Ludwig van Beethoven Gewandhausorchester Leipzig Franz Konwitschny Ingeborg Wenglor, Ursula Zollenkopf, HansJoachim Rotzch, Theo Adam Rundfunkchor Leipzig - Nine Symphonies
Review by Halie Ransom
The album Nine Symphonies by Ludwig van Beethoven, performed by Gewandhausorchester Leipzig under the direction of Franz Konwitschny and featuring vocalists Ingeborg Wenglor, Ursula Zollenkopf, HansJoachim Rotzch, and Theo Adam, accompanied by Rundfunkchor Leipzig, is a stunning masterpiece of classical music.
The album features all nine of Beethoven's symphonies, each one played with precision and passion. The orchestra's performance is outstanding, with each musician contributing to the overall sound and feel of the music. The vocalists are also exceptional, adding an extra layer of emotion to the already powerful compositions.
The album is a must-have for any classical music lover. The quality of the recording is excellent, capturing the nuances of each instrument and voice. The listener can almost feel the energy and intensity of the live performance.
Album: Nine Symphonies
Table of Contents
Download
Filename: ludwig-van-beethoven-gewandhausorchester-leipzig-franz.rar- MP3 size: 330 mb
- FLAC size: 1755.6 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| Symphony No. 4 In B Flat Major, Op. 60 | ||
| 4. Allegro | 17:56 | |
| Allegretto | 18:58 | |
| 3. Allegro (attaca) | ||
| Symphony No. 6 In F Major, Op. 68 "Pastoral" | ||
| Allegro Ma Non Troopo | 11:34 | |
| 3. Allegro Vivace | 5:48 | |
| 2. Larghetto | 10:45 | |
| Allegro | ||
| 2. Allegretto | 8:34 | |
| 1. Allegro Vivace E Con Brio | 10:06 | |
| 4. Allegro Molto | 6:04 | |
| 4. Finale (Adagio - Allegro Molto E Vivace) | 6:04 | |
| 4. Finale (Allegro Molto) | 11:26 | |
| 1. Allegro Ma Non Troppo, Un Poco Maestoso | 17:40 | |
| Symphony No. 9 In D Minor, Op. 121 | ||
| Symphony No. 2 In D Major, Op. 36 | ||
| 2. Marcia Funebre (Adagio Assai) - Concluded | 8:48 | |
| 2. Adagio | 9:46 | |
| 4. Presto-Allegro Assai | 25:00 | |
| Symphony No. 5 In C Minor, Op. 67 | ||
| 1. Adagio-Allegro Vivace | 11:59 | |
| 3. Scherzo (Allegro) | 3:45 | |
| 1. Allegro Con Brio | 19:42 | |
| 4. Allegro Vivace | 7:42 | |
| 3. Tempo Di Minuetto | 4:43 | |
| Symphony No. 3 In E Flat Major, Op. 55 | ||
| 3. Menuetto (Allegro Molto E Vivace) | 3:35 | |
| 4. Allegro Ma Non Troppo | 7:13 | |
| 2. Allegretto Scherzando | 3:50 | |
| Symphony No. 7 In A Major, Op. 92 | ||
| 2. Andante Con Moto | 10:29 | |
| 2. Andante Cantabile Con Moto | 8:06 | |
| 1. Poco Sostenuto - Vivace | 14:52 | |
| Symphony No. 8 In F Major, Op. 93 | ||
| 2. Marcia Funebre (Adagio Assai) | 6:55 | |
| 1. Adagio Molto - Allegro Con Brio | 9:01 | |
| 3. Scherzo (Allegro Vivace) | 6:07 | |
| 3. Adagio Molto E Cantabile | 15:59 | |
| Symphony No. 1 in C Major, Op. 21 | ||
| 3. Presto - Assai Meno Presto | 9:41 | |
| Andante Molto Mosso | 14:33 | |
| 2. Molto Vivace | 12:06 | |
| 4. Allegro Con Brio | 8:24 |
Images
Catalog Numbers
PC-5587-93Labels
PhilipsListen online
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Formats
- 7 × Vinyl
- LP
- Stereo
- Box Set
Companies
| Role | Company |
|---|---|
| Manufactured By | Nippon Phonogram Co., Ltd. |
Credits
| Role | Credit |
|---|---|
| Bass Vocals | Theo Adam (tracks: N) |
| Choir | Radio Chorus, Leipzig (tracks: N) |
| Chorus Master | Dietrich Knothe (tracks: N) |
| Conductor | Franz Konwitschny |
| Contralto Vocals | Ursula Zollenkopf (tracks: N) |
| Orchestra | Gewandhausorchester Leipzig |
| Soprano Vocals | Ingeborg Wenglor (tracks: N) |
| Tenor Vocals | Hans-Joachim Rotzch (tracks: N) |
Notes
- Recording dates (from included booklet)
- Nos. 1, 2 & 7: June 1959
- No. 9: July 1959
- Nos. 3, 5 & 6: March 1960
- Nos. 4 & 8: August 1961
About Ludwig van Beethoven Gewandhausorchester Leipzig Franz Konwitschny Ingeborg Wenglor, Ursula Zollenkopf, HansJoachim Rotzch, Theo Adam Rundfunkchor Leipzig
German composer and pianist, born in 1770 (baptized 17 December 1770) in Bonn, Germany and died 26 March 1827 in Vienna, Austria.
A crucial figure in the transition between the Classical and Romantic eras in classical music. Beethoven led Viennese Classicism to its highest development and paved the way for Romantic music.
Beethoven was the eldest son of a singer in the Kapelle of the Archbishop-Elector of Cologne and grandson of the Archbishop's Kapellmeister. He moved in 1792 to Vienna, where he had some lessons from Haydn and others, quickly establishing himself as a remarkable keyboard-player and original composer. By 1815 increasing deafness made public performance impossible and accentuated existing eccentricities of character, patiently tolerated by a series of rich patrons and his royal pupil the Archduke Rudolph.
Beethoven did much to enlarge the possibilities of music and widen the horizons of later generations of composers. To his contemporaries he was sometimes a controversial figure, making heavy demands on listeners both by the length and by the complexity of his writing, as he explored new fields of music.
Real Name
- Ludwig van Beethoven
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- Μπετόβεν
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