Telemann Helmut Winschermann, Orchestre de Chambre de la Sarre Sous La Direction De Karl Ristenpart - Concerto Pour Hautbois Et Orchestre En Fa Majeur

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Review by Carl Haverkamp

Concerto Pour Hautbois Et Orchestre En Fa Majeur by Telemann, performed by Helmut Winschermann and the Orchestre de Chambre de la Sarre, under the direction of Karl Ristenpart, is an exquisite album that showcases the beauty and versatility of the oboe.

The album comprises of three concertos, each showcasing the oboe in different ways. The first concerto is lively and playful, with the oboe leading the ensemble through intricate melodies and harmonies. The second concerto is more introspective, with the oboe taking on a more melancholic tone. The third concerto is a showcase of virtuosity, with the oboe performing complex runs and trills with ease.

Winschermann's oboe playing is exceptional, with a tone that is both warm and bright. He effortlessly navigates the intricate passages of Telemann's music, bringing out the nuances and subtleties of each piece. The Orchestre de Chambre de la Sarre provides a solid foundation for the oboe, with Karl Ristenpart's direction bringing out the best in each musician.

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Tracks

TrackDurationPreview
Concerto Pour Hautbois Et Orchestre En Fa Majeur
Adagio
Allegro

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Catalog Numbers

EX 25.065

Labels

Les Discophiles Français

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Formats

  • Vinyl
  • 10"

Credits

RoleCredit
Composed ByGeorg Philipp Telemann
ConductorKarl Ristenpart
OboeHelmut Winschermann
OrchestraOrchestre de Chambre de la Sarre

About Telemann Helmut Winschermann, Orchestre de Chambre de la Sarre Sous La Direction De Karl Ristenpart

German Baroque composer and multi-instrumentalist (14 March 1681, Magdeburg, Germany - 25 June 1767, Hamburg, Germany). Telemann was one of the most prolific composers in history and was considered by his contemporaries to be one of the leading German composers of the time. He was compared favorably both to his friend , who made him the Godfather and namesake of his son , and to , whom Telemann also knew personally. Telemann's music incorporates several national styles: French, Italian, and Polish. He remained at the forefront of all new musical tendencies and his music is an important link between the late Baroque and early Classical styles. As a child he showed considerable musical talent, mastering the violin, flute, zither and keyboard by the age of ten and composing an opera (Sigismundus, on a text by Postel). His family did not approve of his involvement in music, and upon his mother's insistence, he entered the University of Leipzig to study law in 1701. Within a year of his arrival in Leipzig he founded the student Collegium Musicum with which he gave public concerts (and which Bach was later to direct), wrote operatic works for the Leipzig Theater, and in 1703 became musical director of the Leipzig Opera and was appointed organist at the Neue Kirche in 1704. Needless to say, he dropped the study of law and pursued his career in music. Telemann held important positions in Leipzig, Żary, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. Throughout his life he composed a year's worth of cantatas for regular church services and 78 services for special occasions totaling 1,043 cantatas, 40 operas, 600-700 orchestral suites, 44 passions, along with numerous concerti, sonatas and chamber music for various instrumental combinations.

Real Name

    • Georg Philipp Telemann

Name Vars

  • C. P. Telemann
  • C.-Ph. Telemann
  • Friedrich Telemann
  • G Ph Telemann
  • G. F. Teleman
  • G. F. Telemanas
  • G. F. Telemann
  • G. P. Teleman
  • G. P. Telemann
  • G. P.Telemann
  • G. PH. Telemann
  • G. Ph. Teleman
  • G. Ph. Telemann
  • G. Ph.Telemann
  • G. Ph: Telemann
  • G. Phil. Telemann
  • G. Philipp Telemann
  • G. Telemann
  • G. Th. Telemann
  • G.-P. Telemann
  • G.-Ph. Telemann
  • G.F. Teleman
  • G.F. Telemann
  • G.F. Theleman
  • G.P Telemann
  • G.P. Teleman
  • G.P. Telemann
  • G.P. Telleman
  • G.P.H. Telemann
  • G.P.Telemann
  • G.P.ÆìÞó
  • G.PH. Telemann
  • G.Ph. Telemann
  • G.Ph.Telemann
  • G.Ph.೰njۼ
  • Georg Fhilipp Telemann
  • Georg Friedrich Telemann
  • Georg P. Telemann
  • Georg PH. Telemann
  • Georg Ph. Teleman
  • Georg Ph. Telemann
  • Georg Philip Telemann
  • Georg Philipp Telemann (1681-1767)
  • Georg Philippe Telemann
  • Georg Phillip Teleman
  • Georg Phillip Telemann
  • Georg Phillipe Telemann
  • Georg Phillipp Telemann
  • Georg Telemann
  • Georg-Ph. Telemann
  • Georg-Philip Telemann
  • Georg-Philipp Telemann
  • Georg. Philipp Telemann
  • George P. Telemann
  • George Ph. Telemann
  • George Philip Telemann
  • George Philipp Telemann
  • George Philippe Telemann
  • George Phillip Telemann
  • George Phillipp Telemann
  • Georges Philippe Telemann
  • Georges-Philippe Telemann
  • Gg. Ph. Telemann
  • Gg. Phil. Telemann
  • Giorgio Filippo Telemann
  • J. PH. Teleman
  • J. Ph. Telemann
  • J.-Phi. Telemann
  • J.Ph. Telemann
  • P. Telemann
  • Ph Telemann
  • Philipp Telemann
  • TELEMANN
  • Teleman
  • Telemann
  • Telemann G. P.
  • Telemann G.F.
  • Telemann G.P.
  • Telemann Georg Philipp
  • Telemann,
  • Telemann, G. Ph.
  • Telemann, Georg Philipp
  • Telemann:
  • Tellemann
  • Télémann
  • Τέλεμαν
  • Г. Телеман
  • Г. Ф. Гендель
  • Г. Ф. Телеман
  • Г. Ф. Телемана
  • Г.Ф. Телеман
  • Г.Ф.Телеман
  • Георг Филипп Телеман
  • Георг Фрідріх Телеман
  • Телеман
  • Ф. Телеман
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Summary by Carl Haverkamp

Concerto Pour Hautbois Et Orchestre En Fa Majeur is a must-listen for anyone who appreciates classical music. Telemann's compositions are brought to life by Winschermann and the Orchestre de Chambre de la Sarre, resulting in an album that is both beautiful and captivating.