Eminem - Recovery
Review by Tinuoye Bamidele
Eminem's album Recovery is a powerful, introspective work that showcases the rapper's growth and maturity as an artist. The album features a range of styles and emotions, from the intense, hard-hitting tracks like "Not Afraid" and "Won't Back Down," to the more introspective and vulnerable songs like "Space Bound" and "Love the Way You Lie."
Throughout the album, Eminem's lyrics are raw and honest, exploring his struggles with addiction, relationships, and fame. The production is top-notch, with a mix of hard-hitting beats and emotive instrumentals that perfectly complement Eminem's lyrical content.
Table of Contents
Download
Filename: eminem-recovery.rar- MP3 size: 171.6 mb
- FLAC size: 1564.2 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| Love The Way You Lie | 4:23 | |
| You're Never Over | 05:05 | |
| Almost Famous | 4:52 | |
| Love the Way You Lie (feat. Rihanna) | 4:23 | |
| Ridaz | 5:00 | |
| You're Never Over | 5:06 | |
| W.t.p. | 4:00 | |
| So Bad | 5:25 | |
| Not Afraid | 4:8 | |
| Won't Back Down (feat. Pink) | 4:25 | |
| Talkin' 2 Myself | 5:00 | |
| Talkin’ 2 Myself | 5:00 | |
| Session One | 4:28 | |
| 25 To Life | 4:02 | |
| Cinderella Man | 4:39 | |
| [Untitled Hidden Track] | 03:14 | |
| 25 to Life | 4:1 | |
| Cold Wind Blows | 5:3 | |
| No Love (feat. Lil Wayne) | 4:59 | |
| Seduction | 4:35 | |
| Talkin’ 2 Myself (feat. Kobe) | 5:0 | |
| Talkin' 2 Myself | 05:00 | |
| Won’t Back Down | 4:26 | |
| Space Bound | 4:38 | |
| No Love | 5:00 | |
| Going Through Changes | 4:58 | |
| On Fire | 3:33 | |
| Untitled | 3:14 | |
| Won't Back Down | 04:25 | |
| Won't Back Down | 4:26 | |
| W.T.P. | 3:58 | |
| You’re Never Over | 5:5 | |
| Love the Way You Lie | 04:23 |
Video
Eminem - Space Bound (Official Video)
Eminem - Love The Way You Lie ft. Rihanna
Eminem - Not Afraid (Official Video)
Images
Catalog Numbers
- 60252739452
- B0014411-02
- 4605026705517
- 3561-2
- STARCD 7477
- 0602527394527
- 273 945-2
- CD-11943-A
- 0602527466224
- B001441102
- B0014412-02
- UICS-1214
- 602527409764
- 2739452
- 460502670551
- B0014411-01
Labels
- Aftermath Entertainment, Interscope Records, Shady Records, Web Entertainment
- Digital Records
- Aftermath Entertainment, Interscope Records, Shady Records
- Vigma
- Interscope Records
- Aftermath Entertainment, Shady Records, Interscope Records, Web Entertainment
- Not On Label
- Aftermath Entertainment
- Aftermath Entertainment , Shady Records , Web Entertainment , Interscope Records
- Aftermath Entertainment, Shady Records, Interscope Records
- Aftermath Entertainment, Interscope Records
Listen online
- online anhören
- lytte på nettet
- ascolta in linea
- kuunnella verkossa
- escuchar en línea
- ouvir online
- online luisteren
- écouter en ligne
- lyssna på nätet
Formats
- CD
- Album
- Repress
- CDr
- Unofficial Release
- Reissue
- Promo
- Clean Version
- 17 × File
- FLAC
- Stereo
- 44.1khz
- 16bit
- File
- 2 × Vinyl
- LP
- Gatefold
- 19 × File
- ALAC
- Deluxe Edition
- iTunes
- MP3
- 320 kbps
- Joint Stereo
Companies
| Role | Company |
|---|---|
| Phonographic Copyright (p) | Aftermath Records |
| Copyright (c) | Aftermath Records |
| Manufactured By | Sonopress Rimo Indústria E Comércio Fonográfica S.A. |
| Distributed By | Universal Music Distribution |
| Mastered At | Bernie Grundman Mastering |
| Recorded At | Effigy Studios |
| Mixed At | Effigy Studios |
| Engineered At | Effigy Studios |
| Published By | ООО «Юниверсал Мьюзик» |
| Record Company | UMG Recordings, Inc. |
| Made By | Universal Music Taiwan |
| Produced For | F.O.B. Entertainment |
| Licensed From | Universal Music Enterprises |
| Marketed By | Universal Music LLC |
| Pressed By | Record Industry |
Credits
| Role | Credit |
|---|---|
| A&R | DJ Mormile, Manny Smith |
| Art Direction | Julian Alexander |
| Design | Julian Alexander |
| Bass | Chin Injeti (tracks: 2, 14), Mike Strange (tracks: 6) |
| Coordinator | Kirdis Postelle, Larry Chatman, Les Scurry |
| Creative Director | Ianthe Zevos |
| Drums | Dwayne "Supa Dups" Chin-Quee (tracks: 5), Matthew "Boi 1da" Samuels (tracks: 7,), Matthew "Boi 1da" Samuels (tracks: 8) |
| Engineer | Alex Merzin |
| Executive-Producer | Dr. Dre |
| Management | Paul D. Rosenberg, Esq. |
| Guitar | Chin Injeti (tracks: 2, 14), Daniel Seeff (tracks: 12), Erik Alcock (tracks: 4), Mike Strange (tracks: 8), Sean Cruse (tracks: 13), Steve McEwan (tracks: 10) |
| Keyboards | Danny Keyz (tracks: 12, 14), Dawaun Parker (tracks: 13), Jason "JG" Gilbert (tracks: 5), Jim Jonsin (tracks: 10), Khalil Abdul-Rahman (tracks: 2, 12, 14), Luis Resto (tracks: 7), Mark Batson (tracks: 13), Mike Strange (tracks: 6), Rahki (tracks: 4), Trevor Lawrence Jr. (tracks: 13) |
| Legal | Peter Paterno, Esq., Susan Hilderley, Todd Douglas |
| Mastered By | Brian "Big Bass" Gardner |
| Mixed By | Alex Da Kid (tracks: 15), Dr. Dre (tracks: 13), Eminem (tracks: 2 to 6, 9 to 12, 14 to 17), Just Blaze (tracks: 9, 16), Mike Strange (tracks: 2 to 6, 9 to 12, 14 to 17), Rob Marks (tracks: 10), Ryan West (tracks: 1, 9, 10, 16) |
| Photography By | Nigel Parry |
| Programmed By | Rahki (tracks: 4) |
| Recorded By | Alex Merzin (tracks: 3), Dwayne "Supa Dups" Chin-Quee (tracks: 5), Joe Strange (tracks: 7), Matthew "Boi 1da" Samuels (tracks: 7, 8), Mauricio "Veto" Iragorri (tracks: 13), Mike Strange, Robert Marks (tracks: 10), Ryan West (tracks: 1, 9, 16) |
| Saxophone | Sly Jordan (tracks: 13) |
| Strings | Jordan Evans (tracks: 7), Matthew Burnett (tracks: 7, 8) |
| Written-By | A. Grant (tracks: 15), A. Young (tracks: 13), B. Honeycutt (tracks: 2), P. Injeti (tracks: 2, 14), D. Tanenbaum (tracks: 12, 14), D. Parker (tracks: 13), D. Porter (tracks: 3), D. Carter (tracks: 9), D. Chin-Quee (tracks: 5), E. Haynie (tracks: 6), E. Alcock (tracks: 4, 14), H. Hafferman (tracks: 15), J. Scheffer (tracks: 10), J. Gilbert (tracks: 5), J. Evans (tracks: 7, 8), J. Smith (tracks: 1, 9, 16), K. Muchita (tracks: 17), K. Rahman (tracks: 2, 4, 12, 14), L. Rodrigues (tracks: 4, 12, 14), L. Resto (tracks: 5, 7), M. Batson (tracks: 13), M. Mathers, M. Burnett (tracks: 7, 8), M. Samuels (tracks: 7, 8), M. Crawford (tracks: 17), N. Brongers (tracks: 13), S. Cruse (tracks: 13), S. McEwan (tracks: 10), T. Lawrence (tracks: 13) |
| Acoustic Guitar | Mike Strange (tracks: 6) |
| Executive Producer | Dr. Dre, Paul D. Rosenberg, Esq. |
| Administrator | Alicia Graham |
| Booking | Steve Strange , X-Ray Touring |
| Edited By | Art Machine |
| Public Relations | Christian Clancy |
| Art Direction [for SLANG | Julian Alexander |
| Inc.] | Julian Alexander |
| Design [for SLANG | Julian Alexander |
| Legal [Aftermath Legal for King | Peter Paterno, Esq. |
| Holmes | Peter Paterno, Esq. |
| Paterno & Berlinger LLP] | Peter Paterno, Esq. |
| Legal [Eminem & Shady Records Legal for Sedlmayr and Associates | Lisa Donini, Esq., Theo Sedlmayr |
| P.C.] | Lisa Donini, Esq., Theo Sedlmayr |
| Management [Sample Clearances @ DMG Clearances | Deborah Mannis-Gardner |
| Photography | Nigel Parry |
Notes
- Made In Brazil
- Track #1 contains elements of "Patriotic Song" by The Gringo.
- Track #3 contains elements and samples of "Peace And Love" by Mandrill.
- Track #6 contains samples from the "Changes" by Black Sabbath.
- Track #9 contains elements and samples of "What Is Love" by Haddaway.
- Track #16 contains elements of "Cry Little Sister" by Gerard McMann.
- Track #17 contains elements and samples of "You Don't Own Me" by Lesley Gore.
- Printed in the U.S.A.
- Pirate Russian version. Packaged in a Jewel case with a clear tray.
- ©&℗ 2010 "Digital Records" Адрес для направления предложений и претензий: 123098 г. Москва ул. Электрозаводская, д.8.
- тел.:8344-70-25,8350-12-70 e-mail: DigitRec@yar.ru
- Оптовая продажа компакт-дисков, аудиокассет, лицензий на тиражирование: 123098 г. Москва ул. Электрозаводская, д.8.
- Изготовитель экземпляра ООО "Спартак" 123053 г. Москва ул. Пехотная, д.31. Лицензия МПТР Россия ВАФ 7750 г. Москва ул. Пехотная, д.31
- Музыкальный компакт-диск формата CD-DA.
- Соответствует требованиям ГОСТ 28376-89, ГОСТ 27667-88, ГОСТ Р 51121-97
- Track 17 is an untitled bonus hidden track.
- Belorussian release
- FBI Anti-Piracy Warning. Track durations from the computer.
- ℗© 2010 Aftermath Records, a division of UMG Recordings Inc.
- Made in the Taiwan.
- Printed in Taiwan. Includes foldout Chinese lyric insert.
- Indonesia Edition.
- Manufactured & Printed in Indonesia.
- Bootleg version.
- 'Greece | Special Edition' printed on liner and along the perimeter of the front cover artwork
- Some sealed copies came with a red hype sticker.
- ( CD matrix DIDX 306974 It is seen very bad - not legible )
- Booklet: 20 pages. Released in a regular Jewel Case with clear tray.
- Track #1 Published By Songs of Universal, Inc. / Shroom Shady Music (BMI) / N.Q.C. Music Publishing o/b/o F.O.B. Music Publishing (ASCAP) / RCS Music (PRS)
- Produced by Just Blaze for F.O.B. Entertainment / N.Q.C. Management, LLC and Hip Hop Since 1978.
- Recorded and mixed at Effigy Studios
- contains elements of "Patriotic Song" performed by The Gringo written by Simon Byrne, Henry Marsh, John Perry and Casey Synge. Published by RCS Music (PRS). Courtesy of Gringo.
- Track #2 Published By Songs of Universal, Inc. / Shroom Shady Music (BMI) / Jaleesa And Mahdis Music (BMI) / EMI Music (EMI Canada) / B. Honeycutt (BMI)
- Produced for DJ Khalil Productions LLC
- Track #3 Published By Songs of Universal, Inc. / Shroom Shady Music (BMI) / Dertyworks Publishing / EMI April Music (ASCAP) / Intersong USA, Inc. (ASCAP) / Mandrill Music Publishing (ASCAP)
- Produced for Mr. Porter Productions Group
- Recorded by Alex Merzin at Area 51 Studio & Mike Strange @ Effigy Studios. Mixed At Affigy Studios
- contains elements and samples of "Peace And Love (Amani Na Mapenzi)" (L. Wilson/R. Wilson/C. Wilson), Intersong-USA, Inc. (ASCAP). This track contains a sample of the recording "Peace And Love" as performed by Mandrill. Courtesy of Mercury Records under license from Universal Music Enterprises.
- [Disc Face]
- ℗ © 2010 Aftermath Records Manufactured and Distributed in the United States by Universal Music Distribution.
- [Tray Card]
- Aftermath Records , 2220 Colorado Ave., Santa Monica, CA Manufactured and Distributed in the United
- States by Universal Music Distribution. ℗ © 2010 Aftermath Records All rights reserved. Printed in U.S.A.
- Made in the EU.
- Marketed in Australasia by Universal Music Australia under exclusive licence. Made in Australia.
- ℗© 2010 Aftermath Records. MUY IMPORTANTE: Este fonograma es producto intelectual protegido en favor de su productor. Los derechos del fonograma se encuentran reconocidos por la Ley Federal del Derecho de Autor. Se prohíbe su producción, reproducción, importación, almacenamiento, transporte, distribución, comercialización, venta o arrendamiento, así como su adaptación, transfromación y comunicación directa al público sin previa autorización por escrito del titular. La violación a esta prohibición constituyen un delito y una infracción que están sancionados conforme a los artículos 424 Bis, 424 Ter del Código Penal Federal, 231 fracción III y 232 fracción I, de la Ley Federal del Derecho de Autor. Hecho en México y distribuido por Universal Music México, S.A. de C.V. Hegel 721. Col. Bosque de Chapultepec. C.P. 11580 Delegación Miguel Hidalgo. México D.F. "La música es cultura".
- www.universal.com.mx www.youtube.com/umusicmexico
- Track 1: "Cold Wind Blows" contains elements of "Patriotic Song" performed by The Gringo written by Simon Bryne, Henry Marsh, John Perry and Casey Synge published by RCS Music (PRS) courtesy of The Gringo. Used by permission. All rights reserved.
- Track 3: "On Fire" contains elements of "Peace and Love (Amani Na Mapenzi)" (L. Wilson/R.Wilson/C. Wilson), Intersong-USA, Inc. (ASCAP) & Mandrill Music Publishing (ASCAP). All rights administered by Intersong-USA, Inc. (ASCAP). All rights reserved. This track contains a sample of the recording "Peace and Love" as performed by Mandrill. Courtesy of Mercury Records under license from Universal Music Enterprises. Used by permission. All rights reserved.
- Track 4: "Won't Back Down". P!nk appears courtesy of LaFace Records, a unit of Sony Music Entertainment.
- Track 6: "Going Through Changes" contains elements of "Changes" written by Terence Butler, Anthony Iommi, John Osbourne and WT Ward and published by Essex Music International. Used by permission. Featuring samples from the Black Sabbath recording "Changes" under license from Black Sabbath. Used by permission.
- Track 9: "No Love". Lil Wayne appears courtesy of Cash Money/Universal Motown Records. Contains elements of "What Is Love" (D. Halligan/J. Torello), Hanseatic Musikveriag (GEMA). All rights administered by WB Music Corp. (ASCAP). All rights reserved. Featuring samples from "What Is Love" performed by Haddaway ℗ Coconut Music Ltd. & Co. under license from Razor & Tie Entertainment.
- Track 15: "Love The Way You Lie". Rihanna appears courtesy of Island Def Jam Music Group.
- Track 16: "You're Never Over" contains elements of "Cry Little Sister" written by Michael Mainieri Jr. and Gerard McMann and published by Universal Music Corp. on of behalf Warner Olive Music LLC and Bac Mac Publishing. Used by permission. Featuring samples from Gerard McMann recording "Cry Little Sister". Produced under license from Atlantic Recording Corp., by arrangement with Rhino Entertainment Company, a Warner Music Group Company.
- Track 17: "Untitled" contains elements of "You Don't Own Me" written by John Madara and Dave White Tricker and published by Mejorda Music Inc. c/o Unichappell Music Inc (BMI). Used by permission. *This track contains a sample of the recording "You Don't Own Me" as performed by Lesley Gore. Courtesy of Mercury Records under license from Universal Music Enterprises. Used by permission. All rights reserved.
- "Big Proof Forever, 1973 - 2006"
- THIS ALBUM IS DEDICATED 2 ANYONE WHO'S IN A DARK PLACE TRYIN' TO 2 GET OUT. KEEP YOUR HEAD UP... IT DOES GET BETTER!
- Printed in the EU.
- (c) 2010 Aftermath, Interscope
- Printed in the EU
- Track A1 contains elements of "Patriotic Song" by The Gringo.
- Track A3 contains elements and samples of "Peace And Love" by Mandrill.
- Track B1 contains samples from the "Changes" by Black Sabbath.
- Track B4 contains elements and samples of "What Is Love" by Haddaway.
- Track D3 contains elements of "Cry Little Sister" by Gerard McMann.
- Track D4 contains elements and samples of "You Don't Own Me" by Lesley Gore.
- This album is dedicated 2 anyone who's in a dark place tryin' 2 get out. Keep your head up... It does get better! (Big Proof forever 1973-2006)
- ℗© 2010 Aftermath Records. All right reserved.
- Comes in a gatefold sleeve.
Barcodes
- Barcode: 6 02527 39452 7
- Matrix / Runout: Arvato Digital Services 60252739452 5526/10
- Mastering SID Code: IFPI LW75
- Mould SID Code: IFPI LL75
- Other (Batch ID): AD0003000
- Barcode (Text): 6 02527 39452 7
- Barcode (Scanned): 602527394527
- Matrix / Runout (Variant 1): DIDX-306970 2
- Mastering SID Code (Variant 1): IFPI L327
- Mould SID Code (Variant 1): IFPI 7263
- Matrix / Runout (Variant 2): DIDX-306970 L4 1A 01
- Mastering SID Code (Variant 2): IFPI L424
- Mould SID Code (Variant 2): IFPI 7229
- Matrix / Runout (Variant 3): DIDX-306970 5 A05
- Mastering SID Code (Variant 3): IFPI L327
- Mould SID Code (Variant 3): IFPI 50EE
- Barcode (Text): 4 603186 771014 >
- Barcode (String): 4603186771014
- Barcode: 4 605026 705517
- Barcode: 6009143439634
- Barcode (Printed): 6 02527 39452 7
- Label Code: LC06406
- Barcode: 0602527394527
- Barcode: 0 723567 71246714
- Other: 0602527394527
- Barcode: 0602527466224
- Barcode: 602527394527
- Matrix / Runout: DIDX 306974
- Other: No Barcode
- Matrix / Runout: STEBBING IFPI P801 2739452 9221 B
- Barcode: 6 02527 39451 0
- Mastering SID Code (Variants 1 & 2): IFPI L327
- Matrix / Runout (Variant 1): DIDX-306971 1
- Mould SID Code (Variant 1): IFPI 507D
- Matrix / Runout (Variant 2): DIDX-306970 2
- Mould SID Code (Variant 2): IFPI 50AC
- Rights Society: ASCAP
- Rights Society: PRS
- Rights Society: BMI
- Matrix / Runout: DIDX-306971 1
- Other (Mastering SID Code): IFPI L327
- Other (Mould SID Code): IFPI 507D
- Barcode (Scanned): 4988005618993
- Rights Society: JASRAC
- Barcode (Text): 6 02527 40976 4
- Barcode (Scanned): 602527409764
- Matrix / Runout (Side A: (stamped)): 97982 1A 2740976
- Matrix / Runout (Side B: (stamped)): 97982 1B 2740976
- Matrix / Runout (Side C: (stamped)): 97982 1C 2740976
- Matrix / Runout (Side D: (stamped)): 97982 1D 2740976
- Rights Society: BIEM/SDRM
- Matrix / Runout: [Universal logo] ANZ 2739452 A0100943075X0101 12
- Mastering SID Code: IFPI LV87
- Mould SID Code: IFPI 6546
- Matrix / Runout: 00 6025 274 662-2 4 [UNIVERSAL LOGO] W62935
- Mastering SID Code: IFPI LD02
- Mould SID Code: IFPI 5J33
- Barcode: 6 02527 46622 4
- Barcode (scanned): 602527466224
- Matrix / Runout: 2739452 [Arvato Digital Services logo] 35549 100398427
- Mastering SID Code: IFPI LP74
- Mould SID Code: IFPI 0815
- Rights Society (All tracks): BMI
- Rights Society (Tracks 1, 3, 5, 6, 7, 8, 9, 13, 16 & 17): ASCAP
- Rights Society (Tracks 1): PRS
- Rights Society (Track 2): EMI CANADA
- Rights Society (Tracks 4, 12 & 14): SOCAN
- Rights Society (Track 9): GEMA
- Rights Society (Track 13): SACEM/BMI
- Rights Society (Track 14): EMI Canada
- Matrix / Runout: [Universal logo] 2739452 57 A00
- Mastering SID Code: IFPI L557
- Mould SID Code: IFPI 94K2
- Matrix / Runout (Variant 1): 06025 273 945-2 01 + 52558895
- Matrix / Runout (Variant 1): [Universal logo 4x]
- Mastering SID Code (Variant 1): IFPI LV27
- Mould SID Code (Variant 1): IFPI 0153
- Matrix / Runout (Variant 2): 06025 273 945-2 01 + 52558895
- Matrix / Runout (Variant 2): [Universal logo 4x]
- Mastering SID Code (Variant 2): IFPI LV27
- Mould SID Code (Variant 2): IFPI 0128
- Matrix / Runout (Variant 3): 06025 273 945-2 01 + 52558895
- Matrix / Runout (Variant 3): [Universal logo 4x]
- Matrix / Runout (Mould text, variant 3): MADE IN GERMANY BY EDC AB
- Mastering SID Code (Variant 3): IFPI LV27
- Mould SID Code (Variant 3): IFPI 0136
- Matrix / Runout (Variant 4): 06025 273 945-2 01 + 52558895
- Matrix / Runout (Variant 4): [Universal logo 4x]
- Matrix / Runout (Mould text, variant 4): MADE IN GERMANY BY EDC E
- Mastering SID Code (Variant 4): IFPI LV27
- Mould SID Code (Variant 4): IFPI 0118
- Matrix / Runout (Variant 5): 06025 273 945-2 01 + 52558895
- Matrix / Runout (Variant 5): [Universal logo 4x]
- Mastering SID Code (Variant 5): IFPI LV27
- Mould SID Code (Variant 5): IFPI 0152
- Matrix / Runout (Variant 6): 06025 273 945-2 01 + 52558895
- Matrix / Runout (Variant 6): [Universal logo 4x]
- Matrix / Runout (Mould text, variant 6): MADE IN GERMANY BY EDC G
- Mastering SID Code (Variant 6): IFPI LV27
- Mould SID Code (Variant 6): IFPI 0151
- Matrix / Runout (Variant 7): 06025 273 945-2 01 + 52558895
- Matrix / Runout (Variant 7): [Universal logo 4x]
- Matrix / Runout (Mould text, variant 7): MADE IN GERMANY BY EDC K
- Mastering SID Code (Variant 7): IFPI LV27
- Mould SID Code (Variant 7): IFPI 0125
- Barcode: 6 02527 40976 4
- Matrix / Runout (Side A): B0014411-01-LP01-A
- Matrix / Runout (Side B): B0014411-01-LP01-B
- Matrix / Runout (Side C): B0014411-01-LP02-A
- Matrix / Runout (Side D): B0014411-01-LP02-B
About Eminem
Marshall Bruce Mathers III (born October 17, 1972, St. Joseph, Missouri), known by his primary stage name Eminem (stylized as EMINƎM), or by his alter ego Slim Shady, is an American rapper and record producer who grew up in Detroit, Michigan. He began his professional music career as a member of Soul Intent along with Proof in 1992. He also started his first record label with his group that same year called Mashin' Duck Records.
Real Name
- Marshall Bruce Mathers III
Name Vars
- \
- E. Minem
- EM
- EMINƎM
- Em
- Emenem
- Emiem
- Emine
- Eminem Show
- Eminen
- Eminien
- Enimen
- M
- M & M
- M&M
- M.N.M
- MNM
- Marshall Mathers
- ¨ßÍà
- ߃·
- ؿ
Aliases
- Slim Shady
- Marshall Mathers
- Ken Kaniff
Summary by Tinuoye Bamidele
Comments
Relapse won a Grammy and flew off shelves. Despite that after initial shine wore off Eminem only appeared more obsolete in the rap game. It appeared that his ability to sell may not be damaged but his ability to dominate the game had vanished.Then Not Afraid dropped. Marshall was back.It was impossible to escape this song if you wanted to. A major departure for Eminem, the first time his lead off single wasn't a comedy track, Eminem sounded involved for the first time in 7 years and everyone loved it, as it shot up to number one and was one of his highest selling singles. What can we say, from Stillmatic to The Blueprint hip-hop loves a good comeback, an artist who went soft and started clawing his way back to the top.Eminem followed up with Recovery and it is filled to the brim with Not Afraid 2.0's. This album is destined to be played at gyms all over the world as it is stuffed with anger/inspirational numbers. Despite it's repetition it works phenomenally. The main reason this works is thanks to Eminem who COMPLETELY sells it, you believe every word he says and you can't help but root for him. He's an excellent technical rapper and he shows it off here, condemning everyone who gave up on him and he just sounds soooo good letting out his frustrations. For the first time in years Eminem sounds like he's the best MC in the world and we're all glad to hear it. Just listen to No Love or Cinderella Man for some premier examples of this. Once every while he steps out of this mold and this also leads to some of the highlights, most notably being his honesty during Talkin to Myself, or reflecting on Proof's death on You're Never Over.The main issue with the album is the production. The majority of it isn't bad by any stretch but it all kind of blends together and rarely stands out. This is good when Eminem is spitting fire like he is for much of the album, but if he relies on the production to save him at all it falls. Not Afraid is still a decent track but when you find out it's produced by Boi-1da it's disappointing how simple the production is when you consider how good his production is with Drake. Recovery also shows us how out of it Dre is, since he only produces "So Bad" and that fails to stand out. Producing is clearly a side interest for the once revolutionary figure.The collaborations with pop singers also don't work. Pink doesn't sound interested and Love the Way You Lie is my least favorite track on the album, due to Rihanna delivering terrible singing and the production being utterly dull. Other than the Lil Wayne feature, Em is better off with unknown featuring artists.This has also unfortunately led to Eminem finding the formula to radio success that he has no problem abusing. 1- Angry/inspiration lyrics, 2-Pop Singer on Chorus, 3-Profit (The Monster, Love the Way You Lie, Guts Over Fear, Headlights, Kings Never Die, Lighters, etc.) But at THIS point it sounded wonderful, the comeback we all wanted Eminem to have.
Alguém em 2023 ouvindo esse Hino?
Congrats ? regards Dj smidnightcaller xx
Quién se acuerda de esto cuando poníamos en el juego de zombies en la rich
Just gonna stand there and watch me burn?
Well, that's alright, because I like the way it hurts
Just gonna stand there and hear me cry?
Well, that's alright, because I love the way you lie
I love the way you lie
I can't tell you what it really is
I can only tell you what it feels like
And right now, there's a steel knife in my windpipe
I can't breathe, but I still fight while I can fight
As long as the wrong feels right, it's like I'm in flight
High off of love, drunk from her hate
It's like I'm huffing paint and I love her, the more I suffer
I suffocate and right before I'm about to drown
She resuscitates me, she fucking hates me
And I love it, "Wait
Where you going?" "I'm leaving you"
"No you ain't, come back"
We're running right back, here we go again
It's so insane 'cause when it's going good, it's going great
I'm Superman, with the wind at his back, she's Lois Lane
But when it's bad, it's awful
I feel so ashamed, I snapped, "Who's that dude?"
I don't even know his name, I laid hands on her
I'll never stoop so low again, I guess I don't know my own strength
Just gonna stand there and watch me burn?
Well, that's alright, because I like the way it hurts
Just gonna stand there and hear me cry?
Well, that's alright, because I love the way you lie
I love the way you lie
I love the way you lie
You ever love somebody so much you can barely breathe when you're with 'em?
You meet, and neither one of you, even know what hit 'em
Got that warm fuzzy feeling, yeah, them chills, used to get 'em
Now you're getting fucking sick of looking at 'em
You swore you've never hit 'em, never do nothing to hurt 'em
Now you're in each other's face
Spewing venom in your words when you spit 'em
You push, pull each other's hair, scratch, claw, bit 'em
Throw 'em down, pin 'em, so lost in the moments when you're in 'em
It's the rage that took over, it controls you both
So they say you're best to go your separate ways
Guess that they don't know ya 'cause today, that was yesterday
Yesterday is over, it's a different day
Sound like broken records playin' over
But you promised her, next time you'll show restraint
You don't get another chance, life is no Nintendo game
But you lied again
Now you get to watch her leave out the window
Guess that's why they call it window pane
Just gonna stand there and watch me burn?
Well, that's alright, because I like the way it hurts
Just gonna stand there and hear me cry?
Well, that's alright, because I love the way you lie
I love the way you lie
I love the way you lie
Now I know we said things, did things that we didn't mean
Then we fall back into the same patterns
Same routine, but your temper's just as bad as mine is
You're the same as me, when it comes to love, you're just as blinded
Baby, please come back, it wasn't you
Baby, it was me, maybe our relationship isn't as crazy as it seems
Maybe that's what happens when a tornado meets a volcano
All I know is I love you too much to walk away though
Come inside, pick up your bags off the sidewalk
Don't you hear sincerity in my voice when I talk?
Told you this is my fault, look me in the eyeball
Next time I'm pissed, I'll aim my fist at the drywall
Next time? There won't be no next time
I apologize, even though I know it's lies
I'm tired of the games, I just want her back, I know I'm a liar
If she ever tries to fucking leave again
I'm a tie her to the bed and set this house on fire
Just gonna stand there and watch me burn?
Well, that's alright, because I like the way it hurts
Just gonna stand there and hear me cry?
Well, that's alright, because I love the way you lie
I love the way you lie
I love the way you lie
Well, that's alright, because I like the way it hurts
Just gonna stand there and hear me cry?
Well, that's alright, because I love the way you lie
I love the way you lie
I can't tell you what it really is
I can only tell you what it feels like
And right now, there's a steel knife in my windpipe
I can't breathe, but I still fight while I can fight
As long as the wrong feels right, it's like I'm in flight
High off of love, drunk from her hate
It's like I'm huffing paint and I love her, the more I suffer
I suffocate and right before I'm about to drown
She resuscitates me, she fucking hates me
And I love it, "Wait
Where you going?" "I'm leaving you"
"No you ain't, come back"
We're running right back, here we go again
It's so insane 'cause when it's going good, it's going great
I'm Superman, with the wind at his back, she's Lois Lane
But when it's bad, it's awful
I feel so ashamed, I snapped, "Who's that dude?"
I don't even know his name, I laid hands on her
I'll never stoop so low again, I guess I don't know my own strength
Just gonna stand there and watch me burn?
Well, that's alright, because I like the way it hurts
Just gonna stand there and hear me cry?
Well, that's alright, because I love the way you lie
I love the way you lie
I love the way you lie
You ever love somebody so much you can barely breathe when you're with 'em?
You meet, and neither one of you, even know what hit 'em
Got that warm fuzzy feeling, yeah, them chills, used to get 'em
Now you're getting fucking sick of looking at 'em
You swore you've never hit 'em, never do nothing to hurt 'em
Now you're in each other's face
Spewing venom in your words when you spit 'em
You push, pull each other's hair, scratch, claw, bit 'em
Throw 'em down, pin 'em, so lost in the moments when you're in 'em
It's the rage that took over, it controls you both
So they say you're best to go your separate ways
Guess that they don't know ya 'cause today, that was yesterday
Yesterday is over, it's a different day
Sound like broken records playin' over
But you promised her, next time you'll show restraint
You don't get another chance, life is no Nintendo game
But you lied again
Now you get to watch her leave out the window
Guess that's why they call it window pane
Just gonna stand there and watch me burn?
Well, that's alright, because I like the way it hurts
Just gonna stand there and hear me cry?
Well, that's alright, because I love the way you lie
I love the way you lie
I love the way you lie
Now I know we said things, did things that we didn't mean
Then we fall back into the same patterns
Same routine, but your temper's just as bad as mine is
You're the same as me, when it comes to love, you're just as blinded
Baby, please come back, it wasn't you
Baby, it was me, maybe our relationship isn't as crazy as it seems
Maybe that's what happens when a tornado meets a volcano
All I know is I love you too much to walk away though
Come inside, pick up your bags off the sidewalk
Don't you hear sincerity in my voice when I talk?
Told you this is my fault, look me in the eyeball
Next time I'm pissed, I'll aim my fist at the drywall
Next time? There won't be no next time
I apologize, even though I know it's lies
I'm tired of the games, I just want her back, I know I'm a liar
If she ever tries to fucking leave again
I'm a tie her to the bed and set this house on fire
Just gonna stand there and watch me burn?
Well, that's alright, because I like the way it hurts
Just gonna stand there and hear me cry?
Well, that's alright, because I love the way you lie
I love the way you lie
I love the way you lie
Deim em I feel you but now I don't feel nothing distance kills love . And shows me the truth in them that on my hard I cannot count on them so shows me not to go so far for them. Will always go far for my partner but not for my ex . The disappointment and the resentment.. shucks when you think that was the one but hey its life MOM did it to show me who she really was. But I will always care for her . And I know my mistakes so I won't do them with my future wife. ?
