REM - Tongue
Table of Contents
Download
Filename: rem-tongue.rar- MP3 size: 50.4 mb
- FLAC size: 604.8 mb
Tracks
Track | Duration | Preview |
---|---|---|
Tongue (Live) | 4:34 | |
Bang And Blame (Live) | 4:52 | |
I Don't Sleep, I Dream (Live) | 3:48 | |
I Don't Sleep, I Dream | 03:48 | |
What's The Frequency Kenneth? (Live) | 4:04 | |
Tongue Album Version | 4:13 | |
Tongue (Instrumental) | 4:08 | |
Tongue | ||
Tongue Live | 4:34 | |
Tongue (Album Version) | 4:08 | |
What's the Frequency, Kenneth? | 04:06 | |
Bang and Blame | 04:54 |
Video
R.E.M. - Tongue (Official Music Video)
Images
Catalog Numbers
- 7-17737
- W0308CD, 9362-43577-2
- PRO 6053
- WPCR-2179
- 9362-43577-2, W0308CD
- W0308X, W 0308X, 5439-17789-7
- PRO-CD-7875-R
- W0308C
- 2-17737, 9 17737-2
- 4-17737, 9 17737-4
- SAM 1504
- WPCR-426
Labels
Warner Bros. RecordsListen online
- online anhören
- lytte på nettet
- online luisteren
- kuunnella verkossa
- écouter en ligne
- escuchar en línea
- ouvir online
- lyssna på nätet
- ascolta in linea
Formats
- Vinyl
- 7"
- CD
- Single
- Promo
- Reissue
- Maxi-Single
- 45 RPM
- Limited Edition
- Numbered
- Cassette
- Cardboard
Companies
Role | Company |
---|---|
Phonographic Copyright (p) | R.E.M./Athens Ltd |
Published By | Night Garden Music |
Mixed At | Louie's Clubhouse |
Record Company | Warner Music Group |
Copyright (c) | R.E.M./Athens Ltd |
Recorded At | NBC Studios, New York |
Glass Mastered At | Disctronics S |
Distributed By | Warner Music Japan Inc. |
Manufactured By | Warner Music Japan Inc. |
Pressed By | Disctronics |
Made By | Warner Music Manufacturing Europe |
Duplicated By | Specialty Records Corporation |
Licensed From | Gema |
Credits
Role | Credit |
---|---|
Producer | R.E.M., Scott Litt |
Written-By | Berry, Stipe, Mills, Buck |
Design | Chris Bilheimer, Michael Stipe, Tom Recchion |
Engineer | Pat McCarthy |
Mixed By | Scott Litt (tracks: 2 to 4) |
Composed By | Berry, Stipe, Mills, Buck |
Photography By | Tom Sheehan |
Written By | Berry, Buck, Mills, Stipe |
Recorded By | Jo Ravitch (tracks: B1), Joe O'Herlihy (tracks: B1), Scott Litt (tracks: B1) |
Liner Notes | 沼崎敦子 |
Notes
- Housed in a generic white sleeve.
- Side A: ℗ 1994 R.E.M./Athens, Ltd.
- Side B: ℗ 1995 R.E.M./Athens, Ltd.
- Night Garden Music, administered in all that is known as our world by Warner-Tamerlane Publishing Corp. BMI.
- Side A: From the Warner Bros. album Monster (1/4/2-45740 and 2-45763)
- Side B: Original version from the Warner Bros. album Monster (1/4/2-45740 and 2-45763)
- Track 1 ℗ 1994 Tracks 2, 3 & 4 ℗ 1995 REM / Athens. Ltd
- © 1995 REM / Athens. Ltd
- The copyright in this sound recording is owned by Warner Bros. Records for the US and WEA International Inc. for the world outside of the United States.
- Live tracks as performed on "Saturday Night Live," November 12th, 1994 courtesy of NBC Productions, Inc.
- J-card sleeve in slimline jewel case.
- There are parallel European issues of W0308CD/9362-43577-2 with separate UK and German pressings.
- This Disctronics S pressing uses a bespoke J-card for the UK market.
- For a Disctronics S version using a common J-card with a generic credit "Made in Germany by Warner Music Manufacturing Europe" on the insert flap, despite it coming with a pressing by Disctronics, see R.E.M. - Tongue.
- For the true WME Made in Germany pressing see - R.E.M. - Tongue
- Issued in a standard J-card case with insert.
- Commercial Japanese version
- They use a common insert artwork so both have the generic credit "Made in Germany by Warner Music Manufacturing Europe" on the insert flap. This German pressed disc also has "Made in Germany" on the disc text and here has a "true" WME matrix.
- LICENSED BY GEMA
- made in germany
- A: ℗ 1994 R.E.M./Athnes, Ltd.
- B: ℗ 1995 R.E.M./Athnes, Ltd.
- © 1995 R.E.M./Athnes, Ltd.
- Limited edition 1995 Tour Edition picture sleeve plus 12 page booklet
- From the Warner Bros. album MONSTER (1/4/2-45740 and 2-45763).
- Comes in a standard jewel case with a rear inlay only.
- Tracks play the same both sides
- Includes reversible inlay card and extra length tape to compile R.E.M. live tape
- This UK pressing uses a common insert artwork so there is a generic credit "Made in Germany by Warner Music Manufacturing Europe" on the insert flap though the matrix shows the pressing is by Disctronics S.
- For a UK pressing with artwork with no reference to such see R.E.M. - Tongue
- J-card sleeve.
- Track 2 Recorded in Detroit. June 7, 1995
- Mixed at Louie's Clubhouse
- Catalog number 2-17737 is seen on CD face.
- Catalog number 9 17737-2 is seen in lower right corner of back cover.
- For radio play only not for commercial release.
Barcodes
- Barcode: 0 54391 77377 7
- Matrix / Runout (Label, Side A): 7-17737-A
- Matrix / Runout (Label, Side B): 7-17737-B
- Matrix / Runout (Runout, Side A): 7-17737-A-SR1-DMM SP 1-1 RB Precision
- Matrix / Runout (Runout, Side B): 7-17737-B-SR1-DMM SP 1-1 RB Precision
- Barcode (Scanned): 093624357728
- Barcode (Text): 0 9362-43577-2 8
- Label Code: LC 0392
- Rights Society: GEMA/BIEM
- Price Code: WE739
- Matrix / Runout (Mirrored): R.E.M DISCTRONICS S W0 308 CD 01
- Barcode: 4943674217922
- Rights Society: JASRAC
- Barcode: 0 9362-43577-2 8
- Matrix / Runout: S W0 308 CD 01 R.E.M. DISCTRONICS
- Other (Distribution Code): WE739
- Matrix / Runout (Variant 1, 2 & 3): 936243577-2.2 WME
- Mastering SID Code (Variant 1, 2 & 3): IFPI L012
- Mould SID Code (Variant 1): IFPI 0573
- Mould SID Code (Variant 2): IFPI 0514
- Mould SID Code (Variant 3): IFPI 05A3
- Barcode: 0 5439-17789-7 0
- Matrix / Runout (Side A): W 038 XA-1-1-Q1
- Matrix / Runout (Side B): W 038 XB-1-1-Q1
- Matrix / Runout: 1 PRO CD 7875R-2 SRC**01 M0S1
- Other (Mould Inscription): 6
- Barcode: 054391773722
- Matrix / Runout: 1 17737-2 SRC##01 M1S1
- Mould SID Code: IFPI 2U3A
- Rights Society: BMI
- Barcode: 0 5439-17737-4 6
- Matrix / Runout: S SAM 1504 01 R.E.M. DISCTRONICS
- Matrix / Runout (On hub): 5
- Barcode: 4943674042623
- Barcode (Cassette single): 054391178949
Comments
erityisesti kaksi ekaa biisia on taydellisia. Erityisesti tongue
The sounds of the best times of many Gen-x'ers lives.
I have loved REM since the 80s, like many of you, and I can watch and watch the same videos over and over again...I still cry, I still laugh, scream, shout, and realize that I am one of the lucky ones to have heard these amazing story tellers and musicians in my lifetime. I know 100 years from now, the same thoughts and feelings will be expressed. Long live REM!
Mike a une voie modulable à l'infini.sublime j'adore ??????
I was always intrigued by what the red-haired girl wrote on her hand.
The piano and organ all the music is so great
? ❤
Great alt band.
Love that Tommy James and the Shondells feeling.
Gawd, such a sexy song!
strong r&b feeling to this tune… saw them during the monster tour… my first R.E.M gig… ??
"my disposition"
Woke up with this in my head.. like getting into the delorean ❤️
A brilliant track, a brilliant video, a brilliant album from one of the best bands ever. Massively missed
I believe this was filmed in San Antonio. They were finishing a new upper and lower section of highway. Before it opened they put this video together.
Amazing song, I love this
Daaaamn. This song is crazy good. It’s perfect!
Genial rem classic sound
This song will forever remind me of my birthday my two best friends screaming at each other in a Wendy's parking lot I stepped in to grab a drink and just really felt this song playing ...I was really really ...really stoned lol but hey my friends came in saw me dancing badly to this song and laughed ?
This is a weirdly multiversal song of uber excellence. It seems to refer to extra dimensions, in a relaxed fashion (thanks guys)
Call my name, here I come.
90 to nothing, watch me run.
You call.
I am ashamed to say.
Ugly girls know their fate.
Anybody can get laid.
You want a room with a fire escape.
I wanna tell you how much I hate this.
Don't leave that stuff all over me.
It pains me.
Please just leave it.
I should toss that vanity license plate.
Toss that make-up painted face.
Box those poems, chocolate cake.
Scratch that name on the record player.
Please just leave me be.
Don't lay that stuff all over me.
It crawls all over. All over me.
Call my name, here I come.
Your last ditch lay, will I never learn?
Caramel turn on a dusty apology.
It crawls all over me.
You turn all over.
It pains me.
Please just leave it.
90 to nothing, watch me run.
You call.
I am ashamed to say.
Ugly girls know their fate.
Anybody can get laid.
You want a room with a fire escape.
I wanna tell you how much I hate this.
Don't leave that stuff all over me.
It pains me.
Please just leave it.
I should toss that vanity license plate.
Toss that make-up painted face.
Box those poems, chocolate cake.
Scratch that name on the record player.
Please just leave me be.
Don't lay that stuff all over me.
It crawls all over. All over me.
Call my name, here I come.
Your last ditch lay, will I never learn?
Caramel turn on a dusty apology.
It crawls all over me.
You turn all over.
It pains me.
Please just leave it.
"Caramel turn on a dusty apology" is one of my favorite REM lines. Brilliant song.
☮
Alfred Mcalpine stadium.1995. A summers afternoon of the most superb talent around. Terror vision. .Echo belly. .Beautiful South..and of course...REM (Monster). How I miss those days..?
Well, this is awesome. Didn't even know it existed, and I've been a fan for 25 years.
There are not many bands in the history of modern music that can represent nostalgia the way R.E.M. does in a 3 minute pop song. Countless examples along their discography. Art in its purest form