Offenbach Le Ballet Francais Orchestre, P Montiel - Gaité Parisienne

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Review by Rodrigo Díaz

The album Gaité Parisienne by Offenbach Le Ballet Francais Orchestre, P Montiel is a delightful collection of classical music that is sure to transport the listener to the streets of Paris. The orchestra's performance is masterful, with each instrument blending seamlessly to create a rich and sophisticated sound.

The album features a variety of pieces, ranging from the lively "Can-Can" to the romantic "Barcarolle." Each track is expertly arranged and performed, showcasing the orchestra's talent and skill. The album also includes a number of lesser-known pieces, introducing listeners to new and exciting works from Offenbach.

Table of Contents

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Filename: offenbach-le-ballet-francais-orchestre-p-montiel-gait.rar
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  • FLAC size: 41.5 mb

Tracks

TrackDurationPreview
Gaiete Parisienne

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Catalog Numbers

  • P-11100
  • ST-CL-535

Labels

Somerset

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Formats

  • Vinyl
  • LP
  • Mono
  • Stereo

Credits

RoleCredit
Composed ByJacques Offenbach
ConductorP. Montiel
OrchestraLe Ballet Francais Orchestre

About Offenbach Le Ballet Francais Orchestre, P Montiel

Born: 1819-06-20 (Cologne, Germany) Died: 1889-10-05 (Paris, France) Jacques Offenbach was a German-born French composer and cellist of the Romantic era and one of the originators of the operetta form. Of German-Jewish ancestry, he was one of the most influential composers of popular music in Europe in the 19th century, and many of his works remain in the repertory. Offenbach's numerous operettas, such as «Orphée aux enfers» (Orpheus in the Underworld) and «La belle Hélène», were extremely popular in both France and the English-speaking world during the 1850s and 1860s. They combined political and cultural satire with witty grand opera parodies. His popularity in France went down during the 1870s after the Second Empire, and he fled France, but during the last years of his life, his popularity rebounded, and several of his operettas are still performed. While his name remains associated most closely with the French operetta and the Second Empire, it is Offenbach's one fully operatic masterpiece, «Les contes d'Hoffmann» (The Tales of Hoffmann), composed at the end of his career, that has become the most familiar of Offenbach's works in major opera houses. Offenbach was music director of the for 7 years.

Real Name

    • Jacob Offenbach

Name Vars

  • Hofenbach
  • Hoffenbach
  • I. Offenbach
  • J Offenbach
  • J. Offenbach
  • J. Offenbach
  • J. ªÃÕ§óÐï
  • J.Offenbach
  • J.S. Offenbach
  • J.ªÃÕ§óÐï
  • J; Offenbach
  • Jac. Offenbach
  • Jacob Offenbach
  • Jacque Offenbach
  • Jacques Auguste Igna Offenbach
  • Jacques Auguste Offenbach
  • Jacques L. Offenbach
  • Jacques Offenbach (1819-1880)
  • Jacques S. Offenbach
  • Jakub Offenbach
  • Jaques Offenbach
  • Jules Offenbach
  • M. J. Offenbach
  • M.J. Offenbach
  • Ofeenbach
  • Ofenbach
  • Ofenbah
  • Offembacch
  • Offembach
  • Offen Bach
  • Offenbach
  • Offenbach J.
  • Offenbach Jacques
  • Offenbach's
  • Offenbach, Jacques
  • Offenbach-
  • Offenbach-Rosenthal
  • Offenback
  • Offenberg
  • Offerbach
  • Offnbach
  • Ophenbach
  • Pffembacj
  • offenbach
  • Ž. Ofenbachas
  • Ž. Ofenbah
  • Ž. Ofenbahs
  • Ž.Ofenbahs
  • Ζακ Όφενμπαχ
  • Ж. Оффенбах
  • Жак Офенбах
  • Жак Оффенбах
  • Офенбах
  • Оффенбах
  • ªÃÕ§óÐï
  • ¸ãïûªÃÕ§óÐï

Aliases

  • Jacob
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Summary by Rodrigo Díaz

Gaité Parisienne is a must-listen for fans of classical music and anyone looking to experience the magic of Paris in musical form. The orchestra's performance is truly exceptional, making this album a standout in the genre.