Don Reno, Red Smiley And The Tennessee Cutups - Country Boy Rock N Roll Cumberland Gap
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Filename: don-reno-red-smiley-and-the-tennessee-cutups-country-boy-rock.rar- MP3 size: 14.6 mb
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Tracks
Track | Duration | Preview |
---|---|---|
Country Boy Rock 'N Roll | ||
Cumberland Gap |
Video
Don Reno, Red Smiley And The Tennessee Cutups - Cumberland Gap (King 5002)
Don Reno, Red Smiley And The Tennessee Cutups - Country Boy Rock'n Roll (King 5002)
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Catalog Numbers
45-5002Labels
King RecordsListen online
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Formats
- Vinyl
- 7"
- 45 RPM
- Single
About Don Reno, Red Smiley And The Tennessee Cutups
Don Reno, father of , was a bluegrass and country musician best known as a banjo player in partnership with and later . He was born February 21, 1927 in Spartanburg, South Carolina and died October 16, 1984 in Lynchburg, Virginia. Played the guitar at a professional level by the time he was eight and the banjo by the time he was twelve. He performed with the Morris Brothers, Arthur Smith, and Bill Monroe, but really began to be noticed when he and Red Smiley came to Cincinnati in 1951 as members of Tommy Magness and his Tennessee Buddies, which cut four songs on King Records subsidiary Federal Records. After that band broke up, he and Red came back to King in 1952 and cut sixteen sides, including Dons bluegrass standard Im Using My Bible For a Road Map. This was the beginning of a long association with King Records. An exceptionally versatile musician, Don recorded Home Sweet Home and Green Mountain Hop for King by dubbing three vocal parts, guitar, banjo, fiddle, bass, and snare drum himself. His tenor singing was unmistakable, and his fresh and original songwriting was both excellent and extensive. He wrote a high percentage of the songs recorded by Reno and Smiley and co-composed and recorded Feuding Banjos with Arthur Guitar Boogie Smith, in whose Charlotte-based band he performed before the Tennessee Cut-Ups became a full-time organization in the mid 1950s. Along with partner Red Smiley, Don Reno was elected to the IBMA Bluegrass Hall of Fame in 1992. After his and Smileys first split in 1964, he teamed with Benny Martin briefly, Bill Harrell until 1979, and with sons Dale and Don Wayne until his death, recording for Dot, Mercury, King, King Bluegrass, CMH and several other labels.
Real Name
- Donald Wesley Reno
Name Vars
- C. Reno
- D. Reno
- D. Reno,
- Don
- Don Reno
- R. Stanley
- Reno
- Smiley
Members
- George Shuffler
Comments
for those wondering at Reno style....whats the deal? he never breaks his roll, it is continuous, and never broken, he does not reset as most three finger pickers might...it IS ONE LONG CONTINUOUS ROLL.....reno...one of a kind and for gods sake if y ou value y our life....DO NOT CALL IT SCRUGGS STYLE......don Reno....oh blessed beauty American melody
Played this a lot when it first was recorded.
This is by far the best version of "Cumberland Gap" ever recorded. Reno's three-finger picking style is unique, and he absolutely punishes the banjo on this recording. Hard as nails, machine-gunning, perfect clarity. After the take, Syd Nathan had to rush "Nellie" (Reno's 1935 RB-3) to the University of Cincinnati Medical Center for resuscitation and rehab.
Mac Magaha's fiddle playing is the perfect complement to Reno's masterful
work. The first few bars of his break, where you hear Reno playing with him, is pure
bluegrass genius.
Thanks so much for posting this track, its first time on YouTube and long overdue.
Mac Magaha's fiddle playing is the perfect complement to Reno's masterful
work. The first few bars of his break, where you hear Reno playing with him, is pure
bluegrass genius.
Thanks so much for posting this track, its first time on YouTube and long overdue.