Beethoven, Anna TomowaSintow, Annelies Burmeister, Peter Schreier, Theo Adam, Chorus & Gewandhaus Orchestra, Leipzig, Kurt Masur - Beethoven Symphony No 9 Choral
Review by David Hillson
The Beethoven Symphony No 9 Choral album, featuring performances by Anna TomowaSintow, Annelies Burmeister, Peter Schreier, Theo Adam, Chorus & Gewandhaus Orchestra, Leipzig, and conducted by Kurt Masur, is a must-have for classical music lovers.
The album showcases the magnificent choral work of Beethoven, with the orchestra and chorus delivering a powerful and moving performance. The soloists are equally impressive, with Anna TomowaSintow, Annelies Burmeister, Peter Schreier, and Theo Adam delivering stunning performances that are both emotive and technically flawless.
The album is beautifully recorded, capturing the full range of sound and emotion of the performance. The clarity of the recording is especially impressive, allowing the listener to fully appreciate the intricate interplay between the orchestra, chorus, and soloists.
Album: Beethoven Symphony No 9 Choral
Table of Contents
Download
Filename: beethoven-anna-tomowasintow-annelies-burmeister-peter.rar- MP3 size: 43.8 mb
- FLAC size: 334.8 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| Allegro Ma Non Troppo, Un Poco Maestoso | ||
| Adagio Molto E Cantabile (Conclusion) | ||
| Adagio Molto E Cantabile | ||
| Molto Vivace | ||
| Symphony No. 9 In D Minor, Op.125 "Choral" | ||
| Presto - Allegro Assai |
Video
Beethoven - 9th Symphony 'Choral' (Complete) ٫*
Images
Catalog Numbers
6570 012Labels
PhilipsListen online
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Formats
- Vinyl
- LP
- Album
- Stereo
Credits
| Role | Credit |
|---|---|
| Bass Vocals | Theo Adam (tracks: B2) |
| Choir | Children's Voices Of The Dresden Philharmonic Chorus (tracks: B2), Radio Chorus, Berlin (tracks: B2), Radio Chorus, Leipzig (tracks: B2) |
| Chorus Master | Dietrich Knothe (tracks: B2) |
| Composed By | Ludwig van Beethoven (tracks: A1 to B2) |
| Conductor | Kurt Masur (tracks: A1 to B2) |
| Contralto Vocals | Annelies Burmeister (tracks: B2) |
| Cover | Cor van Tol, Ruud Nooy |
| Orchestra | Gewandhaus Orchestra, Leipzig (tracks: A1 to B2) |
| Soprano Vocals | Anna Tomowa-Sintow (tracks: B2) |
| Tenor Vocals | Peter Schreier (tracks: B2) |
Notes
- ℗ 1975
- Made In The Netherlands
Barcodes
Other: 6598 333.1YAbout Beethoven, Anna TomowaSintow, Annelies Burmeister, Peter Schreier, Theo Adam, Chorus & Gewandhaus Orchestra, Leipzig, Kurt Masur
German composer and pianist, born in 1770 (baptized 17 December 1770) in Bonn, Germany and died 26 March 1827 in Vienna, Austria.
A crucial figure in the transition between the Classical and Romantic eras in classical music. Beethoven led Viennese Classicism to its highest development and paved the way for Romantic music.
Beethoven was the eldest son of a singer in the Kapelle of the Archbishop-Elector of Cologne and grandson of the Archbishop's Kapellmeister. He moved in 1792 to Vienna, where he had some lessons from Haydn and others, quickly establishing himself as a remarkable keyboard-player and original composer. By 1815 increasing deafness made public performance impossible and accentuated existing eccentricities of character, patiently tolerated by a series of rich patrons and his royal pupil the Archduke Rudolph.
Beethoven did much to enlarge the possibilities of music and widen the horizons of later generations of composers. To his contemporaries he was sometimes a controversial figure, making heavy demands on listeners both by the length and by the complexity of his writing, as he explored new fields of music.
Real Name
- Ludwig van Beethoven
Name Vars
- BEETHOVEN
- Beeshoven
- Beeth.
- Beethofen
- Beethovan
- Beethovania
- Beethove
- Beethoveen
- Beethoven
- Beethoven - Бетховен
- Beethoven L. Van
- Beethoven L. v.
- Beethoven L.V.
- Beethoven Ludwig
- Beethoven Ludwig Van
- Beethoven Ludwig van
- Beethoven Van L.
- Beethoven Van Ludwig
- Beethoven's
- Beethoven, L. van
- Beethoven, L.V.
- Beethoven, Ludvig Van
- Beethoven, Ludwig Van
- Beethoven, Ludwig van
- Beethoven, Ludwig von
- Beethoven, van Ludvig
- Beethoven,L.V.
- Beethoviana
- Bethofen
- Bethoven
- Bethovena
- Bethovenas
- Betoven
- I.Ivan B
- L Beethoven
- L V Beethoven
- L Van Beethoven
- L v Beethoven
- L v. Beethoven
- L van Beethoven
- L-V-Beethoven
- L. Beethoven
- L. Beethoven
- L. Bethoven
- L. Bethovenas
- L. Betoven
- L. Bēthovens
- L. V . Beethoven
- L. V Beethoven
- L. V. Beethoven
- L. V. Beethiven
- L. V. Beethoven
- L. V. Bethoven
- L. V. Betoven
- L. V.Beethoven
- L. Van B.
- L. Van Beethoven
- L. Van Beetrhoven
- L. Van Bethovenas
- L. Van Betoven
- L. Van Bēthovens
- L. Von Beethoven
- L. W. Beethoven
- L. W. Bethowen
- L. v Beethoven
- L. v, Beethoven
- L. v. Beethoven
- L. v. Betoven
- L. v. Betthoven
- L. v.Beethoven
- L. van B.
- L. van Beethoven
- L. van Bethoven
- L. van Bethovenas
- L. van Bethovens
- L. van Betoven
- L. van Bēthovens
- L. van. Beethoven
- L. von Beethoven
- L.-V. Beethoven
- L.Beethoven
- L.V Beethoven
- L.V. Beethoven
- L.V. Betoven
- L.V.Beethoven
- L.V.Bethoveen
- L.V.Betoven
- L.V.Bēthovens
- L.V.ÙüÈüÙó
- L.Van Beethoven
- L.Von Beethoven
- L.W. Beethoven
- L.W. van Beethoven
- L.v Beethoven
- L.v. Beethoven
- L.v.Beethoven
- L.v.ÙüÈüô§ó
- L.van Beethoven
- L.w. Beethoven
- LV Beethoven
- LVBeethoven
- Louis van Beethoven
- Lu. v. Beethoven
- Ludqig Van Beethoven
- Ludvig Van Betoven
- Ludvig V. Beethoven
- Ludvig Van Beethoven
- Ludvig Van Betoven
- Ludvig Von Beethoven
- Ludvig van Beethoven
- Ludvig van Betoven
- Ludvig von Beethoven
- Ludvigs van Bēthovens
- Ludw. V. Beethoven
- Ludw. Van Beethoven
- Ludwig
- Ludwig Beethoven
- Ludwig One Beethoven
- Ludwig V. Beethoven
- Ludwig Van
- Ludwig Van B.
- Ludwig Van Beethofen
- Ludwig Van Beethoveen
- Ludwig Van Beethoven
- Ludwig Von Beethoven
- Ludwig v. Beethoven
- Ludwig van Beethofen
- Ludwig van Beethoven
- Ludwig van Beethoven (II)
- Ludwig van Beethoven, 1770-1827
- Ludwig von Beethoven
- Ludwig von Douchebag
- Ludwin Van Beethoven
- Ludwin van Beethoven
- Luis Van Beethoven
- Lv Beethoven
- LvB
- Mozart
- The Concertos
- V. Beethoven
- V. Beethoven, L.
- V.Beethoven
- Van Beethoven
- Van Beethoven Ludwig
- Van Beethoven, Ludwig
- beethoven
- v. Beethoven
- v.Beethoven
- van Beethoven
- van Beethoven, L.
- van Beethoven, Ludwig
- Μπετόβεν
- Бетховен
- Бетховен Людвиг Ван
- В. Бетховен
- Л. Бетговен
- Л. Бетовен
- Л. Бетховен
- Л. Бетховен - Anatoly Nikitin - Felicia Fondaminskaya
- Л. В. Бетховен
- Л. Ван Бетховен
- Л. в. Бетховен
- Л. ван Бетховен
- Л.Бетховен
- Л.В. Бетовен
- Л.В. Бетховен
- Л.В.Бетховен
- Лудвиг Ван Бетовен
- Лудвиг ван Бетовен
- Лудвиг ван Бетховен
- Людвиг Бетховен
- Людвиг В. Бетховен
- Людвиг Ван Бетовен
- Людвиг Ван Бетховен
- Людвиг в. Бетховен
- Людвиг ван Бетховен
- Людвіг ван Бетховен
- Людиг ван Бетховен
- בטהובן
- ל. ו. בטהובן
- ל. ואן בטהובן
- بتهوفن
- بتهوون
- بيتهوفن
- بيتهوڤن
- لودویگ وان بتهوون
- ÙüÈô§ó
- ÙüÈüÙó
- ÙüÈüô§
- ÙüÈüô§ó
- ÙüÈüô§ó = Beethoven
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- ëüÉô£Òûô¡óûÙüÈüô§ó
- ô§üÈüô§ó
- ಝचʬ
- ഝचʬ
- ࣨӜไވ ఘ ಠƠತ
- ಠƠತ
- ಠƠತ (Ludwig Van Beethoven)
Summary by David Hillson
Comments
Mi admiracion por este genio ?
WHAT IS THIS CRAP???
Thank you
Beethoven..?
True Joy
Lives on in Your Memory.
Glorious.
Mastermind..
Thank you again!
My favorite..
On and on..?❤?
Beethoven..?
True Joy
Lives on in Your Memory.
Glorious.
Mastermind..
Thank you again!
My favorite..
On and on..?❤?
Here because a certain someone argued that the Celeste OST, and by extension, all modern music, is hot garbage while this, and by extension, all classic music is a masterpiece, and I started doing a lot of research to contest his understanding. So I guess I finally checked it out. At the moment I'm losing my mind from how much this proves his point, although I don't know whether I'd say I personally adore this music rather than just think it's okay. I'm still trying to deliberate on how music of this sort would fit into such a thing as a videogame like Celeste. My current theory is that simpler music such as the former resonates with people more easily since it's easier to digest, and seemingly much more focused in the emotions and environment they try to convey (though that is different from the "focused" music I mentioned), ignoring the association bias of things such as lyrics and places they heard the music. These works predate the impressionist movement in music, however (fun fact: I learned about impressionism during my research on his arguments with random Celeste community members), and since I've mostly been subjected to impressionist music, this music might be a bit harder to understand since it's done significantly more for it's own sake than most other pieces, which at least seem to have a discernible mood (usually what I find appeals to me). This is pretty long-winded, a little bit like EATEOT, so as usual I'm listening to this in the background. Usually when I come across songs on YouTube, they're short and I'm there the whole time to pay attention to it. So I might have to do something about that if I want to really dissect and understand this music. Might end up having to do surveys and talk to people who've had experience with this music, along with a decent portion of modern music and all of it's popular and obscure genres.
Well...he did say music was made to be focused on, so there's that. Just remembered. That means music fundamentally divided with storytelling is completely different altogether, and it also means I'm clearly not listening to it properly. It was just supposed to be something for me to dip into while I do the rest of my work, but as someone with intellectual honesty I have to make sure I really understand the other side and their views.
I just finished this thing, so I will give some thoughts. While playing it in the background again so I can comment on it. One thing that stood out was the opera singing, I think it was. I don't have synaesthesia, but I would describe it as like very, _very_ rich chocolate - a bit much for some people. (As for other things that would be "a bit much for some people
Well...he did say music was made to be focused on, so there's that. Just remembered. That means music fundamentally divided with storytelling is completely different altogether, and it also means I'm clearly not listening to it properly. It was just supposed to be something for me to dip into while I do the rest of my work, but as someone with intellectual honesty I have to make sure I really understand the other side and their views.
I just finished this thing, so I will give some thoughts. While playing it in the background again so I can comment on it. One thing that stood out was the opera singing, I think it was. I don't have synaesthesia, but I would describe it as like very, _very_ rich chocolate - a bit much for some people. (As for other things that would be "a bit much for some people
Where's the counterpoint?
Too many ads!
An incredible version. My favorite. Thank you for posting. Many a road trips in my ' 66VW in the mountains with this playing as loud as my stereo speakers could handle the music! :) I loved singing along (attempting to ) with the choral at the top of my lungs...brings tears to my eyes thinking of those times now. Time to do another road trip! ;)
Sadly, it will be a cold day in the place that is the opposite of heaven before this is associated with anything other than Ode to Joy.
8:20 I feel myself in the middle of a storm in the ocean. Rain on my face with thunders and lightnings in the sky.
Clearly the best symphony ever written.
Ludwig van the man Beethoven
When the rest of the non-EU countries in Europe join the EU…
53:41
Beethoven is my jam!
i love bethoven im just waiting for his next track
Had to enlarge painting to see what his writing instrument was ? It's ok , it's not a Bic , it's a quill .
Considered by many to be the greatest piece of music ever written.
Yo this dude snapping
"Ich glaube an Gott, an Mozart und an Beethoven" (Richard Wagner)
SIN.PALABRAS.QUE.PUEDO.DECIR.ANTE.ALGO.TAN.IMPONENTE?
a cera e seca a argila......,
brilhou para Ludwing Van
Beethoven e Adolf Hitler.