Colin Stetson - Sorrow A Reimagining Of Goreckis 3rd Symphony
Review by Liz Marx
Colin Stetson's "Sorrow A Reimagining Of Goreckis 3rd Symphony" is a stunning and haunting album that reinterprets the classic orchestral work with a unique and experimental approach. Stetson, a renowned saxophonist and composer, uses his mastery of circular breathing, multiphonics, and extended techniques to create a mesmerizing soundscape that blends the acoustic and electronic elements.
The album opens with "Lento - Sostenuto Tranquillo Ma Cantabile," a slow and mournful piece that sets the tone for the rest of the album. Stetson's saxophone melodies are layered with electronic drones and pulsating rhythms, creating a sense of unease and tension. The second track, "Lento E Largo - Tranquillissimo," is even more atmospheric, with Stetson's saxophone playing echoing through the space like a ghostly choir.
The album's centerpiece is the third track, "Lento - Cantabile Semplice," which features Stetson's saxophone playing as the main melody, accompanied by a minimalistic electronic arrangement. The result is a beautiful and emotional piece that captures the essence of the original symphony while adding Stetson's unique touch.
The final track, "Lento - Largo - Tranquillissimo," is a fitting conclusion to the album, with Stetson's saxophone playing fading into the distance, leaving the listener with a feeling of melancholy and reflection.
Table of Contents
Download
Filename: colin-stetson-sorrow-a-reimagining-of-goreckis-3rd-symphony.rar- MP3 size: 42 mb
- FLAC size: 469 mb
Tracks
| Track | Duration | Preview |
|---|---|---|
| Sorrow: III - Lento — Cantabilie-Semplice | 13:45 | |
| Sorrow: II - Lento E Largo — Tranquillissimo | 10:13 | |
| Sorrow: I. Lento - Sostenuto tranquillo ma cantabile | 28:25 | |
| I. Pt 2 | ||
| Sorrow: III. Lento - Cantabile-semplice | 13:45 | |
| III. | ||
| I. Pt 1 | ||
| I | 28:25 | |
| III | 13:45 | |
| I. | 28:25 | |
| II | 10:13 | |
| Sorrow: II. Lento e largo - Tranquillissimo | 10:13 | |
| II. | ||
| Sorrow: I - Lento — Sostenuto Tranquillo Ma Cantabile | 28:25 |
Video
Colin Stetson 'SORROW' (full album audio)
Images
Catalog Numbers
- 52HZ001LP
- 52HZ001CD
Labels
52HzListen online
- écouter en ligne
- ouvir online
- kuunnella verkossa
- lyssna på nätet
- online luisteren
- ascolta in linea
- online anhören
- escuchar en línea
- lytte på nettet
Formats
- CDr
- Album
- Promo
- 2 × Vinyl
- LP
- 180 g
- 3 × File
- MP3
- 320 kbps
- CD
Companies
| Role | Company |
|---|---|
| Phonographic Copyright (p) | Colin Stetson |
| Copyright (c) | Colin Stetson |
| Pressed By | Optimal Media GmbH |
| Published By | Boosey & Hawkes |
| Recorded At | Figure 8 Recording, Brooklyn, NYC, NY |
| Mixed At | Figure 8 Recording, Brooklyn, NYC, NY |
| Lacquer Cut At | Optimal Media GmbH |
| Manufactured By | Optimal Media GmbH |
Credits
| Role | Credit |
|---|---|
| Alto Saxophone | Colin Stetson |
| Tenor Saxophone | Colin Stetson |
| Bass Saxophone | Colin Stetson |
| Contrabass Clarinet | Colin Stetson |
| Lyricon | Colin Stetson |
| Artwork | WAXenVINE |
| Cello | Gyda Valtysdottir, Rebecca Foon |
| Composed By | Henryk Gorecki |
| Drums | Greg Fox |
| Guitar | Grey McMurray, Ryan Ferreira |
| Keyboards | Justin Walter |
| Electronic Valve Instrument | Justin Walter |
| Lacquer Cut By | JP |
| Layout | Sarah Thomas |
| Mastered By | Mell Dettmer |
| Producer | Colin Stetson |
| Recorded By | Eli Crews |
| Mixed By | Eli Crews |
| Synth | Shahzad Ismaily |
| Baritone Saxophone | Dan Bennett, Matt Bauder |
| Clarinet | Dan Bennett, Matt Bauder |
| Violin | Sarah Neufeld |
| Voice | Megan Stetson |
Notes
- Promo CDr in plastic sleeve with folded paper insert.
- Disc states "For Promotional Use Only. Not For Resale".
- Reimagining of Henryk Górecki's most famous piece, 'Symphony No 3' aka the ‘Symphony of Sorrowful Songs’.
- Title appears on release as:
- Colin Stetson Presents SORROW a reimagining of Gorecki's 3rd Symphony
- Released in gatefold sleeve with download coupon.
- Reimagining of Henryk Górecki's most famous piece, 'Symphony No 3' aka the ‘Symphony of Sorrowful Songs.'
- ℗ 2016 Colin Stetson. © 2016 Colin Stetson
- Recorded and mixed at Figure 8 Studios in Brooklyn, NY.
- Symphony No. 3 Op. 36 by Henryk Gorecki.
- © 1977 by PMW Edition, Krakow, Poland.
- U.S renewal rights assigned to Boosey & Hawkes, Inc.
- Arrangement made by permission for the exclusive use of Colin Stetson, 2015.
- Released in gatefold cardboard digisleeve.
Barcodes
- Barcode: 5056032300200
- Matrix / Runout (Side A): BF13912-01 A1 JP VΛ
- Matrix / Runout (Side B): BF13912-01 B1 JP
- Matrix / Runout (Side C): BF13912-02 C1 JP
- Matrix / Runout (side D): BF13912-02 D1 JP +Λ
- Barcode: 5056032300194
- Mastering SID Code: IFPI LQ57
- Mould SID Code: IFPI 9706
- Matrix / Runout: AG24599-01 manufactured by optimal media GmbH
About Colin Stetson
Colin Stetson is an American saxophone player.
Born (March 3, 1975) and raised in Ann Arbor, MI, Colin Stetson earned a degree in music from his hometown school, the University of Michigan, in 1997. Six years in San Francisco followed, then another four in Brooklyn, NY. Over this time, Stetson developed his unique solo voice on assorted saxophones, clarinets, cornet, french horn and flute.
Colin Stetson has been a touring member of Arcade Fire, Bell Orchestre and Bon Iver, and has performed and recorded with dozens of artists, including Tom Waits, Arcade Fire, TV on the Radio, Feist, Bon Iver, My Brightest Diamond, Laurie Anderson, David Byrne, Jolie Holland, Sinéad O'Connor, LCD Soundsystem, The National, Godspeed You! Black Emperor, Angelique Kidjo, Kevin Devine, Beanie Burnett, and Anthony Braxton.
Stetson now resides in Montréal, Québec.
Name Vars
- C. Stetson
- Colin
- Collin Stetson
- Stetson
Summary by Liz Marx
Comments
Heart-wrenchingly beautiful and deeply moving. At times, downright scary. Highest recommendation.
Today, I was introduced to Gorwcki's piece, followed by this version.....I loved them both....reading the comments here made me really sad....YES I prefer the original, the classical, the full assemble....yes, am an amateur, music was big part of my life.....like said in some comments, art IS subjective to each and everyone ...it may not be technical enough for some, it may evoke lots of emotions for others.....yes, the world is not perfect....yes, some may take ideas from others and make it to represent the culture and time that is current...not all will appreciate it ...but no one should be judge, or question, or put down for their interpretation, understanding of art....time evolve....what was great at one point could still be great with evolution....as human being, we have no choice to adapt, to open our minds to things we are unfamiliar with, things that is not what some say is great art....art, no mather the form; wether it is original or borrow or experimented with, should we say, what is interpreted, what we hear will be different for all...I enjoy both version!
I hate this comment section so much. As a person who loves Górecki’s 3rd symphony, I think this is beautiful.
This is powerful. Some can't fathom, some can't take the steps across the valley.
Sehr gut
34:48 shivers!
Hey Colin, Google tells me your first link ("Direct") is "Unsafe" and warns of viruses or phishing.
Damn. So much pretentiousness in this comments section. What's the point?
I truly cannot grasp why this is not more appreciated. I have listened countless times, and have recommended it to all of my friends. I cannot guarantee any of them bought a copy, but I can assure you that I did.
Get a proper soprano singer next time, I might give it a chance.
outstanding
A year ago before the recording i found a live version but now i cannot find, is it deleted?
Mijn voorkeur gaat uit naar wat ik als het origineel beschouw (met Dawn Upshaw als sopraan), omdat ik die ooit als eerste hoorde en naar ik vermoed niet zo ver afwijkt van de bedoelingen van de componist als deze versie. Het origineel is zwaar maar draaglijk, maar deze is meer zwaar dan draaglijk. Neemt niet weg dat iedere artiest het recht heeft zijn eigen versie te creëeren en deze publiekelijk te maken waarmee hij/zij zich kwestbaar maakt voor kritiek. Onnodig daar dus veel van te leveren. Skip dan door naar iets anders in plaats van je te ergeren.
what a nice interpretation this is --jack w your an idiot
I would call it a reduction, rather than a re-imagining. Think 19th century arrangements for whatever instrumental forces are available. Liszt's solo piano versions of the Beethoven symphonies, or operas performed with a small chamber ensemble rather than a full orchestra, as was common. Interesting listening, which I hope will bring people to Gorecki's 3rd in it's full orchestral glory.
28:25 This part should be longer.
To jest piękne!
Wonderful moment, thanks. That is living music
Wonderful! Thank you...I found you and your full recording here (muted right now to return to) as I listen to the BBC Radio 3 broadcast of the piece on 'Hear and Now' that was recorded at The Huddersfield Contemporary Music Festival. It is breathtaking :)
I've heard the orchestral version of Goreckis 3rd symphony and this is an amazing re-imagining of that symphony.
Wow, I am speechless. That was incredible. I am a HUGE fan of the original and this re-imagining is fantastic. It's like a post-rock symphony on epic proportions!!! <3
