MarieClaire Jamet, Orchestre De Chambre Paul Kuentz - Francois Adrien Boieldieu Concerto In C Major For Harp And Orchestra Handel Concerto For Harp And Orchestra Op IV No 6 In B Flat Major Debussy Danses Sacree Et Profane

Review by Susan Hann

MarieClaire Jamet's performance in the album "Francois Adrien Boieldieu Concerto In C Major For Harp And Orchestra Handel Concerto For Harp And Orchestra Op IV No 6 In B Flat Major Debussy Danses Sacree Et Profane" is truly remarkable. Accompanied by the Orchestre De Chambre Paul Kuentz, Jamet's harp playing is both delicate and powerful, showcasing her incredible range of skills.

In the first concerto, Boieldieu's "Concerto In C Major," Jamet's harp playing is nothing short of breathtaking. Her fingers dance across the strings, producing a beautiful, ethereal sound that perfectly complements the orchestra's accompaniment. The Handel concerto is equally impressive, with Jamet's playing adding depth and complexity to the already intricate piece.

The album's highlight, however, is Debussy's "Danses Sacree Et Profane." Jamet's interpretation of this piece is simply stunning, with her playing perfectly capturing the piece's mystical, otherworldly quality. The orchestra's accompaniment is equally impressive, with the two elements coming together to create a truly magical listening experience.

Summary by Susan Hann

"Francois Adrien Boieldieu Concerto In C Major For Harp And Orchestra Handel Concerto For Harp And Orchestra Op IV No 6 In B Flat Major Debussy Danses Sacree Et Profane" is a must-listen for anyone who appreciates classical music. MarieClaire Jamet's talent is undeniable, and the Orchestre De Chambre Paul Kuentz provides the perfect accompaniment to her incredible harp playing.