Alan Stivell Harvey Andrews And Graham Cooper - Stereo Pop Special 47

alposse

Review by Alberto Posse

Stereo Pop Special 47 is a collaborative album by Alan Stivell, Harvey Andrews, and Graham Cooper. The album features a mix of traditional and contemporary folk music, as well as elements of pop and rock.

The album opens with "Breton Dance," a lively instrumental piece that showcases Stivell's mastery of the Celtic harp. This is followed by "The Wind Blows," a gentle ballad with Andrews' soft vocals and Cooper's acoustic guitar.

One of the highlights of the album is "The Fox," a traditional song that has been given a modern twist with Stivell's use of electronic instruments. The track features Andrews and Cooper's harmonies and Stivell's haunting vocals.

Another standout track is "Jock O'Hazeldean," a Scottish ballad that has been given a new arrangement with Stivell's harp and Cooper's electric guitar. Andrews' vocals are emotive and powerful, bringing the lyrics to life.

Table of Contents

Download

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  • FLAC size: 427.7 mb

Tracks

TrackDurationPreview
An Alarch 1:57
Tha Mi Sgith 3:20
An Oro Nevez 3:40
Anna My Love 2:37
For My Father 2:55
Tri Mart Elod 4:30
Susy McGuire 3:15
Whisky Jack 2:38
Down So Long It Looks Like Up 1:42
Otter Song2:25
Autumn Song 2:41
Pop Plimm3:52
Suite Sudamericaine 3:00

Images

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Catalog Numbers

CN 1849/S

Labels

BBC Transcription Services

Listen online

  • online luisteren
  • écouter en ligne
  • online anhören
  • ouvir online
  • lyssna på nätet
  • lytte på nettet
  • escuchar en línea
  • kuunnella verkossa
  • ascolta in linea

Formats

  • Vinyl
  • LP
  • Transcription

Companies

RoleCompany
Recorded AtParis Theatre, London

Credits

RoleCredit
Acoustic GuitarGabriel Yacoub (tracks: A1
DulcimerGabriel Yacoub (tracks: A1
BanjoGabriel Yacoub (tracks: A1
BombardeAlan Stivell (tracks: A1
Tin WhistleAlan Stivell (tracks: A1
HarpAlan Stivell (tracks: A1
DrumsMichel Santangeli (tracks: A1
Electric BassGerald Le Basseur (tracks: A1
Electric GuitarDan Ar Braz (tracks: A1
FiddleRené Werneer (tracks: A1
Hosted ByAlan Black (tracks: B1
OrganPascal Stive (tracks: A1

Notes

  • Recorded live at the Paris Theatre, Lower Regent Street, London, UK 1973
  • Side 1: 28:50 min.
  • Side 2: 24:15 min.
  • total duration: 53:05 min.

Barcodes

  • Matrix / Runout (Side 1): 133610-S
  • Matrix / Runout (Side 2): 133611-S

About Alan Stivell Harvey Andrews And Graham Cooper

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Getting famous for popularizing the Celtic harp, it would be simplistic to make him just a harpist. This multi-instrumentalist of Breton descent was born January 6, 1944 in Riom, Auvergne, France. While growing up in Paris, his father dreams on reintroducing the Celtic harp (Telenn in Breton) in its cradle: Brittany. But it has to be reinvented as the instrument is long time lost, nobody plays it anymore. also he doesn't have a clue on how to make it. During the 2nd World War, Jord met with a harp teacher named J-M Hamonic who gave him some ideas on how to transpose drawings into a concrete instrument. 1942 saw the making of the first preliminary tests, but it was only a decade later that a true harp could be created. Alan, then an early teen attracted with science-fiction novels, mights and magic starts to play with this new instrument built by his father, getting introduced to harp by his teacher . He starts to play in Paris and Brittany. Age 9 on the 28th of November 1953, he plays at the Maison de Bretagne in Paris on his father's first protype. In 1954, he integrates the Scout Movement, as well as the as a bombarde player. In 1955, he gets to perform as the opening act of at . He'll then seriously start on learning the Breton language, including mythology and history in order to reconnect with his roots. In 1959, he'll put on record the first ever Celtic harp song on label , followed with the infamous (then still under his birth name; ). In 1961, he'll become "penn-soner" (lead) of the . Together with his friend , he'll win several bombarde and biniou (Breton bagpipe) championships in Gourin, years 1966 1968 and 1969. Those years are constitutive of the the classical path followed by Stivell, but this modernist is already willing to find a new sound and will finally turn towards Rock music. Thrilled with English Pop music and the US Folk wave, he gets to play with a brand new Celtic harp with metal strings (called bardic harp), again developed by his father. From 1966 onwards, he starts playing in Youth Clubs and various festival, such as the "Hootenannies" (some kind of jams sessions), organized by in the American Centre of Paris where he sings for the first time. The years 1966 1967 are decisive for his following career. He gets to air on France-Inter (one of France's main radio back then and today still), and soon sings on with . He'll then play several times at 's Pop-Club, and during this era, he'll change his scene name to Alan Stivell "a Breton name standing for origin

Real Name

    • Alan Cochevelou

Name Vars

  • A. Stivell
  • A. Stivell Cochevelou
  • Alan
  • Alan Cochevellou-Stivell
  • Alan Stivell Cochevelou
  • Alan Stivell Et Sa Harpe Celtique
  • Alan Stivell-Cochevelou
  • Allan Stivell
  • Stivell

Aliases

  • Alan Cochevelou
alposse

Summary by Alberto Posse

Stereo Pop Special 47 is a unique and enjoyable album that showcases the talents of three skilled musicians. The blend of traditional and contemporary elements creates a fresh and interesting sound that is sure to appeal to fans of folk and pop music alike.