Beatles, The - Abbey Road The Rock Band Mix
Table of Contents
Download
Filename: beatles-the-abbey-road-the-rock-band-mix.rar- MP3 size: 102.7 mb
- FLAC size: 778.7 mb
Tracks
Track | Duration | Preview |
---|---|---|
Golden Slumbers - Carry That Weight - The End | ||
Something | ||
You Never Give Me Your Money | ||
Polythene Pam - She Came In Through The Bathroom Window | ||
Because | ||
Octopuss Garden | ||
Maxwell's Silver Hammer | ||
Come Together | ||
Sun King - Mean Mr. Mustard | ||
I Want You (She's So Heavy) | ||
Here Comes The Sun | ||
Oh! Darling | ||
Her Majesty |
Catalog Numbers
PFRB 01Labels
Phonofön MusicListen online
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Formats
- Vinyl
- LP
- 33 ⅓ RPM
- Mixed
- Unofficial Release
- Stereo
- Yellow Vinyl
Notes
- Production Notes:
- Abbey Road, The Beatles (partially) and the Let It Be sessions were the only Beatles albums to be recorded on 8-track tape machines, rather than the 4-track machines that were used fro prior Beatles albums starting with the single "I Want to Hold Your Hand" in 1963 and the album A Hard Days Night in 1964. EMI's management had not approved the use of their then-new 3M 8-track deck until shortly after the sessions for their 1968 single "Hey Jude". Also, the Moog synthesizer is prominently featured, not merely as a background effect, but sometimes playing a central role, as in "Because" where it is used for the middle 8. It is also prominent on "Maxwell's Silver Hammer" (played using a ribbon strip) and "Here Comes the Sun". The instrument was introduced to the band by Harrison after a stay in Los Angeles where he was introduced to the instrument. (The first landmark pop song to employ the Moog was "Daily Nightly" by The Monkeeys). Earlier in 1969, Harrison had released Electronic Sound, which featured dissonant sounds entirely made from a Moog, on Apple's short-lived experimental label Zapple. Abbey Road was also the first ad only Beatles album to be entirely recorded through a solid state transistor mixing deck as opposed to thermionic valve.
- One of the assistant engineers working on the album was a then-unknown Alan Parsons. He went on to engineer Pink Floyd's landmark album The Dark Side of the Moon and produce many popular albums himself with The Alan Parsons Project. John Kurlander also assisted on many of the sessions, and went on to become a successful engineer and producer, most noteworthy for his success on the scored for The Lord of the Rings film trilogy.