The Beatles - Not For Sale
Review by Walter Piras
The album Not For Sale by the Beatles is a masterpiece that showcases the band's musical prowess and creative genius. The album is a compilation of some of the band's greatest hits, including "Hey Jude," "Let it Be," and "Yesterday."
The album is a testament to the band's ability to write timeless music that still resonates with audiences today. The Beatles' signature sound is present throughout the album, with their harmonies and instrumentation blending seamlessly together to create a cohesive and memorable listening experience.
The album's production is top-notch, with each track sounding crisp and clear. The Beatles' vocals are especially noteworthy, as they showcase their range and emotional depth.
Table of Contents
Download
Filename: the-beatles-not-for-sale.rar- MP3 size: 295.2 mb
- FLAC size: 4214.8 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| Do You Want To Know A Secret (Take 7) | ||
| I'll Follow The Sun | ||
| Yer Blues (Rock And Roll Circus) | ||
| If You've Got Troubles | ||
| Dizzy Miss Lizzy | ||
| Honey Don't (Ringo) | ||
| She Loves You | ||
| Paperback Writer (Take 2) | ||
| Birthday | ||
| Revolution! (Take 15) | ||
| Strawberry Fields Forever (Home Recording) | ||
| Day Tripper (Take 2) | ||
| Catswalk | ||
| National Health Cow | ||
| How Do You Do It? (Take 1) | ||
| I Me Mine | ||
| A Day In The Life (Alternate Stereo Mix) | ||
| Day Tripper (Take 3) | ||
| Christmas Message Yesterday | ||
| Hello Hello (Take 1) | ||
| Tomorrow Never Knows (Take 3) | ||
| I've Got A Feeling (Get Back Session) | ||
| Honey Don't (John) | ||
| From Me To You | ||
| Help! | ||
| Goodbye (Demo) | ||
| I Want To Hold Your Hand | ||
| I Me Mine (Take 16) | ||
| Paperback Writer | ||
| One After 909 | ||
| I'll Be On My Way | ||
| Love Me Do | ||
| Goodbye | ||
| Leave My Kitten Alone (Take 5) | ||
| Kansas City / Hey Hey Hey Hey | ||
| Shout (Around The Beatles) | ||
| A Day In The Life | ||
| I'm Down | ||
| Day Tripper (Take 1) | ||
| Tomorrow Never Knows (Outfake) | ||
| Hey Jude (Take 9) | ||
| Do You Want To Know A Secret | ||
| Catswalk (Cavern Performance) | ||
| I've Got A Feeling | ||
| Yes It Is (Take 1) | ||
| Birthday (Out Of Phase) | ||
| Ringo's Help / Help Promotion | ||
| A Case Of The Blues (Acoustic Demo) | ||
| Birthday (OOPSed) | ||
| How Do You Do It | ||
| Hello Hello (Rehearsal) | ||
| If You've Got Trouble (Take 1) | ||
| The One After 909 (Cavern Rehearsal) | ||
| Paperback Writer (Take 1) | ||
| Please Please Me | ||
| Leave My Kitten Alone | ||
| How Do You Do It? (Outtake) | ||
| Everybody's Trying To Be My Baby | ||
| Goodbye (Paul's Demo) | ||
| If You've Got Trouble | ||
| Medley Of Hits | ||
| Medley: Love Me Do; Please Please Me; From Me To you; She Loves You; Want to Hold Your Hand; National Health Cow | ||
| I'm A Loser | ||
| (not listed) | ||
| Bad To Me (Acoustic Demo) | ||
| A Day In The Life (Take 6, 7 & Edit Piece 9) | ||
| Bad To Me | ||
| St. Louis Blues (Outtake) | ||
| Yes It Is | ||
| Your Mother Should Know | ||
| Across The Universe (Take 8, RMS ('Hums Wild')) | ||
| Paul & John Speaking | ||
| Around The Beatles Medley (Around The Beatles) | ||
| Norwegian Wood (This Bird Has Flown) (Take 1) | ||
| Ticket To Ride | ||
| Rock 'N' Roll Music | ||
| The One After 909 (Cavern Performance) | ||
| Your Mother Should Know (Take 8) | ||
| Catswalk (Cavern Rehearsal) | ||
| We Can Work It Out (Take 1) | ||
| Every Little Thing | ||
| Shout |
Video
Beatles : Shout! : live TV performance : rare
The Beatles - Goodbye (Paul Demo)
Images
Catalog Numbers
- Mop 910
- CD 49-032
- MOP 910
- BD 3561 RR
- CONDOR 1986
- BD-3561
Labels
- NEMS
- Adam VIII Ltd.
- Not On Label
- Strawberry Records
- Condor , Toasted Records
- Quarter Apple
- Nems
Listen online
- écouter en ligne
- online luisteren
- kuunnella verkossa
- lyssna på nätet
- ascolta in linea
- lytte på nettet
- online anhören
- escuchar en línea
- ouvir online
Formats
- Vinyl
- LP
- Unofficial Release
- Black
- White
- CD
- Compilation
- Cassette
- Album
- Blue
- Orange
- green
- Red
Companies
| Role | Company |
|---|---|
| Manufactured By | Finestkind Records And Tapes |
Notes
- Rehearsals, Alternate + Unreleased Tracks, Side 1
- Recorded In Mono.
- Most copies are on black vinyl, 200 were made on white vinyl.
- No catalog numbers anywhere, song titles are blurry. "Goodbye" is Paul's demo for Mary Hopkin. "A Day in the Life" is one of the alternate endings for this song. This was made on a blank cassette and then sold as an unoffiial release.
- Alternate takes + Unreleased Tracks.
- Most tracks in stereo.
- Blue vinyl version.
- A1: Sounds like the album version
- A2: Interview w/Paul playing piano, 19 November 1967, Los Angeles Hilton Hotel, CA
- A3: BBC, Side By Side, Paris Theatre, London, 4 April 1963
- A4: Promotional TV spot for the "Help!" movie (wrongly listed as two separate tracks)
- A5: Incomplete, possibly BBC "The Beatles (Invite You To Take A Ticket To Ride)", 7 June 1965, rec. 26 May 1965
- A6-A7: Possibly Saturday Club #10, 26 December 1964, rec. 25 November 1964
- B1: Live, incomplete
- B2: Sounds like the album version
- B3-B4: BBC "The Beatles (Invite You To Take A Ticket To Ride)", 7 June 1965, rec. 26 May 1965
- B5: Outfake! Someone playing a 12-string guitar along to the album version. Taken from The Beatles - 20 X 4
- B6: ?
- B7: Excerpt from Hollywood Bowl 1965
- B8: Pop Go The Beatles #12, 3 September 1963, rec. 1 September 1963, John on vocals
- B9: unidentified - very short acoustic guitar sound and John's voice
- B10: Excerpt from fan club flexi The Beatles - The Beatles Third Christmas Record, 1965
- CD made in Korea.
- The band's name is given as:
- Beatles [on front]
- The Beatles [on spine]
- Sleeve is plain white with paste-on slipsheet. Green custom Quarter Apple labels that also state "Trade Mark Of Quality Quarter Apple JQWX-1003"
- Issued on green vinyl with white labels
- Mid 80s Beatleg is a compilation of track from various sources, in very good to excellent audio.
- Later issued on red vinyl The Beatles - Not For Sale and other colors.
- TRACK DETAILS:
- Side 1, all mono. Side 2 mono & stereo:
- A1 One After 909; Ringo has confirmed playing the drums so this dates the tape to post August 1962. Jacket incorrectly states "EMI but is actually a Cavern Rehearsal.
- A2 Catswalk; Ringo has confirmed playing the drums so this dates the tape to post August 1962. Also from the Cavern Rehearsal.
- A3 Bad To Me; Acoustic Demo, spring 1963
- A4 How Do You Do It; Take 1, 04 Sep 1962. Pre "Sessions" mix
- A5 Do You Want To Know A Secret; Take 7, 11 Feb 1963
- A6 Leave My Kitten Alone; Takes 4-5, 14 Aug 1964
- A7 If You've Got Trouble; Take 1, External/Monitor source, 18 Feb 1965 (NOT the "Sessions" mix, it's an external recording of a studio playback)
- A8 Shout; Recorded for TV special "Around The Beatles", 19 Apr 1964, at IBC Studios for a lip-synch performance on the show
- A9 Medley; Recorded for TV special "Around The Beatles", 19 Apr 1964, at IBC Studios for a lip-synch performance on the show
- A9½ BBC, Today, 16 Jun 1965. A snippet of John reciting his John "The National Health Cow". Listed on label as track 9½ but not on jacket.
- B1 Yes It Is; Take 14, 16 Feb 1965. Dry STEREO mix. John saying "K, Oh let's go, let's get out of here" was edited onto the front, from an outtake of "I'm A Loser". The actual record was edited onto the end of this take, at the wrong speed and in mono!
- B2 Paperback Writer; Take 2, 13 Apr 1966. Dry STEREO mix (no effects)
- B3 Your Mother Should Know; Take 8, 22 Aug 1967. This take was used to create Take 9 (the released take) as a reduction mix onto which numerous overdubs were made. The very end of the released version is tagged on at the end. (mono)
- B4 Birthday; 18 Sep 1968. The backing track is phased down, focusing on the vocals and handclaps. (mono)
- B5 Goodbye; Paul's Demo for Mary Hopkin, Feb 1969 (mono)
- B6 I've Got A Feeling; Get Back Sessions, 27 Jan 1969 (mono)
- B7 I Me Mine; Take 16, 03 Jan 1970. Without the extra middle added in and before the Phil Spector overdubs
- B8 A Day In The Life; Take 6, 7 & Edit Piece 9, 20 Jan 1967; Alternate stereo mix (# unknown) is very much like the official release except for some details: John's count in still present. Unlike the other previous attempts, this one is complete and features the Edit Piece 9 (note that some bootlegs present this version without the edit piece 9)
- Red vinyl version.
Barcodes
- Matrix / Runout (Etched A): Mop 910-A
- Matrix / Runout (Etched B): Mop 910-B
Summary by Walter Piras
Comments
Yet more evidence of Paul's astounding genius.
This will be included in the Abbey Road 50th Anniversary Edition!!!!
Paul could craft a song saturated with earnest and beauty.
This song is getting an official release on the Abbey Road 50th year anniversary!
Mary Hopkin's version was awesome - but I think it still would of been even more awesome to hear both John & George's harmonies on this original composition. Paul is simply the best of the best when composing and singing!
no yesterday fan will ever come here
He is a genius. That simple. McCartney is a master of melody, with true talent. We can never repay him for what he has given the world <3
He wrote this for a woman - Mary Hopkins, I believe - and tried it out himself. Even a raw Beatles song is better than an album's worth of fillers made by many of today's moguls.
TEMAZO
Whenever i here this song i close my eyes, think of the world, the beauty of it, and what the Beatles have helped do to it, especially with this song and many others, i just think of my dreams, what will happen in the future, John and George still being here with us, them being in our souls, there songs living within our hearts, helping us live on... Beautiful???
WOW!!!
Pity it was never put on a Beatles album
this is much better than rocky racoon or Martha my dear.
YALL GOT ME CRYIN IN THE CLUB I LOVE YOU PAUL MCCARTNEY
I just discovered this song now it’s in my top 10 Beatles songs
I still think Paul's voice sounds better than Mary Hopkin's. He sounds like an absolute angel here ?
He gave this to Mary Hopkins, with a beautiful angelic voice. What a great guy
should've been a white album song, right after I Will or Julia
Pauls songs from 66 to 68 where some of his best!
