Webern, Twentieth Century Classics Ensemble, Philharmonia Orchestra, Robert Craft - Symphony Six Pieces Concerto For 9 Instruments
Review by ahmed adraoui
The Symphony Six Pieces Concerto for 9 Instruments by Webern is a masterpiece of the 20th century classical music genre. The Twentieth Century Classics Ensemble, Philharmonia Orchestra, and Robert Craft have done a remarkable job in bringing out the intricate and complex layers of this composition.
The album features six pieces that showcase Webern's unique style of composition, which is characterized by atonality and serialism. The music is challenging, yet the performers have managed to create a cohesive and captivating sound that keeps the listener engaged throughout.
The ensemble's attention to detail and precision is impressive, and they have successfully captured the essence of Webern's musical vision. The album's production is also noteworthy, with a clear and balanced sound that allows the nuances of the music to shine through.
Album: Symphony Six Pieces Concerto For 9 Instruments
Rating: 2.0
Table of Contents
Download
Filename: webern-twentieth-century-classics-ensemble-philharmonia.rar- MP3 size: 354.2 mb
- FLAC size: 1706.6 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| Symphony, Op. 21 | (10:03) | |
| Schatzerl Klein | 1:08 | |
| Sehr Getragen Und Ausdrucksvoll | 5:55 | |
| Sehr Rasch | 1:21 | |
| Langsam | 1:25 | |
| Ruhig Fließend | 3:22 | |
| Asperges Me | 0:38 | |
| Ave, Regina Coelorum | 1:34 | |
| Quartet, Op. 22 For Tenor Saxophone, Violin, Clarinet And Piano | (5:28) | |
| Bewegt | 1:24 | |
| Mäßige | 1:04 | |
| Erlösung (Aus "Des Knaben Wunderhorn") | 1:17 | |
| Sehr Mäßig | 3:02 | |
| Crux Fidelis | 0:53 | |
| Drei Volkstexte (Three Traditional Rhymes), Op. 17, For Soprano, Violin, Clarinet And Bass Clarinet | (2:33) | |
| Four Pieces For Violin And Piano, Op. 7 | (5:42) | |
| Deutsche Tänze (German Dances) | (9:29) | |
| Variations For Piano, Op. 27 | (6:00) | |
| Three Pieces For Cello And Piano, Op. 11 | (2:27) | |
| Sehr Bewegt | 0:24 | |
| Sehr Langsam | 3:55 | |
| Christus Factus Est | 0:36 | |
| Sehr Schwungvoll | 2:26 | |
| V. | 1:39 | |
| Etwas Lebhaft | 2:51 | |
| Armer Sünder, Du | 0:50 | |
| II. | 1:31 | |
| Three Songs For Soprano, Piccolo Clarinet And Guitar (1923-1925), Op. 18 | (3:59) | |
| Five Canons On Latin Texts From The Roman Breviary, Op. 16, For Soprano, Clarinet And Bass Clarinet | (3:41) | |
| IV. | 1:14 | |
| I. | 1:06 | |
| Dormi Jesu | 1:04 | |
| VI. | 2:28 | |
| III. | 1:31 | |
| Heiland, Unsre Missetaten | 0:50 | |
| Mäßig | 1:07 | |
| Ruhig, Schreitend | 7:31 | |
| Six Pieces For Large Orchestra, Op. 6 (Revised Version) | (13:08) | |
| Concerto For Nine Instruments, Op. 24 | (6:52) | |
| Variationen | 2:32 | |
| Crucem Tuam Adoramus | 0:29 | |
| Sehr Schnell | 0:42 | |
| Trio For Violin, Viola And Cello, Op. 20 | (9:49) | |
| Rasch | 1:37 | |
| Äußerst Ruhig | 0:59 | |
| Liebste Jungfrau, Wir Sind Dein | 0:56 |
Video
Anton Webern - Concerto for nine instruments, Op. 24
Images
Catalog Numbers
8.557530Labels
NaxosListen online
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Formats
- CD
- Album
Companies
| Role | Company |
|---|---|
| Phonographic Copyright (p) | Naxos Rights International Ltd. |
| Copyright (c) | Naxos Rights International Ltd. |
| Recorded At | Watford Colosseum |
Credits
| Role | Credit |
|---|---|
| Bass Clarinet | Michael Lowenstern (tracks: 3 to 10) |
| Cello | Fred Sherry (tracks: 14, 15, 31 to 33) |
| Clarinet | Charles Neidich (tracks: 1 to 10, 34 to 36), Michael Lowenstern (tracks: 1, 2, 16, 17) |
| Composed By | Anton Webern (tracks: 1 to 36), Franz Schubert (tracks: 37 to 42) |
| Conductor | Robert Craft |
| Ensemble | Twentieth Century Classics Ensemble (tracks: 1, 2) |
| Flute | David Fedele (tracks: 34 to 36) |
| Guitar | Scott Kuney (tracks: 11 to 13) |
| Horn | William Purvis (tracks: 34 to 36) |
| Oboe | Stephen Taylor (tracks: 34 to 36) |
| Orchestra | Philharmonia Orchestra (tracks: 21 to 26, 37 to 42) |
| Orchestrated By | Anton Webern (tracks: 37 to 42), Anton Webern (tracks: 37 to 42) |
| Piano | Christopher Oldfather (tracks: 16 to 20, 27 to 33), Stephen Gosling (tracks: 34 to 36) |
| Soprano Vocals | Jennifer Welch-Babidge (tracks: 3 to 13) |
| Tenor Saxophone | Daniel Goble (tracks: 16, 17) |
| Trombone | James Pugh (tracks: 34 to 36) |
| Trumpet | Christopher Gekker (tracks: 34 to 36) |
| Viola | Jesse Mills (tracks: 8 to 10), Richard O'Neill (tracks: 14, 15, 34 to 36) |
| Violin | Ani Kavafian (tracks: 14, 15), Jennifer Frautschi (tracks: 16, 17), Jesse Mills (tracks: 1, 2, 8 to 10, 27 to 30), Sunghae Anna Lim (tracks: 34 to 36) |
Notes
- Tracks 1, 2, 21 to 26 and 37 to 42 recorded at The Coliseum, Watford, England, in July 2002
- Tracks 3 to 20 and 27 to 36 recorded at the American Academy of Arts and Letters, New York, in 2003-2004
- Made in the EU
Barcodes
- Barcode: 7 47313 25302 9
- Label Code: LC 05537
About Webern, Twentieth Century Classics Ensemble, Philharmonia Orchestra, Robert Craft
Austrian composer and conductor. Born: 1883-12-03 (Vienna, Austria). Died: September 15, 1945 (Mittersill, Austria).
Real Name
- Anton Friedrich Wilhelm von Webern
Name Vars
- A. Webern
- A. Weburn
- A. v. Webern
- A.V. Webern
- A.Von Webern
- A.Webern
- A.v.Webern
- Anton (Von) Webern
- Anton Von Webern
- Anton Werbern
- Anton von Webern
- Von Webern
- Weber
- Webern
- v. Webern
- von Webern
- А. Веберн
- Веберн
- ¦§üÐü
Summary by ahmed adraoui
Comments
Fab!
One of my favorite pieces of music of all time
Terry, why do you like that sound?
Great !!!
This sounds like what my little brother would make in GarageBand
??
Every morning I enjoy a bowl of serial.
4:37
0:00 - 2:30
mid
Serialism didn't work.
From op 20 to the end we have a corpus of works that redefined all of Western tradition that includes Nietsche, Kafka, Freud, Schoenberg and Einstein.
Rois et reine desplechin
20c 초반 음악
베베른 - [아홉 악기를 위한 협주곡] op.24
★제 3기 [12음 기법]
[12음 기법] : [완전한 무조성 음악]을 [성취]하기 위하여 [음렬]을 만들어 [12음을 모두 한번씩 사용]한다는 것이다.
이렇게 해서 만들어진 (음의 나열)을 [＊기본 음렬] 이라고 한다.
기본음렬을 [1)전위] [2)역행] [3)전위역행] 시켜 [철저하기 무조적]이며 [체계화된 음악]을 만드는 작곡 기법이다.
[베베른] : 베베른의 작품은 [매우 짧고] [밀도]있으며 [완벽한 형식]을 갖추고 있다.
[1920년]대 중반 [이후] : 12음기법 사용
베베른의 음악은 [음정 도약이 심하고] [음색이 자주 변화함] 에 따라 음악의 흐름이 [점들의 연속]처럼 들리는 인상 때문에
[★ 점묘주의] 음악이라고도 불린다.
이때 사용된 12음 기법은 [음의 길이] [음색] [셈여림]으로 [★확대] 된 것이 특징으로
1950년대 이후 [★총렬음악에 큰 영향]을 미쳤다.
베베른 - [아홉 악기를 위한 협주곡] op.24
★제 3기 [12음 기법]
[12음 기법] : [완전한 무조성 음악]을 [성취]하기 위하여 [음렬]을 만들어 [12음을 모두 한번씩 사용]한다는 것이다.
이렇게 해서 만들어진 (음의 나열)을 [＊기본 음렬] 이라고 한다.
기본음렬을 [1)전위] [2)역행] [3)전위역행] 시켜 [철저하기 무조적]이며 [체계화된 음악]을 만드는 작곡 기법이다.
[베베른] : 베베른의 작품은 [매우 짧고] [밀도]있으며 [완벽한 형식]을 갖추고 있다.
[1920년]대 중반 [이후] : 12음기법 사용
베베른의 음악은 [음정 도약이 심하고] [음색이 자주 변화함] 에 따라 음악의 흐름이 [점들의 연속]처럼 들리는 인상 때문에
[★ 점묘주의] 음악이라고도 불린다.
이때 사용된 12음 기법은 [음의 길이] [음색] [셈여림]으로 [★확대] 된 것이 특징으로
1950년대 이후 [★총렬음악에 큰 영향]을 미쳤다.
Giuseppe Sinopoli and the Dresden Staatskapelle ???
Absolutely brilliant composition.
Espectacular
Ceci est une question , dont une réponse cinglante de morgue ne serait pas une réponse.