40C1 IS THIS PEBBLES NR 731
Barcode (Side B Printed): C BOY 5050 B 40C1
Barcode (Side C Printed): C BOY 5050 C 40C1 R.P. SEND RECORDS THANKS TX
Barcode (Side D Printed): C BOY 5050 d 40C1 AM I HAVING FUN YET
Label Code: LC8689
Matrix / Runout (A): CBOY 5050 A 40C1
Matrix / Runout (B): CBOY 5050 B 40C1
Matrix / Runout (C): CBOY 5050 C 40C1
Matrix / Runout (D): CBOY 5050 D 40C1
Rights Society: SABAM/BIEM
Barcode: 5 410377 350021
Matrix / Runout: A0000081620-0101 25 A0
Matrix / Runout (Inner Ring Inscription): Sony DADC
Rights Society: SABAM BIEM GEMA
Other (Distribution Code [EFA]): CD 05067 2
Other (Mould SID Code): IFPI 944A
Other (SID Code): IFPI L555
Label Code: LC 8820
Matrix / Runout (Side A): A11.018 A01
Matrix / Runout (Side B): A11.018 B01
Matrix / Runout (Side C): A11.018 C01
Matrix / Runout (Side D): A11.018 D01
Rights Society: GEMA
Matrix / Runout: 8-521
Matrix / Runout (A): CBOY 5050 A 40C1 IS THIS PEBBLES NR 731
Matrix / Runout (C): CBOY 5050 C 40C1 R.P. SEND RECORDS THANK T.X.
Matrix / Runout (D): CBOY 5050 D 40C1 AM I HAVING FUN YET
Rights Society: SABAM/BIEM™
Barcode (Text): 5 410377 350021
Barcode (Scanned): 5410377350021
Barcode (On sticker, Text): 8 7662300482 0
Barcode (On sticker, Scanned): 0876623004820
Matrix / Runout (Variant 1 & 4): A0000081620-0101 25 A0
Matrix / Runout (Variant 2 & 3): A0000081620-0101 34 A0
Mastering SID Code (Variant 1 & 4): IFPI L555
Mastering SID Code (Variant 2 & 3): IFPI L554
Mould SID Code (Variant 1): IFPI 944A
Mould SID Code (Variant 2): IFPI 94K5
Mould SID Code (Variant 3): IFPI 94K2
Mould SID Code (Variant 4): IFPI 949B

About Tuxedomoon

télécharger l'album Tuxedomoon - Pinheads On The Move

Tuxedomoon is an avant-garde, electronic-oriented collective whose music ranges from new wave pop to jazz fusion to more experimental synthesizer soundscapes (usually including saxophone and violin), which were frequently married in concert to performance-art shows. Tuxedomoon was formed in San Francisco in 1977 by two electronic music students at San Francisco City College, (keyboards, violin) and (keyboards, other instruments). Brown's local theater connections supplied equipment and occasional vocalists in Gregory Cruikshank and Victoria Lowe, plus more frequent contributions from singer and performance artist Winston Tong. Punk and new wave were opening up the San Francisco music scene at the time, and Tuxedomoon landed an opening slot for Devo in 1978 at around the same time they cut their first single, "Pinheads on the Move." Lowe quit the band before their first EP, No Tears, which featured off-and-on members (guitar) and (drums). Tong and Belfer departed temporarily, and Peter Principle (b. Peter Dachert) joined as a full-time member. Tuxedomoon signed to the Residents' Ralph Records in 1979, which eventually got them overseas exposure. Feeling that their ideas were more in tune with the European electronic music scene, the band toured Europe after 1980's Half Mute, for which Tong returned with filmmaker and visual artist Bruce Geduldig. After 1981's Desire, the band relocated in an artist's commune in Rotterdam, Netherlands. Within a year though they were forced to leave and moved to Brussels, to find first shelter in the Plan K. (a live p.a. club). Reininger began to branch out as a solo artist. Tuxedomoon was also hired to score a Maurice Bejart ballet, the results of which were released in 1982 as Divine. Reininger left for a solo career in 1983 and was replaced by Frankie Lievaart and horn player Luc Van Lieshout. In between side projects and scoring, the band sought an international deal for their forthcoming LP Holy Wars; it was eventually released in 1985 and became the band's biggest commercial success. Tong left the group for good that year, leaving Brown and Principle the only remaining San Francisco members; multi-instrumentalist Ivan Georgiev was hired to replenish the group's sound for 1986's Ship of Fools album and tour. Scoring work from past projects has been reissued in Belgium. Reininger, Brown, Principle and Lieshout still record together as Tuxedomoon, whilst Reininger, Brown, Principle and Tong have all recorded as solo artists. Published by .

Name Vars

Tuxedemoon
Tuxedo Men
Tuxedo Moon
WInston Tong w/ Tuxedomoon

Aliases

Creatures Of The Night
Joeboy

Members

Blaine L. Reininger
Greg Langston
Steven Brown
Winston Tong
Michael Belfer
Bruce Geduldig
Paul Zahl
Ivan Georgiev
Luc Van Lieshout
Peter Dachert

Summary by Alexandria Gutierrez

Pinheads On The Move is an impressive and highly original album that showcases Tuxedomoon's creativity and experimental spirit. It is a must-listen for fans of avant-garde and experimental music.