Dizzy Gillespie Sonny Stitt Sonny Rollins - Great Jazz History Sonny Side Up

taylor4484

Review by Taylor McCaslin

The album Great Jazz History Sonny Side Up by Dizzy Gillespie Sonny Stitt Sonny Rollins is a masterpiece of jazz music that showcases the incredible talent and skill of these three legendary musicians. From start to finish, this album is filled with stunning improvisations, intricate melodies, and soulful rhythms that will keep listeners captivated and engaged.

One of the standout tracks on the album is "Eternal Triangle," which features a thrilling saxophone battle between Stitt and Rollins that is nothing short of electrifying. The interplay between these two giants of the jazz world is truly remarkable, and their virtuosic soloing is a testament to their incredible musicianship.

Another highlight of the album is "After Hours," a slow and soulful ballad that showcases the more introspective side of these musicians. Gillespie's muted trumpet adds a haunting quality to the piece, while Stitt and Rollins' saxophone solos are filled with emotion and depth.

Download Dizzy Gillespie Sonny Stitt Sonny Rollins - Great Jazz History Sonny Side Up
Artist: Dizzy Gillespie Sonny Stitt Sonny Rollins
Album: Great Jazz History Sonny Side Up

Table of Contents

Download

Filename: dizzy-gillespie-sonny-stitt-sonny-rollins-great-jazz-history.rar
  • MP3 size: 20.8 mb
  • FLAC size: 154.8 mb

Tracks

TrackDurationPreview
After Hours
On The Sunny Side Of The Street
I Know That You Know
The Eternal Triangle

Video

Dizzy Gillespie/Sonny Stitt/Sonny Rollins - Sonny Side Up (1959) (Full Album)
Sonny Rollins, Dizzy Gillespie, Sonny Stitt - Sonny Side Up ( Full Album )
Sonny Side Up - Dizzy Gillespie, Sony Rollins, Sony Stitt - (Full 1986 Reissue)

Images

last ned album Dizzy Gillespie Sonny Stitt Sonny Rollins - Great Jazz History Sonny Side Up
baixar álbum Dizzy Gillespie Sonny Stitt Sonny Rollins - Great Jazz History Sonny Side Up
télécharger l'album Dizzy Gillespie Sonny Stitt Sonny Rollins - Great Jazz History Sonny Side Up
Album herunterladen Dizzy Gillespie Sonny Stitt Sonny Rollins - Great Jazz History Sonny Side Up

Catalog Numbers

T-1933

Labels

TF

Listen online

  • online luisteren
  • online anhören
  • lyssna på nätet
  • escuchar en línea
  • ouvir online
  • écouter en ligne
  • lytte på nettet
  • kuunnella verkossa
  • ascolta in linea

Formats

  • CD
  • Album
  • Reissue
  • Remastered

Credits

RoleCredit
BassTom Bryant
DrumsCharlie Persip
PianoRay Bryant
SaxophoneSonny Rollins, Sonny Stitt
TrumpetDizzy Gillespie

Notes

  • The tracks and release information on the back are in Japanese, includes Japanese liner notes.
  • Recorded on December 19th, 1957 - NY

Barcodes

  • Barcode: 4988038022330
  • Rights Society: JASRAC
  • Other (JASRAC CODE): R-2B0060

About Dizzy Gillespie Sonny Stitt Sonny Rollins

descargar álbum Dizzy Gillespie Sonny Stitt Sonny Rollins - Great Jazz History Sonny Side Upladda ner album Dizzy Gillespie Sonny Stitt Sonny Rollins - Great Jazz History Sonny Side Uplataa albumi Dizzy Gillespie Sonny Stitt Sonny Rollins - Great Jazz History Sonny Side UpAlbum herunterladen Dizzy Gillespie Sonny Stitt Sonny Rollins - Great Jazz History Sonny Side Uptélécharger l'album Dizzy Gillespie Sonny Stitt Sonny Rollins - Great Jazz History Sonny Side Upbaixar álbum Dizzy Gillespie Sonny Stitt Sonny Rollins - Great Jazz History Sonny Side Up
American jazz trumpet player, bandleader, singer, and composer dubbed "the sound of surprise". (born October 21, 1917, Cheraw, South Carolina, USA; died January 6, 1993, Englewood, New Jersey, USA) Together with he was the predominant figure in the development of bebop (bop), which laid the foundation for modern jazz. He taught and influenced many other musicians, including trumpeters , , , , , and . He was also one of the key founders of Afro-Cuban (or Latin) jazz, adding 's conga to his orchestra in 1947, and utilizing complex poly-rhythms early on. Career Highlights: Awarded New Star Award from Esquire Magazine (1944) Performs at first integrated concert in public school, Cheraw, SC (1959) First jazz musician appointed by US department of State to undertake cultural mission (1972) Awarded Handel Medallion from the City of New York (1972) Received Paul Robeson Award from Rutgers University Institute of Jazz Studies (1972) Performs at White House for President Carter and the Shah of Iran (1977) Performs "Salt Peanuts" with President Carter at White House Jazz Concert (1978) Inducted into Big Band and Jazz Hall of Fame (1982) Received Lifetime Achievement Award from the National Association of Recording Arts and Sciences (1989) Received National Medal of Arts from President Bush (1989) Received Duke Ellington Award from the society og Composers, Authors, and Publishers (1989) Awarded Grammy Lifetime Achievement Award (1989) Received Kennedy Center Honors Award (1990) Received fourteen honorary degrees, including Ph.D. Rutgers University (1972), Ph.D. Chicago Conservatory of Music (1978) Awarded a Star on the Hollywood Walk of Fame for recording

Real Name

    • John Birks Gillespie

Name Vars

  • \
  • Gillespie
  • Goldberg
  • 'Dizzy' Gillespie
  • C. Gillespie
  • D Gillespie
  • D, Gillespie
  • D. Gillespie
  • D. Gilespie
  • D. Gillelspie
  • D. Gillepsie
  • D. Gillespi
  • D. Gillespie
  • D. Gillespier
  • D. Gillispie
  • D. Gyllespie
  • D.G.
  • D.Gillespie
  • Dissy Gillespie
  • Diz
  • Dizy Gillespie
  • Dizz
  • Dizzi Gillespie
  • Dizzie
  • Dizzie Gillespie
  • Dizzy
  • Dizzy Gilespie
  • Dizzy Gille Spie
  • Dizzy Gillepie
  • Dizzy Gillepsie
  • Dizzy Gillespie & Band
  • Dizzy Gillespie (= John Birk)
  • Dizzy Gillespie (= John Birks)
  • Dizzy Gillespie (Combos)
  • Dizzy Gillespie And Band
  • Dizzy Gillespie Con Orquesta Y Combo
  • Dizzy Gillespie Jam
  • Dizzy Gillespie m.v.
  • Dizzy Gillespie,
  • Dizzy Gillespie, John Birks
  • Dizzy Gillesspie
  • Dizzy-Gillespie
  • E. Gillespipe
  • G. Gillespie
  • GILLESPIE
  • Giellespie
  • Gilespie
  • Gilleespie
  • Gillepsie
  • Gillespi
  • Gillespie D.
  • Gillespie, D.
  • Gillespie, Dizzy
  • Gillespier
  • Gillispe
  • Gillispie
  • Gillspie
  • J. \
  • J. 'Dizzy' Gillespie
  • J. (Dizzy) Gillespie
  • J. B. \
  • J. B. Gillespie
  • J. B. Dizzy Gillespie
  • J. D. Gillespie
  • J. Dizzy Gillespie
  • J. Gellespie
  • J. Gilespie
  • J. Gillespie
  • J.\
  • J.B. \
  • J.B. Gillespie
  • J.D. Gillespie
  • J.Gillespie
  • JB Gillespie
  • John \
  • ,
  • Dizzy\
  • DIZZY\
  • Dizzie\

Aliases

  • B. Bopstein
  • John Birks
  • Gabriel
  • Hen Gates
  • John Kildare
taylor4484

Summary by Taylor McCaslin

Great Jazz History Sonny Side Up is a must-listen for any jazz fan, and a testament to the enduring legacy of these three incredible musicians. Whether you're a seasoned jazz aficionado or a newcomer to the genre, this album is sure to impress and inspire.

Comments

animepvc
2023-04-14
Thinking back,
We had a couple of Public School teachers who were Jazz Buffs.
They dressed like Bankers , on stage -tapped their toes to Gig with the best.
Two points,
Jazz was not mentioned - Mozart etc., had to be learned in Elementary School.
Mr. Finnell can still be heard playing locally . How he dodged the Cigarette Smoke filled rooms, or playing while "High" nor becoming Deaf as many of their Jazz Music peers, leaves one puzzled?
gbqj2m5xs8
2023-04-13
You just love the personality of Dizzy,I just love those elastic cheeks,an uncle that every young desired, and his checked pants OMG
novusmediacomvn
2023-04-13
I just listened to a 10h European podcast radio show on Sonny Rollins (yes, 10x 1h, covering 1951-2001 !!!). My opinion of Rollins is that it seems very overrated to me. First of all as a player, he does not seem to me better than Johnny Griffin, Stitt, Roland Kirk, Phil Woods, Lateef ... but enjoys a much more important reputation ... and unjustified in my opinion. Ok he plays well, but not better than the musicians I mentioned. In terms of composition, he did not compose anything, everyone knows that St Thomas is a Caribbean folklore already recorded by Randy Weston in 1955 under the title Fire Down There. His other compositions from the 50s ... well, Oleo, Airegin etc ... this can in no way be compared to the compositions of Trane, Bird, Monk or Shorter ... also, his playing and his sound are terribly degraded after 1966 (36 years). It seems that he was traumatized by the arrival of Ornette, Trane, Ayler ... In the 60's he tried to be more free than Ayler, more calypso / blues than Ornette, and more mystical than Trane, but he didn't. did not succeed. Then in the 70s / 80s he tried to be funky, disco ... with really ridiculous and cheesy results ... Did he want to be funkier than James Brown himself? Also, in the radio show they say that he was paid current $ 300,000 for himself to record the Nucleus album (so listen to the result !!!!), and that, for his concerts, his financial claims were unrealistic, only the big festivals could afford it. He played with the Stones but didn't want to go on tour with them because, according to Jagger himself, he wanted too much money! I mean, I'm not making anything up here. In my opinion, he should have remained what he was before, a disciple of Bird at the Tenor, and quit at the age of 40 to leave a quality job, and without trying to follow fashion.
neverthatsimpleorg
2023-04-13
????
acpaiva
2023-04-12
I just listened to a 10h European podcast radio show on Sonny Rollins (yes, 10x 1h, covering 1951-2001 !!!). My opinion of Rollins is that it seems very overrated to me. First of all as a player, he does not seem to me better than Johnny Griffin, Stitt, Roland Kirk, Phil Woods, Lateef ... but enjoys a much more important reputation ... and unjustified in my opinion. Ok he plays well, but not better than the musicians I mentioned. In terms of composition, he did not compose anything, everyone knows that St Thomas is a Caribbean folklore already recorded by Randy Weston in 1955 under the title Fire Down There. His other compositions from the 50s ... well, Oleo, Airegin etc ... this can in no way be compared to the compositions of Trane, Bird, Monk or Shorter ... also, his playing and his sound are terribly degraded after 1966 (36 years). It seems that he was traumatized by the arrival of Ornette, Trane, Ayler ... In the 60's he tried to be more free than Ayler, more calypso / blues than Ornette, and more mystical than Trane, but he didn't. did not succeed. Then in the 70s / 80s he tried to be funky, disco ... with really ridiculous and cheesy results ... Did he want to be funkier than James Brown himself? Also, in the radio show they say that he was paid current $ 300,000 for himself to record the Nucleus album (so listen to the result !!!!), and that, for his concerts, his financial claims were unrealistic, only the big festivals could afford it. He played with the Stones but didn't want to go on tour with them because, according to Jagger himself, he wanted too much money! I mean, I'm not making anything up here. In my opinion, he should have remained what he was before, a disciple of Bird at the Tenor, and quit at the age of 40 to leave a quality job, and without trying to follow fashion.
francesarenas
2023-04-12
Your choice is always excellent. My only gripe with you is that all your videos are 'still' and not downloadable. Don, you know Jazz is 'Intellectual'. It is our very life to us enthusiasts. Address the issue above, then you have a longtime friend. Our taste is very common.

Oh! By the way, please stop the adverts in your videos please. You don't need that extra advert money at the expense of your passion.
mwalek
2023-04-12
I grew up on this love ❤️ it
tmtshali101
2023-04-12
best thing to ride n flow like waves...and feeling satisfied.