Giovanni Gabrieli, The Gregg Smith Singers, The Texas Boys Choir - Musica Per Cori A Cappella

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Review by Venel Beguin

Musica Per Cori A Cappella is a stunning album featuring the works of Giovanni Gabrieli, performed by The Gregg Smith Singers and The Texas Boys Choir. The album is a beautiful showcase of Gabrieli's choral compositions, which are known for their intricate polyphonic harmonies and grandiose sound.

The performances on the album are exceptional, with both choirs delivering powerful and emotive renditions of Gabrieli's music. The Gregg Smith Singers bring a rich and nuanced sound to the pieces, with each voice blending seamlessly into the whole. The Texas Boys Choir, meanwhile, add a youthful energy and brightness to the performances, creating a sense of joy and exuberance in the music.

One of the standout tracks on the album is "In Ecclesiis," which features both choirs performing together. The piece is a tour de force of choral music, with the combined voices creating a wall of sound that is both majestic and awe-inspiring.

Table of Contents

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  • FLAC size: 382.5 mb

Tracks

TrackDurationPreview
Cantate Domino3:38
Domine Exaudi3:55
Deus, Deus Meus, Ad Te De Luce Vigilo3:54
Beata Es, Virgo Maria5:11
Deus, In Nomine Tuo4:07
O Quam Suavis Est3:39
Jubilemus Singuli3:58
Messa A Cappella10:31
Hodie Completi Sunt4:40

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Catalog Numbers

72815, S 72815

Labels

CBS

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Formats

  • Vinyl
  • LP
  • Stereo

Credits

RoleCredit
ChoirThe Gregg Smith Singers, The Texas Boys Choir
Chorus MasterGeorge Bragg , Gregg Smith
Composed ByGiovanni Gabrieli

About Giovanni Gabrieli, The Gregg Smith Singers, The Texas Boys Choir

Italian composer and organist (c. 1554/1557  12 August 1612). He was one of the most influential musicians of his time, and represents the culmination of the style of the Venetian School, at the time of the shift from Renaissance to Baroque idioms. Gabrieli was a leading figure in Renaissance Venetian music. He succeeded his uncle Andrea Gabrieli, an organist at Venice's St. Mark Basilica after his uncle's death in 1586 and retained this position until his own death in 1612. His work as a composer represents the height of musical achievement in Renaissance Venice. Gabrieli continued the traditional cori spezzati techniques developed at St. Mark's during the sixteenth century, contrasting different groups of singers and instrumentalists and making use of the spatial effects possible in the great basilica. His eight-part setting of the Jubilate, using double choir and brass, is typical of his style of writing. The most widely known of Gabrieli's works is the Sonata pian' e forte, an eight-part composition for two four-part groups of wind instruments included in the Sacrae Symphoniae of 1597, with a number of instrumental Canzoni for between six and sixteen parts. These works, and a quantity of compositions of a similar kind, including Toccatas and Ricercars, have provided an interesting repertoire for modern brass players, although originally they were played by instruments such as the sackbuts (the earlier form of trombone), and the cornetti (curved wooden instruments with a cup-shaped mouth-piece).

Real Name

    • Giovanni Gabrieli

Name Vars

  • A. Gabrielli
  • G Gabrieli
  • G. Gabriel
  • G. Gabrieli
  • G. Gabrielli
  • G.Gabrieli
  • Gabriele
  • Gabrieli
  • Gabrieli G.
  • Gabrielli
  • Giovani Gabrieli
  • Giovanni
  • Giovanni Gabriele
  • Giovanni Gabrielli
  • Giovanni Habrieli
  • Дж. ГАБРИЕЛИ
  • Дж. Габриели
  • ¸çô¡óËû¬Öê¨ê
  • ¸çô¡óËû¬Öê¨üê
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Summary by Venel Beguin

Musica Per Cori A Cappella is a must-have album for anyone who appreciates choral music. The performances are outstanding, and the compositions themselves are some of the most beautiful and complex in the choral canon. Highly recommended.