Karlheinz Stockhausen, Suzanne Stephens - Harlekin

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Review by Clinton Adams

Harlekin, the collaborative album by Karlheinz Stockhausen and Suzanne Stephens, is a masterful composition that showcases the innovative and experimental nature of avant-garde music. The album features a single piece of music, Harlekin, which is divided into four parts, each representing a different aspect of the titular character's personality.

The album is a testament to Stockhausen's unique approach to music composition, which combines elements of classical, electronic, and experimental music. The use of various instruments, including a bass clarinet, basset horn, and trumpet, adds to the depth and complexity of the music, creating a rich and vibrant soundscape.

Stephens' performance on the bass clarinet is particularly noteworthy, as she expertly navigates the intricate melodies and complex rhythms of the composition. The interplay between the different instruments and the use of electronic effects further enhances the overall listening experience.

Table of Contents

Download

Filename: karlheinz-stockhausen-suzanne-stephens-harlekin.rar
  • MP3 size: 20.4 mb
  • FLAC size: 113.4 mb

Tracks

TrackDurationPreview
Der Kleine Harlekin8:42
Harlekin27:29
Harlekin (Fortsetzung / Continued / Suite)16:14

Images

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Catalog Numbers

2531 006

Labels

Deutsche Grammophon

Listen online

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  • lyssna på nätet
  • écouter en ligne
  • escuchar en línea
  • lytte på nettet
  • ouvir online
  • ascolta in linea
  • online luisteren
  • kuunnella verkossa

Formats

  • Vinyl
  • LP

Companies

RoleCompany
Phonographic Copyright (p)Polydor International GmbH
Printed ByNeef
Published ByStockhausen-Verlag

Credits

RoleCredit
ClarinetSuzanne Stephens
Liner NotesSuzanne Stephens
Composed ByKarlheinz Stockhausen
Directed ByKarlheinz Stockhausen
Designatelier altona
Edited ByUwe Peters
EngineerKlaus Hiemann
Photography ByRalph Alexandre Fassey
ProducerDr. Rudolf Werner
Recording SupervisorDr. Rudolf Werner

Notes

  • Harlekin & Der Kleine Harlekin composed in 1975
  • Recording and editing:
  • Deutsche Grammophon Studio, Hamburg 70, Rahlau 128
  • Harlekin: 15.2.1978 10.00-18.00, 16.2.1978 10.00-17.00
  • Der Kleine Harlekin: 17.2.1978 10.00-14.00
  • ℗ 1978 Polydor International GmbH
  • Includes 8-page inlay with liner notes and black and white photos

Barcodes

  • Label Code: LC 0173
  • Rights Society: GEMA

About Karlheinz Stockhausen, Suzanne Stephens

baixar álbum Karlheinz Stockhausen, Suzanne Stephens - Harlekinlast ned album Karlheinz Stockhausen, Suzanne Stephens - Harlekinladda ner album Karlheinz Stockhausen, Suzanne Stephens - HarlekinAlbum herunterladen Karlheinz Stockhausen, Suzanne Stephens - Harlekindescargar álbum Karlheinz Stockhausen, Suzanne Stephens - Harlekintélécharger l'album Karlheinz Stockhausen, Suzanne Stephens - Harlekin
Born: August 22, 1928 (Mödrath, Kerpen, Germany) Died: December 05, 2007 (Kürten, Germany) Karlheinz Stockhausen was a German composer, acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is most known for his groundbreaking work in electronic music, aleatory (controlled chance) in serial composition, and musical spatialization. He studied with Martin at the Cologne Musikhochschule (1947-51), but the decisive stimulus came from his encounter with Messiaen's Mode de valeurs at Darmstadt in 1951. There he saw the possibilities of long-range serial process which he pursued in Kreuzspiel (1951) and KontraPunkte (1952), both for piano-based ensemble. The latter piece was written during a period of study with Messiaen in Paris, and while there Stockhausen made his first foray into electronic music. On returning to Cologne he continued this activity, notably in Gesang der Jünglinge (1956) for vocal and synthesized sounds on tape. At the same time, he pursued the ramifications of serial instrumental music. In 1958 he made his first visit to the USA, and around this time his music became more relaxed, both in its density of events and in its notational exactitude. This was partly a result of 's influence, and partly it came from the experience of electronic music, which suggested a different way of hearing. His influence extended over a whole generation of European composers, including such contemporaries as Boulez and Berio. Father of , Christel, , , Julika and .

Real Name

    • Karlheinz Stockhausen

Name Vars

  • K. Stockhausen
  • K.-H. Stockhausen
  • Karl Heinz Stockhausen
  • Karl-Heinz Stockhausen
  • KarlHeinz Stockhausen
  • Karlheinz
  • Stock Havsen
  • Stockhausen
  • Карлхајнц Штокхаузен
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Summary by Clinton Adams

Despite its experimental nature, Harlekin is not inaccessible or difficult to appreciate. The music is engaging and thought-provoking, and the various elements come together to form a cohesive and impressive whole. Harlekin is a must-listen album for anyone interested in avant-garde music or the works of Karlheinz Stockhausen.