Dave Van Ronk - Hear Me Howl Live 1964

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Review by Dinor Kahfi

Hear Me Howl Live 1964 by Dave Van Ronk is a stunning album that showcases the raw talent and passion of the folk legend. The album captures Van Ronk's live performance at the Gaslight Cafe in Greenwich Village, New York City, in 1964, and the energy and intensity of the performance are palpable.

The album features Van Ronk's signature blend of blues, folk, and jazz, and his gravelly voice and intricate guitar work are on full display. The album includes some of his most beloved tracks, such as "Green Rocky Road," "Duncan and Brady," and "Cocaine Blues," as well as some lesser-known gems.

The recording quality is excellent, and the album captures the essence of the Greenwich Village folk scene of the early 1960s. The audience's enthusiastic response adds to the energy of the performance, and Van Ronk's banter between songs is charming and witty.

Table of Contents

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  • FLAC size: 1326 mb

Tracks

TrackDurationPreview
The Song Of Wandering Aengus
Candy Man
One Meatball
You've Been A Good Old Wagon
Motherless Children
Frankie's Blues
Buddy Bolden's Blues
Rocks 03:55
Stackalee
God Bless The Child
Blues Chante
Green Rocky Road
That'll Never Happen No More
Yas Yas Yas
Rocks & Gravel
Tell Old Bill
St. James Infirmary
Cocaine Blues
He Was A Friend Of Mine
You've Been a Good Old Wagon03:12
Mr. Noah
Alabama Song
St. Louis Tickle
Baby Let Me Lay It On You
Nobody Knows You When You Are Down And Out
Two Trains Running

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Catalog Numbers

ROC-CD-3284, ROC-CD-C-3284

Labels

RockBeat Records

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Formats

  • 2 × CD
  • Album

Companies

RoleCompany
Phonographic Copyright (p)S'more Entertainment LLC
Copyright (c)S'more Entertainment LLC
Recorded AtIndiana University Auditorium

Credits

RoleCredit
Acoustic GuitarDave Van Ronk
Arranged ByDave Van Ronk (tracks: 1-1, 1-3, 1-4, 1-6, 2-5, 2-11, 2-12)
Compilation ProducerJames Austin, Mary Katherine Aldin
CoverJames Austin
DesignJimmy Hole
Liner NotesMary Katherine Aldin
Mastered ByRandy Perry
VocalsDave Van Ronk
Written ByBlake (tracks: 2-1), Smith (tracks: 1-2), Herring (tracks: 2-4), Bartholomew (tracks: 1-11), Van Ronk (tracks: 1-12, 2-3, 2-7), Von Schmidt (tracks: 2-3), Strange (tracks: 1-7), White (tracks: 2-9), Lennox (tracks: 2-8), Davis (tracks: 1-9), Trad (tracks: 1-1, 1-4)
Written-ByHerzog (tracks: 2-2), Smith (tracks: 1-10), Holiday (tracks: 2-2), Morton (tracks: 1-5), Weill (tracks: 1-13), Morganfield (tracks: 2-6), Davis (tracks: 1-8, 2-10), Trad (tracks: 1-3, 1-6, 2-5, 2-11, 2-12)

Notes

  • ℗ © 2015 S'more Entertainment LLC dba RockBeat Records
  • 4335 Van Nuys Blvd., Suite 313, Sherman Oaks, CA 91403
  • www.rockbeatrecords.com
  • Catalog #ROC-CD-3284 on spine and rear cover / #ROC-CD-C-3284 on CD1 & CD2
  • Note: These are numerous errors and omissions in the composition credits. Based on Van Ronk's recorded repertoire
  • #1-1 incorrectly credited as 'Traditional' in lieu of Furry Lewis
  • #1-2 incorrectly credited to C. Smith in lieu of Ben Harney
  • #1-4 incorrectly credited as 'Traditional' in lieu of Theron C. Bennett
  • #1-5 omits Buddy Bolden's co-writing role
  • #1-6 omits Eric Von Schmidt's arrangement role
  • #1-7 incorrectly credited to Jimmy Strange in lieu of 'Traditional'
  • #1-9 incorrectly credited to Rev. Gary Davis in lieu of 'Traditional'
  • #1-10 omits Jimmy Cox's co-writing role
  • #1-11 incorrectly credited to Dave Bartholomew in lieu of Dizzy Gillespie
  • #1-12 incorrectly credited to Dave Van Ronk in lieu of Len Chandler & Bob Kaufman
  • #1-13 omits Bertolt Brecht's lyrical contribution
  • #2-1 incorrectly credited to Blind Blake in lieu of 'Traditional'
  • #2-3 incorrectly credited to Eric Von Schmidt/Dave Van Ronk in lieu of 'Traditional'
  • #2-4 is a Traditional tune with lyrics from a William Butler Yeats poem incorrectly credited to Caroline Herring
  • #2-7 incorrectly credited to Dave Van Ronk in lieu of 'Traditional'
  • #2-8 is a Traditional tune composed decades before the birth of Panda Bear
  • #2-9 incorrectly credited to Josh White in lieu of Henry Wadsworth Longfellow, James Russell Lowell, and Francis James Child
  • #2-12 omits Eric Von Schmidt's arrangement role
  • All material recorded live at Indiana University, Bloomington on October 20, 1964, except track #2-12, recorded "Live 1977" at the "Phil Ochs Memorial Concert". (Note: That Concert was in May 1976 at New York City's Madison Square Garden, and aired on American PBS stations in Spring & Summer of 1977)
  • Producers of this posthumous release give "Special Thanks" to Mitch Greenhill, Tom Paxton, Andrea Vuocolo

Barcodes

  • Barcode: 0 89353 32842 9
  • Mastering SID Code (CD1): IFPI L329
  • Other (CD1): DIDX-1070945 2
  • Mastering SID Code (CD2): IFPI L327
  • Other (CD2): DIDX-1070945 1
  • ASIN: B00QKMCSHA

About Dave Van Ronk

last ned album Dave Van Ronk - Hear Me Howl Live 1964baixar álbum Dave Van Ronk - Hear Me Howl Live 1964Album herunterladen Dave Van Ronk - Hear Me Howl Live 1964lataa albumi Dave Van Ronk - Hear Me Howl Live 1964télécharger l'album Dave Van Ronk - Hear Me Howl Live 1964ladda ner album Dave Van Ronk - Hear Me Howl Live 1964
Born 30 June 1936, Brooklyn, NY, USA. Died 10 February 2002, New York City, NY, USA Nicknamed the Mayor of MacDougal Street, New York City native Dave Van Ronk was considered by many to be music's raconteur, troubadour, and provocateur. Arriving at Washington Square Park in the mid 1950s during the folk revivalist boom, Van Ronk lived hand-to-mouth while teaching himself to play guitar and dabbling in communist political circles. By 1958, he and life-long friend, musicologist , released their first album, 's "Skiffle in Stereo" as members of . After a stint in the Merchant Marine, tireless gigging in most every cabaret in the city, and a one-off collaboration as a on 's album of sea shanties, Van Ronk settled on the lower west side Manhattan, in Greenwich Village. Referred to as the great, grizzled, guitarist by , Van Ronks music eluded classification. As a self-described moldy fig who eschewed the term folk artist, Dave Van Ronks eclectic blend of dixieland jazz, ragtime, blues, vaudeville, and other styles were often in direct conflict with the format-conscious world of the commercial music business. Reminding listeners his only constant was, "I've always been inconsistent, his recordings followed one rule, anything that I like and that I think I can find a handle to, I'll take a whack at. And as it has been, so shall it be." Though more an arranger than a songwriter, Van Ronk was awarded a Lifetime Achievement Award from the American Society of Composers, Authors, and Publishers toward the end of his four plus decade career in December of 1997. Debuting on 's label in the early 1960s, Van Ronk moved onto with Dixieland revivalists and with . At the close of the 1960s, released his sole rock album with the . As the folk boom ebbed, Van Ronks gravelly voice was relatively quiet, releasing an album for in 1972, another the following year on , then landing on the roster in 1976. By the early 1980s, Van Ronk was recording several one-off projects with assorted independent folk labels, including a handful for ' New England-based imprint. Joint ventures with and followed in the 1990s. Van Ronk continued performing live right up to his death from complications following colon cancer surgery in Winter 2002. His autobiography, written with , and live album, "

Real Name

    • David Kenneth Ritz Van Ronk

Name Vars

  • D Van Ronk
  • D. Van Ronk
  • D. van Ronk
  • Dave
  • Dave Von Ronck
  • Van Ronk
  • Van-Ronk
  • VanRonk

Aliases

  • Uncle Moose
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Summary by Dinor Kahfi

Hear Me Howl Live 1964 is a must-have for any fan of Dave Van Ronk or the Greenwich Village folk scene. The album is a testament to Van Ronk's talent and legacy, and it is a joy to listen to from start to finish.