Eddie "Lockjaw" Davis - The Eddie Lockjaw Davis Cookbook Vol 2
Review by Steve Paulo
The Eddie Lockjaw Davis Cookbook is a classic jazz album that showcases the musical genius of the legendary saxophonist. The album features a collection of original compositions and jazz standards that are expertly performed by Davis and his band.
The album opens with the upbeat and swinging "Have Horn, Will Blow," which sets the tone for the rest of the album. Davis displays his virtuosity on the saxophone, with his smooth and soulful playing perfectly complemented by the tight and groovy rhythm section.
One of the standout tracks on the album is the bluesy "The Chef," which features a catchy melody and a memorable solo by Davis. The track also highlights the excellent musicianship of the rest of the band, including organist Shirley Scott and guitarist Jerome Richardson.
Another highlight of the album is the ballad "But Beautiful," which showcases Davis' ability to play with emotion and sensitivity. His soulful playing is accompanied by Scott's beautiful organ work, creating a beautiful and heartfelt performance.
Table of Contents
Download
Filename: eddie-lockjaw-davis-the-eddie-lockjaw-davis-cookbook-vol-2.rar- MP3 size: 83.6 mb
- FLAC size: 978.5 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| The Broilers | 4:58 | |
| I'm Just a Lucky So and So | 06:12 | |
| My Old Flame | 06:01 | |
| Heat 'n' Serve | 07:20 | |
| Strike Up the Band | 03:37 | |
| I Surrender Dear | 5:25 | |
| The Goose Hangs High | 05:52 | |
| Skillet | 8:30 | |
| Three Deuces | ||
| Stardust | 6:40 | |
| The Chef | ||
| Have Horn Will Blow | ||
| The Rev | 9:00 | |
| In The Kitchen | ||
| But Beautiful | ||
| Simmerin' | 09:25 | |
| Willow Weep for Me | 04:36 | |
| I Surrender, Dear | 5:25 | |
| Willow Weep For Me | 4:36 |
Video
But beautiful Eddie Lockjaw Davis
Eddie Lockjaw Davis - Cookbook Vol. 1 ( Full Album )
Eddie ''Lockjaw'' Davis - Skillet (1958)
Eddie Lockjaw Davis - The Chef
Images
Catalog Numbers
- OJCCD-653-2, P-7161
- OJC-5653(P-7161)
- 32-104
- PRLP 7161, 7161
Labels
- Original Jazz Classics, Prestige
- Original Jazz Classics
- Esquire
- Prestige
Listen online
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- online anhören
- ouvir online
- lytte på nettet
- lyssna på nätet
- ascolta in linea
- kuunnella verkossa
- online luisteren
- écouter en ligne
Formats
- CD
- Album
- Reissue
- Remastered
- Cassette
- Vinyl
- LP
Companies
| Role | Company |
|---|---|
| Recorded At | Van Gelder Studio, Hackensack, New Jersey |
Credits
| Role | Credit |
|---|---|
| Bass | George Duvivier |
| Drums | Arthur Edgehill |
| Engineer | Rudy Van Gelder |
| Flute | Jerome Richardson |
| Liner Notes | Bob Snead |
| Organ | Shirley Scott |
| Tenor Saxophone | Eddie "Lockjaw" Davis |
| Recorded By | Rudy Van Gelder |
Notes
- Track 6 Is A Bonus Track
- Made In Germany
- Remastered 2003
- Beautiful music, two copies !!!
- Track 6 Is a Bonus Track
- First cat # on labels, second on cover.
- Cover picture shows Davis in profile with a hat.
- Yellow label with firework motif and Bergenfield, N.J. address.
- Bob Snead (liner notes) mis-spelled as Bob Sneed.
- Recorded at Rudy Van Gelder Studio, Hackensack, NJ, December 5, 1958.
Barcodes
- Barcode: 0 90204 94823 9
- Barcode (Scanned): 025218665346
- Barcode: 0 25218-6653-2 2
- Matrix / Runout (Runout side A, etched): PRLP-7161 A RVG
- Matrix / Runout (Runout side B, etched): PRLP-7161-B RVG
- Matrix / Runout (Runout fragment, stamped): RVG
About Eddie "Lockjaw" Davis
Self-taught American jazz and rhythm & blues tenor saxophonist, born March 2, 1922 in New York City, New York, died November 3, 1986 in Culver City, California.
Davis played with Cootie Williams (1942-1944), Lucky Millinder, Andy Kirk (1945-1946), Louis Armstrong, Count Basie (1952-1953, 1957 & 1964-1973), Shirley Scott (1955-1960), Johnny Griffin, Harry "Sweets" Edison and others, and in own groups.
Real Name
- Edward F. Davis
- Jr.
Name Vars
- \
- Davis
- 'Lockjaw' Davis
- E. Davis
- E. Davis Jr.
- E. Davis, Jr.
- E.L. Davis
- Eddi \
- Eddie \
- Davis And His Tenor Sax
- ,
- Lockwood\
- Lokjaw\
- Lockjaw\
- Локджо\
Summary by Steve Paulo
Comments
Excellente combinaison d'harmonie et de style de qualité musicale. Un jazz blues note d'une ambiance et d'une dimension chaleureuse et originale.
That organ makes me feel like I just traveled back in time to a southern fair or a baseball game back in the 50s
A stone cold killer!!
Oh, say what you will about Jimmy, but I like Shirley. Yes I do.
This is supreme beatnik music especially where Jerome comes in. Needs bongos though. :)
I remember when I was a kid and met Lockjaw. He was such a really nice guy. And wow, could he play.
Lock Jaw was one of the best ? jazz musician.
The "gateway" drug to love . . . primal blues, modern media.
Note for note same as Jimmy Smith's walking lines on the bass. Damn, Jimmy did his homework in the shed, on his left hand.
??????
wowowowowowwo
I'm generally not crazy about Shirley Scott but man she just killed it here; thanks so much, 222zink! Oh man; I wrote that before I heard Jerome Richardson here... so very good!
<3 !!!!!!!!!!!!!!!!
There perhaps exists two camps on saxophone -- in particular on that of Bb tenor, -- the first being that of Coleman Hawkins; and the other, Lester Young. Oh do I love these two feels both. While Lockjaw feels to come out of the Hawkins camp and bearing a wholly different and distinctive swing to his, -- that, owing, too, to his signature sound when with Count Basie, he does stand alone in terms of the Horn, its character. Of his blues I can say this -- 'Classic! Just listen to the tune, "The Rev." I loved the big horn sound that is the tenor saxophone... Jaws' was big, perhaps along with Plas Johnson's big sound (the Tenor' who played Mancini's "Pink Panther" -- oh his obbligato!)I give great nods to many the horn players, oh so many great ones. I was but 14 or 15 when I first got wind of Jaw's big sound and characteristic playing, which I ever remembered thereafter, and always knew when it was Lockjaw blowing.
Lockjaw was such a unique player . You can recognize him after one or two notes. Glad I saw him a lot when I had the chance.
Autre disciple de Jimmy SMITH : Shirley SCOTT.
Vous aimez les anecdotes utiles pour explorer les régions du Jazz ?
En voici une..
Entre 1960 et 1971, elle sera l’épouse de Stanley TURRENTINE avec lequel elle gravera plusieurs cires pour BLUE NOTE et IMPULSE le label New-yorkais qui signe COLTRANE dès 1961, produisant l'ensemble de son œuvre)
Vous aimez les anecdotes utiles pour explorer les régions du Jazz ?
En voici une..
Entre 1960 et 1971, elle sera l’épouse de Stanley TURRENTINE avec lequel elle gravera plusieurs cires pour BLUE NOTE et IMPULSE le label New-yorkais qui signe COLTRANE dès 1961, produisant l'ensemble de son œuvre)
Good ol' down south blues.
duvivier is one of the all time greats on bass. dude was amazing.