Darkwood Dub Featuring Bisera Veletanlić - Milo Moje Ručak Za Dvoje

skepticalfox

Review by Abhishek Gharat

Milo Moje Ručak Za Dvoje is an album that features the collaboration of Darkwood Dub and Bisera Veletanlić. The album has a unique sound that blends electronic and traditional music, with a focus on the Balkan region. The album is a great example of how different genres can come together to create something new and exciting.

One of the standout tracks on the album is "Milo Moje," which features Veletanlić's powerful vocals over a driving beat. The track has a hypnotic quality that draws the listener in and keeps them engaged throughout. Another standout track is "Ručak Za Dvoje," which features a more laid-back vibe and a beautiful melody.

Table of Contents

Download

Filename: darkwood-dub-featuring-bisera-veletanli-milo-moje-ruak-za-dvoje.rar
  • MP3 size: 13 mb
  • FLAC size: 80.4 mb

Tracks

TrackDurationPreview
Milo Moje4:43
Ručak Za Dvoje5:07

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Labels

Odličan Hrčak

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Formats

  • 2 × File
  • AAC
  • MP3
  • Single

Notes

Digital-only single containing two non-album studio tracks.

About Darkwood Dub Featuring Bisera Veletanlić

The embryo of Darkwood Dub was formed in Belgrade way back in 1988. The band began experimenting with mixing reggae grooves, distorted guitars and prophetic yet emotional lyrics, their stage set from early years even included a freaked-out version of Strawberry Fields Forever. By the time of release of their debut album. Paramparcad (1994), D.Dub were by far the most popular underground band in Belgrade, playing packed gigs to a fanatic fan-base of up to 1000 people, despite minimum airplay on Belgrade radio stations and almost deliberately kept low-profile in media. Darkwood Dub's second release U nedogled (Radio B92, 1996) saw further development of band's capacity for combining diverse musical structures into a powerful blend, and was almost unanimously voted the best album of 1996 by Yugoslav music press. Notorious for rarely playing outside their hometown (due to technical demands, more ambitious and unusual for local standards), the band even embarked on a mini-tour of Serbia and received ecstatic response from local audiences. In 1997 the group was approached to provide music for Trainspotting, a theatre production of Belgrade's BITEF Teatar. If the music of Primal Scream and Underworld was an ideal soundtrack for the famed British film, Darkwood Dub were the only appropriate choice for Belgrade version of Irvine Welsh's play. Music for Trainspotting featured several tracks which had already been standards in their live sets in late 96/early 97. DD's new ventures included further explorations of rhythmical patterns and sound textures, as well as remixes by several young Belgrade producers. The groups next, proper album has been eagerly expected throughout 1998, then delayed by NATOs air strikes, Kosovo war and government takeover of Radio B92  Darkwood Dubs discographic home - in the spring of 1999, to be finally released in September 1999 to undivided praise of both fans and media. Indeed, on their fourth album, the band added a new dimension to their creative world. Its a stimulating mix of dance music influences and alternative rock with the occasional touch of dub and afro. The milestone album of 1999, Elektropionir (named after once popular science toy-kit) is the vehicle that has thrust Belgrade's alternative favourites into the mainstream. The expectations were very high, both from the theorists and critics from one side, and the public and the fans from another, concerning their latest, recently released project, album Life Begins At 30. Being voted as the best YU album of 2002, and reaching sales figures more than expected, a Life Begins At 30 tour was the most successful ever, presenting Darkwood Dub live at Croatia, Slovenia, Bosnia, Macedonia, Poland, Austria, as well as at more than 30 cities around Yugoslavia. Darkwood Dub broke up in March 2016. Members: Dejan Vučetić Vuča - vocals (1988-2016) Vasil Hadžimanov - keyboards Milorad Ristić Miki (ex Prizori Sa Venčanja) - bass (1988-2016) Bojan Drobac Bambi (ex Vudu) - guitar (1990-2016) Lav Bratuša (ex Fake Madonna's Underwear) - drums (1992-2016) Ex-Members: Vladimir Jerić Vlidi - guitar Lunogled - drums (1988-1990) Vuk - guitar (left in 1990) Blaža (ex Nuovo) - drums (1990-1992) Miladin Radivojević Miško (ex Klajberi) - drums (1992)

Name Vars

  • Darkwood Dab
  • Даркwоод Дуб

Members

  • Miladin Radivojević - Miško
  • Vladimir Jerić
  • Dejan Vučetić
  • Milorad Ristić
  • Lav Bratuša
  • Bojan Drobac
  • Vasil Hadžimanov
skepticalfox

Summary by Abhishek Gharat

Milo Moje Ručak Za Dvoje is an excellent album that showcases the talents of both Darkwood Dub and Bisera Veletanlić. The album is a must-listen for anyone who is a fan of electronic music or traditional Balkan music, as it offers a unique and innovative sound that is sure to please.