The End - Introspection
Review by Amairani Zapata
Introspection by End is a stunning album that showcases the band's unique and powerful sound. The album features a range of intense and emotive tracks that explore themes of self-reflection and personal growth.
From the opening track "Pariah," with its haunting melodies and driving rhythms, to the epic finale "Epilogue," End takes listeners on a journey through a range of emotions and experiences. The band's use of dynamic shifts and intricate instrumentation creates a captivating and immersive listening experience.
One of the standout tracks on the album is "Chorus of Trees," which features soaring vocals and a driving, melodic chorus. The lyrics are introspective and thought-provoking, encouraging listeners to reflect on their own lives and experiences.
Table of Contents
Download
Filename: the-end-introspection.rar- MP3 size: 180.2 mb
- FLAC size: 1400.8 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| Under The Rainbow | 3:40 | |
| Jacobs Bladder | 0:54 | |
| Introspection Pt. 2 | 2:44 | |
| Dreamworld | 4:16 | |
| Jacob's Bladder | ||
| Introspection, Pt. 2 | 2:46 | |
| Shades of Orange (Single Version) [Bonus Track] | 2:42 | |
| Introspection Pt. 1 | 4:03 | |
| Don't Take Me | 3:24 | |
| Bromley Common | 0:50 | |
| What Does It Feel Like? | 2:49 | |
| Introspection (Pt. 1) | ||
| Loving, Sacred Loving (Single Version) [Bonus Track] | 3:2 | |
| Don't Take Me | 3:23 | |
| Introspection, Pt. 1 | 4:5 | |
| Shades Of Orange (Single Version) | 2:42 | |
| Shades of Orange | 2:39 | |
| B Side - Loving, Sacred Loving (Mono) | 3:02 | |
| Loving, Sacred Loving (Single Version) | 3:02 | |
| Under the Rainbow | 3:47 | |
| Loving, Sacred Loving | 2:58 | |
| Shades Of Orange | 2:39 | |
| Bromley Common (Interlude) | 0:49 | |
| Linen Draper | 0:14 | |
| Loving, Sacred Loving (Mono Single Version) | 3:02 | |
| Introspection (Pt. 2) | ||
| Shades Of Orange (Mono Single Version) | 2:38 | |
| A Side - Shades Of Orange (Mono) | 2:38 | |
| Linen Draper (Interlude) | 0:13 | |
| Loving Sacred Loving | 3:04 | |
| She Said Yeah | 2:51 | |
| Cardboard Watch | 2:54 | |
| Jacobs Bladder (Interlude) | 0:55 | |
| What Does It Feel Like | 3:05 |
Video
The End Introspection 1969,Psychedelic Rock
Images
Catalog Numbers
- PS 560
- SKL-R 5015
- SKL-R.5015
- 844 115-2
- POCD-1820
- UICY-9577
- TPT 208
- LK-R.5015
- SRMC 0065
- TPT208
- DEMREC266
- PL 597
- 375 068-9
- SLK 16638-P
Labels
- London Records
- Decca
- Not On Label (End )
- Edsel Records
- Deram
- Tapestry Records
- Si-Wan Records
- Demon
- Progressive Line
Listen online
- online anhören
- ascolta in linea
- online luisteren
- écouter en ligne
- lyssna på nätet
- kuunnella verkossa
- escuchar en línea
- lytte på nettet
- ouvir online
Formats
- Vinyl
- LP
- Album
- Stereo
- Monarch Pressing
- Reissue
- Unofficial Release
- Promo
- CD
- Remastered
- Mono
- 15 × File
- FLAC
- Limited Edition
- Papersleeve
- Test Pressing
- White Label
- 2 × Vinyl
Companies
| Role | Company |
|---|---|
| Published By | Puppet Music |
| Printed By | MacNeill Press Ltd. |
| Mastered At | Decca Studios |
| Pressed By | Decca Record Co. Ltd., Pressing Plant, UK. |
| Licensed From | The Decca Record Company Limited |
| Phonographic Copyright (p) | London Records, Inc. |
| Copyright (c) | Decca Music Group Limited |
| Remastered At | The Audio Archiving Company |
| Manufactured By | Polydor K.K. |
| Distributed By | Polydor K.K. |
| Record Company | UM³/USM Japan |
| Marketed By | Universal Music K.K. |
| Licensed To | Tapestry Records |
| Made By | The Decca Record Company Limited |
Credits
| Role | Credit |
|---|---|
| Artwork | John Horton |
| Bass Guitar | Dave Brown |
| Vocals | Dave Brown |
| Drums | Hugh Attwooll |
| Guitar | Colin Giffin |
| Saxophone | Colin Giffin |
| Mixed By | Glyn Johns |
| Organ | Nick Graham |
| Piano | Nick Graham |
| Producer | Bill Wyman |
| Tabla | Charlie Watts |
| Written-By | Griffin (tracks: A1, A2, A6, B1, B3, B7), Brown (tracks: A1, A5, A6, B3, B7), Graham (tracks: A1, A5, A6, B3, B7), Taylor (tracks: A5, B1) |
| Mastered By | L |
| Sleeve | John Horton |
| Design | John Horton |
| Artwork By | John Horton |
| Bass | Dave Brown |
| Keyboards | Nick Graham |
| Reissue Producer | Mark Powell |
| Liner Notes | Mark Powell |
| Remastered By | Paschal Byrne |
| Coordinator | Chihiro Nozaki, Kiyoshi Tokiwa |
| Presenter | Strange Days |
| Product Manager | Minoru Harada |
| Engineer | Glyn Johns |
| Harmony Vocals | Jim Henderson (tracks: B5) |
| Harpsichord | Nicky Hopkins (tracks: B4) |
| Other | Adison Stuart Archie III |
| Voice | George Kenset (tracks: A4, B2, B6) |
Notes
- French release - Made in France Imp. A.C.E.M. 4-70
- This is the Monarch pressing variant of the original US release.
- The text layout on the labels is a little different from the other US version.
- Some copies have a "promotional" sticker added to the front sleeve.
- Replica of the original 1969 LP on Decca.
- Includes a full-size insert with lyrics and photos.
- Known to be manufactured by Hungaroton in Hungary.
- Includes 12 page booklet with new liner notes by Mark Powell.
- Originally released as Decca SKL-R 5015 in November 1969
- Tracks 14 & 15 originally released as A & B-side single in 1968.
- Cardboard slipcover.
- Made in The EU
- Reissue of the original LP, released as Decca SKL-R 5015 in November 1969.
- Includes two inserts, one in Japanese and one in English.
- Limited Edition 1000 Copies
- No matrix runout codes (deleted)
- [on back cover:]
- ℗ 1969 The Decca Record Company Limited, London.
- [on labels:]
- Made in England by The Decca Record Co. Ltd. London
- FFSS - Full Frequency Stereophonic Sound
- Puppet Music
- Tapestry is a joint venture between Strange Fruit Records LTD and Tapestry Records.
- ℗ 2006 The copyright in this compilation is owned by Playhouse Media
- under exclusive license to Strange Fruit Records LTD
- © 2006 Strange Fruit Records
- Marketed and distributed by Tapestry Music.
- All rights of manufacturer and owner of the recorded work reserved.
- Unauthorized public performance,
- broadcasting and copying prohibited. Manufactured in EEC
- Packaged in a jewel case. Booklet: 4 pages.
- 24 bit digitally remastered
Barcodes
- Matrix / Runout (Runout, Side A, stamped): XZAL-8993.P-IL
- Matrix / Runout (Runout, Side B, stamped): XZAL-8994.P-IL
- Matrix / Runout (Label, Side A): XZAL.8993P
- Matrix / Runout (Label, Side B): XZAL.8994P
- Matrix / Runout: XZAL8993 B2 / XZAL8994 B2
- Rights Society: BIEM
- Price Code: Ⓤ
- Rights Society: BMI
- Matrix / Runout (Side A, run-out etching): ZAL 8993-3 st [(MR) stamped] 7 Δ 13632
- Matrix / Runout (Side B run-out etching): ZAL 8994-3 st [(MR) BellSound (stamped] 7 Δ 13632-X
- Barcode (Text): 0 42284 41152 3
- Barcode (Scanned): 042284411523
- Mastering SID Code (Variants 1,2): IFPI L135
- Mould SID Code (Variant 1): IFPI 0464
- Mould SID Code (Variant 2): IFPI 0480
- Matrix / Runout (Variants 1,2): 8441152 01
- Rights Society: BIEM SABAM
- Label Code: LC 00171
- Other (Mould Information): MADE IN THE UK
- Barcode: 4988005087010
- Barcode: 4 988005 087010
- Rights Society: JASRAC
- Barcode: 4988005396273
- Mastering SID Code: IFPI L222
- Mould SID Code: IFPI 39A4
- Matrix / Runout: UICY-9577 1MS1 C 56
- Matrix / Runout (Runout side A, stamped): 65114 1A TPT 208
- Matrix / Runout (Runout side B, stamped): 65114 1B TPT 208
- Matrix / Runout: (Runout, Side A, stamped): XARL-8993.P-2A
- Matrix / Runout: (Runout, Side B, stamped): XARL-8994.P-1A
- Matrix / Runout (Disc - Matrix): 844 377-2/DO 0346
- Matrix / Runout: DO 0346
- Mastering SID Code (Variant 1): IFPI LB11
- Mastering SID Code (Variant 2): IFPI L491
- Mould SID Code (Variant 2): IFPI 5301
- Other: Record Store Day 2018
- Other: Clear Vinyl
- Barcode: 3 528596 005973
- Barcode: 602537506897
- Matrix / Runout (Both Labels): XZAL.8993P
- Matrix / Runout (Runout Side A, Stamped): TPT 208 A
- Matrix / Runout (Runout Side B, Stamped): TPT 208 B
- Barcode (Text): 3 528596 005973
- Barcode (String): 3528596005973
- Matrix / Runout: PL 597
- Mastering SID Code: IFPI LL88
Summary by Amairani Zapata
Comments
I like it. I was born in 1970.
Wonderful music and wonderful sound quality.Perfect cinema for the ears.Theyproduced this album only with mixing-by-ear. Listentothis perfect vocals and stereo-mix.Tender,crafty warmorgan, heavy guitar,charming voices -perfect!-Compare to state-of-art "Madonna"-albums! and its stupid plastic polishing surface.-- 16:40 guitars never sounded better later. Even Osbournes guitarists would have loved to sound this good.(but sometimes they did really)
??????
great lp. a fine representation of Brit psyche rock
PutiRsiki? is your end!
Ukraine protect us!?✌️☝️
Ukraine protect us!?✌️☝️
?❤️
100 thanks
??✌️
100 thanks
??✌️
????
We were even expecting to meet Bill Wyman or any Stone in the audience but it was unfounded. Though the place was very small and we were less than half a dozen in the audience. Actually it was last week as I was passing by the facade where, I said to my elder mother who was at The Beatles, here was where The End played back when. It was our very first British Invasion band with The Beatles in 1965. Never heard, absolutely anybody, mention it or that would know that it had happened as we were first hand testimonies in Olot, Girona. Total amnesia. Nobody did seem born at the time. Neither in the whole of Spain. When I move to England in 1968 it was even worse. It took me ages to find out anything about them, nobody did seem to know anything about. Though the album appeared ages late, at least to me when I found it, though they had even made a 'film' in Spain and few singles later...their outfits remind us to The Kinks, with their embroidered white shirts and flamboyant granite long jackets but, the music was much more 'advance' into the 'things to come' which wasn't as yet shown as the album became. There are few paradigmatic albums from that time period alike, though there seem to be many. "Defecting Gray" comes to mind which I heard at the BBC World Service after the English By Radio program, as an unsurpassed sing of the times them, when it was announced that it was the youthful sound of London...
Oh yeah this is absolutely brilliant ?
"Fantastic psych-rock album from British band, The End. Produced by Rolling Stone bassist Bill Wyman & featuring members of Tucky Buzzard, Mott The Hoople, CSN, Buddy Guy, Muddy Waters & more. If you like the Pretty Things & bands with a similar sound this is a must listen"
THE END:
-Bass, Vocals - Dave Brown
-Guitar, Vocals - Terry Taylor
-Keys Vocals - Nick Graham
-Guitar, Sax, Vocals - Colin Giffin
-Drums - Hugh Attwooll
with
-Tabla Drums - Charlie Watts
-Produced By - Bill Wyman
-Mixed By - Glyn Johns
THE END:
-Bass, Vocals - Dave Brown
-Guitar, Vocals - Terry Taylor
-Keys Vocals - Nick Graham
-Guitar, Sax, Vocals - Colin Giffin
-Drums - Hugh Attwooll
with
-Tabla Drums - Charlie Watts
-Produced By - Bill Wyman
-Mixed By - Glyn Johns
?
Gracias
Super Class Saikidell Rock Album, and Jockonda Eye, come here culture indeed! TNKxxxxx, John!
Yup 2ok in the morning. And rocking away. Thanks
