Raymond Scott, Metropole Orchestra - Kodachrome
Table of Contents
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Tracks
Track | Duration | Preview |
---|---|---|
Carrier Pigeon | 2:14 | |
Dreary Weather On 6th Avenue | 1:47 | |
Rococo | 2:15 | |
Egyptian Summer (A.K.A. Love Dance) | 4:57 | |
Minor Prelude (A.K.A. Second Prelude) | 3:25 | |
The Bullfighter And His Piccolo | 2:42 | |
City Of New York | 2:46 | |
Two Young Lads In A Saxophone School | 2:11 | |
Hertz Theme | 1:04 | |
Symphony Under The Stars | 2:36 | |
Secret Agent | 3:16 | |
Confusion Among A Fleet Of Taxicabs Upon Meeting With A Fare | 2:48 | |
Fiddle No Further | 1:56 | |
Kodachrome | 2:35 | |
Naked City | 2:40 | |
Fifinella | 2:57 | |
Birdseed Special (A.K.A. Canary Concerto) | 2:44 |
Images
Catalog Numbers
30-9118-2Labels
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Formats
- CD
- Album
Companies
Role | Company |
---|---|
Record Company | Basta Audio/Visuals |
Copyright (c) | Gateway Music |
Recorded At | MCO Studio 3 |
Mixed At | MCO Studio 3 |
Mastered At | Titanus Audio Productions |
Credits
Role | Credit |
---|---|
Artwork | Kellie Strøm |
Bass | Johan Plomp |
Bassoon | Jan Willem Van Der Ham |
Cello | Bastiaan van der Werf, Carla Schrijner, Olof Groesz, Wim Grin |
Composed By | Raymond Scott |
Conductor | Jan Stulen |
Contrabass | Arend Liefkes, Erik Winkelmann |
Design | Piet Schreuders |
Drums | Frits Landesbergen |
Engineer | Paul Lardenoye |
Flute | Friederike Darius, Janine Abbas, Mariël van den Bos |
Guitar | Ton Van Bergeijk |
Liner Notes | Will Friedwald |
Mastered By | Guido Tichelman |
Mixed By | Gert De Bruijn (tracks: 2, 3, 14), Paul Lardenoye (tracks: 1, 4 to 13, 15 to 17) |
Orchestra | Metropole Orchestra, The |
Percussion | Eddie Koopman, Herman Rieken |
Piano | Hans Vroomans |
Celesta | Hans Vroomans |
Presenter | The Beau Hunks, The Beau Hunks |
Producer | Gert-Jan Blom |
Saxophone | Jos Beeren, Leo Janssen, Leo van Oostrom, Marc Scholten, Max Boeree |
Clarinet | Jos Beeren, Leo Janssen, Leo van Oostrom, Marc Scholten, Max Boeree |
Supervised By | Hugh Den Ouden |
Transcription By | Menno Daams (tracks: 2, 4, 6 to 8, 11 to 13, 15, 16), Peter Stöve (tracks: 1, 3, 5, 9, 10,, 14, 17) |
Trombone | Bart Van Lier, Jan Elsink, Jeroen Rol, Martin de Kam |
Trumpet | Henk Heijink, Jan Hollander, Jan Oosthof, Ruud Breuls |
Viola | Aimée Versloot, Finn Möricke, Julia Jowett, Mieke Honingh, Norman Jansen |
Violin | Arlia De Ruiter, Denis Koenders, Erica Korthals Altes, Jan Pieter Coolwijk, Linda Dumessie, Rami Koch, Sarah Koch, Seya Teeuwen |
Notes
- The Beau Hunks Present
- "Kodachrome"
- Compositions For Orchestra
- Recorded June 18-22, 2001 at MCO Studio 3, Hilversum, Netherlannds
- Tracks 1, 4-13, 15-17 mixed June 26-29, 2001
- Tracks 2, 3 & 14 mixed October 25, 2001
- Mastering: January 22, 2002 at Titanus Audio Productions, Amsterdam.
- All titles © Gateway Music (subpublished by Basta Music/Polygram outside the US)
- except "Confusion Among A Fleet Of Taxicabs Upon Meeting With A Fare": © Music Sales Corp./ASCAP
Barcodes
- Barcode: 8 712530 911825
- Label Code: LC 01460
- Rights Society: STEMRA
About Raymond Scott, Metropole Orchestra
Born: September 10, 1908 in Brooklyn, NY.
Died: February 8, 1994 in North Hills, CA.
American composer, bandleader and inventor. Raymond Scott was among the unheralded pioneers of contemporary experimental music.
Of all of Scott's accomplishments of 1949, however, none was more important than the Electronium, one of the first synthesizers ever created. An "instantaneous composing machine," the Electronium generated original music via random sequences of tones, rhythms, and timbres; Scott himself denied it was a prototype synthesizer it had no keyboard but as one of the first machines to create music by means of artificial intelligence, its importance in pointing the way towards the electronic compositions of the future is undeniable. His other inventions included the "Karloff," an early sampler capable of recreating sounds ranging from sizzling steaks to jungle drums; the Clavinox, a keyboard Theremin complete with an electronic sub-assembly designed by a then 23-year-old Robert Moog; and the Videola, which fused together a keyboard and a TV screen to aid in composing music for films and other moving images.
By the middle of the 1960s, Scott began turning increasingly away from recording and performing to focus on writing and inventing; a 1969 musical celebrating the centennial of Kentucky Bourbon was his last orchestral work, with his remaining years spent solely on electronic composition. Among his latter-day innovations was an early programmable polyphonic sequencer, which along with the Electronium later caught the attention of Motown chief Berry Gordy Jr., who in 1971 tapped Scott to head the label's electronic music research and development team. After retiring six years later, he continued writing his last known piece, 1986's "Beautiful Little Butterfly," was created on MIDI technology.
Real Name
- Harry Warnow
Name Vars
- R. Schott
- R. Scott
- R.Scott
- Raymond
- Scott
- Scott, R.
- Scott-Green
- The Swingin' Raymond Scott
Aliases
- Manhattan Research
- Bendix
- Hugo Flint