Stravinsky Orquestra Filarmônica de Berlim, Herbert von Karajan - A Sagração Da Primavera
Review by Marco Orellana
The album A Sagração Da Primavera by Stravinsky Orquestra Filarmônica de Berlim, Herbert von Karajan is a masterpiece that showcases the brilliance of classical music. The album is a live recording of a performance by the Berlin Philharmonic Orchestra under the direction of Herbert von Karajan. The orchestra delivers a stunning rendition of Stravinsky's iconic ballet score, which is widely regarded as one of the most important works of the 20th century.
The album features a powerful and dynamic performance that captures the essence of the music. The orchestra performs with precision and passion, bringing the score to life in a way that is both thrilling and captivating. The sound quality of the recording is outstanding, capturing the full range and depth of the orchestra's sound.
Herbert von Karajan's direction is masterful, bringing out the nuances of the score and highlighting the individual voices of the orchestra. He leads the orchestra with a firm hand, creating a cohesive and powerful sound that is both exhilarating and moving.
Album: A Sagração Da Primavera
Table of Contents
Download
Filename: stravinsky-orquestra-filarmnica-de-berlim-herbert-von-karajan.rar- MP3 size: 13.6 mb
- FLAC size: 90.8 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| Segunda Parte: O Sacrificio | ||
| Primeira Parte: A Adoração Da Terra |
Video
Strawinsky : Le Sacre du Printemps - BPO Karajan (1977)
Images
Catalog Numbers
LPM 18.920Labels
Deutsche GrammophonListen online
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Formats
- Vinyl
- LP
- Promo
- Mono
Credits
| Role | Credit |
|---|---|
| Composed By | Stravinsky |
| Conductor | Herbert von Karajan |
| Engineer | Günter Hermanns |
| Orchestra | Orquestra Filarmônica de Berlim |
| Producer | Otto Gerdes |
| Recording Supervisor | Hans Weber |
Notes
- Companhia Brasileira De Discos
- Recorded at Jesus-Christus-Kirche, Berlin 10/1963.
About Stravinsky Orquestra Filarmônica de Berlim, Herbert von Karajan
Born: 1882-06-17 (Oranienbaum, Saint Petersburg Governorate, Russian Empire) At present Lomonosov, Russian Federation.
Died: 1971-04-06 (New York City, New York, United States).
Russian composer, pianist and conductor.
Main figure of musical modernism, one of the greatest representatives of world musical culture of the 20th century.
The composer's creative itinerary was extremely dynamic.
Stravinsky's musical language tends to overcome the barrier of historical periods and uses historical and personal models
(such as Russian folklore, Western cultured tradition, dodecaphony, polyrhythms and asymmetrical rhythms)
freely adapting them to his personal creative needs.
In stravinsky's works the rhythmic dimension is extremely dynamic and varied and becomes a structural element of the composition, as is the interval elaboration.
The composer uses melodic cells that are reassembled and broken down with great variety and freedom, the overlapping and reiteration of rhythmic-interval cells creates episodes of rhythmic-metric asymmetry and polyrhythm.
Other elements that we find in his compositions are: the structuring in discordant sections, the use of the octotonic scale and the modal scales.
He has written music for a variety of different instrumental and vocal combinations, ranging from works for huge orchestras to works for small ensembles or solo instruments
Starting from the 1950s he wanted to leave a precise sound testimony of his creative intentions, through the recording of his works directed by himself
A citizen of France (1934) and the USA (1945).
Real Name
- Игорь Фёдорович Стравинский
Name Vars
- I Stravinsky
- I-Stravinskij
- I. F. Stravinsky
- I. S.
- I. Stravinski
- I. Stravinskij
- I. Stravinskis
- I. Stravinsky
- I. Strawinski
- I. Strawinsky
- I. Strawiński
- I. Sztravinszkij
- I. ¹Èéô£ó¹ü
- I.S.
- I.Stravinskij
- I.Stravinskiy
- I.Stravinsky
- I.Strawinsky
- I: Strawiński
- Igor
- Igor F. Strawinsky
- Igor Fedorovich Stravinsky
- Igor Fedorovitch Stravinsky
- Igor Feodorowitsch Strawinsky
- Igor Fiodorovich Stravinskyy
- Igor Fiodorovitch Stravinsky
- Igor Fjodorovič Stravinski
- Igor Fjodorowitsch Strawinski
- Igor Fyodorovich Stravinsky
- Igor Fyorovich Stravinsky
- Igor StravinskI
- Igor Stravinski
- Igor Stravinskij
- Igor Stravinskyj
- Igor Strawinksy
- Igor Strawinski
- Igor Strawinskij
- Igor Strawinsky
- Igor Strawiński
- Igor Sztravinszkij
- Igor' F. Stravinskij
- M. Igor Stravinsky
- M. Igor Strawinsky
- Stavinsky
- Straviinsky
- Stravinksy
- Stravinski
- Stravinskij
- Stravinsky
- Stravinsky's
- Stravinsky, Igor
- Stravinsky, Igor (1882-1971)
- Stravinsky/
- Stravinskyj
- Stravisnky
- Stravwnsky
- Strawinski
- Strawinskij
- Strawinsky
- Strawinsky, Igor
- Strawinsky/
- Strawvinsky
- Sztravinszkij
- Ígor Stravinski
- Ígor Stravinsky
- Στραβίνσκυ
- И. Стравински
- И. Стравинский
- И. Ф. Стравинский
- И.Стравинский
- И.Ф. Стравинский
- Иг. Стравинский
- Игор Стравински
- Игорь Стравинский
- Игорь Фёдорович Стравинский
- Стравинский
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Summary by Marco Orellana
Comments
grandiose et juste interpretation , la reference avec celle de boulez
Oh christ, this is awful. Karajan had no empathy with the music and conducts it badly. It's hard to believe this is the great BPO playing.
I'm sorry, but the visuals are just distracting and don't fit the music or its context at all!
Am I only one here who is hearing "Jaws" theme (3:19)? Good artists copy, great artists steal - said Picasso.
I prefer 1964 version to this one. Sreavinsky was dead in 1977 so no way to know his comment on this version
By who are those marvelously bizzare pictures?
Les images vont pas du tout avec la musique t'as des problèmes toi
Il fatto che Stravinsky criticasse le interpretazioni della propria musica fornite da Karajan non toglie assolutamente nulla - meno del contromeno del contronulla - al valore di quest'ultime. E' noto come molti autori siano spesso pessimi interpreti di sè stessi. La versione del 1964 è, a mio parere, di livello altissimo, diversa sì da questa, ma non inferiore. Basti pensare, solo per UN esempio, alla Danse de la terre del 1964: semplicemente non superabile (nemmeno dallo stesso Karajan). A chi si accostasse per la prima volta a questo immortale capolavoro consiglierei ANCHE le versioni di Pierre Boulez (a partire dal 1963 con l'ORTF e poi con la Cleveland).
Eine selten klare und durchhörbare, intensive und klanglich überzeugende Interpretation, an der Strawinski mehr Freude hätte als an der dreizehn Jahre früher entstandenen Version seines opus summum. Karajan zu seinen guten Zeiten und seine Philhamoniker sind eine Referenz, an der man auch im 21. Jahrhundert nicht vorbeikommt.
The orchestra lacks techniques and perfection.
I must say I prefer the 1964 version. Stravinsky may not have liked it, but I liked the sense of other worldliness Karajan creates in the quieter passages.
the visual is absurd in this context !!
