Bill Evans Trio - Everybody Digs Bill Evans

Review by Mary Mart

Everybody Digs Bill Evans, the classic album by the Bill Evans Trio, is a must-have for any jazz lover's collection. The album, released in 1958, showcases the immense talent and creativity of pianist Bill Evans, bassist Sam Jones, and drummer Philly Joe Jones.

From the opening track, "Minority," the listener is transported to a world of intricate melodies and harmonies that only Evans could create. His delicate touch on the keys and the way he weaves in and out of the bass and drums is nothing short of magical.

The trio's rendition of "Lucky to Be Me" is a standout track, with Evans' improvisational skills on full display. The trio's chemistry is evident in every note they play, and it's clear they were truly in sync during the recording of this album.

Other notable tracks include "Oleo" and "Young and Foolish," which showcase the trio's ability to swing with ease and create a lively and energetic atmosphere.

Download Bill Evans Trio - Everybody Digs Bill Evans

Artist: Bill Evans Trio
Album: Everybody Digs Bill Evans

Jazz

1990

Rating: 4.5

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Tracks

Track	Duration	Preview
What Is There To Say	4:49
Lucky To Be Me	3:35
Some Other Time	6:09
Oleo	4:04
How Am I To Know?	6:20
ON GREEN DOLPHIN STREET	8:08
Peace Piece	6:37
My Heart Stood Still	5:21
Tenderly	3:29
What Is There To Say?	4:53
Woody'N You (Take 1)	4:26
Young And Foolish	5:48
What Is There To Say ?	4:49
Some Other Time	6:09
Epilogue, Pt. 2	0:36
You And The Night And The Music	7:22
Night And Day	7:12
Minority	5:20
Young and Foolish	5:51
Woody'N You (Take 2)	4:11
Epilogue, Pt. 1	0:39
Epilogue	0:38
What Is There To Stay?	4:50

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Bill Evans - Everybody Digs Bill Evans (1958 Album)

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Catalog Numbers

Labels

Riverside Records
Doxy
Original Jazz Classics, Riverside Records
Riverside Records, Original Jazz Classics
Studio Media
Riverside Records, Analogue Productions
JVC, Riverside Records
DOM-Ermitage
Riverside Records, Universal Music Group International
BNF Collection
The Electric Recording Co., Riverside Records
Original Jazz Classics, Riverside Records, Carrere
Riverside Records, Milestone
DOL
Octave
Fantasy, Inc.
Limited Edition

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escuchar en línea
ouvir online
ascolta in linea
lyssna på nätet
online anhören
online luisteren
kuunnella verkossa

Formats

Vinyl
LP
Album
Reissue
Mono
CD
Limited Edition
Repress
Red
Stereo
Remastered
SHM-CD
Deep Groove
180 Gram
XRCD
Paper Sleeve
24 Bit
10 × File
MP3
320 kbps
Club Edition
Numbered
Digipak
2 × Vinyl
45 RPM
180g
White/Blue Label
Cassette
140 Gram
Unofficial Release

Companies

Role	Company
Recorded At	Reeves Sound Studios
Record Company	Universal Classics & Jazz
Phonographic Copyright (p)	Concord Music Group, Inc.
Copyright (c)	Concord Music Group, Inc.
Remastered At	Fantasy Studios
Marketed By	Universal Music K.K.
Distributed By	Universal Music K.K.
Pressed By	Record Technology Incorporated
Exclusive Retailer	Newbury Comics
Published By	Jacobb Publications
Produced At	Orpheum Productions, Inc.
Licensed From	Fantasy, Inc.
Mastered At	AcousTech Mastering
Manufactured By	JVC
Printed By	The Haycock Press Ltd.
Made By	EDC, Germany
Manufactured For	BMG Direct
Glass Mastered At	ZYX Mastering

Credits

Role	Credit
Bass	Sam Jones
Design	Harris Lewine, Ken Braren, Paul Bacon
Drums	Philly Joe Jones
Engineer	Jack Higgins
Photography By	Lawrence Shustak
Piano	Bill Evans
Producer	Orrin Keepnews
Liner Notes	Orrin Keepnews
Recorded By	Jack Higgins
Cover	Harris Lewine, Ken Braren, Paul Bacon
Mastered By	Kevin Gray, Steve Hoffman, SH
Remastered By	Kazuie Sugimoto
Photography	Lawrence Shustak
Art Direction	Larissa Collins
Booklet Editor	Rikka Arnold
Other	Cheryl Pawelski, Chris Clough, Stuart Kremsky, Zev Feldman
Photography By [Bill Evans	Ⓒ Booklet]
Photography By [Orrin Keepnews	Ⓒ 2007 Rear Panel]
Photography By [Orrin Keepnews / Philly Joe Jones / Sam Jones	Ⓒ Booklet]
Reissue Producer	Orrin Keepnews
Supervised By	Nick Phillips
Booklet Editor [Editorial	Reissue]
Photography By [Keepnews	Steve Schapiro
Joe Jones	Steve Schapiro
Jones]	Steve Schapiro

Notes

Recorded at Reeves Sound Studio in New York December 1958.
Deep groove, 'Everybody Digs Bill Evans' NOT in italic letter.
Recorded at Reeves Sound Studios, New York City; December 15, 1958.
"Lucky To Be Me", "Peace Piece" and "Epilogue" are unaccompanied piano solos.
Recorded in New York; December 15, 1958.
Distributed by DOXY Music Germany, 2009 reissue on 180 gr HQ Vinyl
Newbury Comics exclusive. Limited edition oof 500 copies on red vinyl.
Original Jazz Classics logo is not printed on jacket or labels.
Recorded at Reeves Sound Studios, New York; December 15, 1958.
Lucky to Be Me, Peace Piece and Epilogue are unaccompanied piano solos.
Released in late '60.
Orpheum Stereo Release – Blue green label w/ white font
Barcode sticker is on shrinkwrap in lower right hand corner covering old barcode.
Small blue label, deep groove, 'Everybody Digs Bill Evans' in italic letter.
180 gram vinyl
The barcode and the Category AAPJ 1129 appear on the shrinkwrap only.
Category 1129 appears on front of sleeve and spine.
Car# RLP 1129 appears on back of sleeve and on labels.
℗ & © 1987 Fantasy, Inc.
Track 11 is a additional Track not released on the original LP
Comes in mini LP replica with OBI & Japanese insert.
Track 11 is a bonus track.
Recorded in New York, December 15,1958.
Printed in England by The Haycock Press Ltd.
Distributed in Europe by Interdisc
Ⓟ&Ⓒ 2007 Concord Music Group, Inc. (www.concordmusicgroup.com) Made in the EU.
The 20-page booklet contains reissue notes, original LP notes, photos of the musicians and an extended track and credits-list.
Booklet and CD are stored in a standard jewel case with transparant tray.
Publishers:
> Twenty-Eighth Street Music (ASCAP) - track 1
> Chappell & Co. (ASCAP) - track 2
> Universal-Polygram Int'l Publ. (ASCAP) - track 3, 10
> Warner Bros. Music (ASCAP) - track 4
> Edwin H. Morris & Co. / Range Road Music (ASCAP) - track 5
> Folkways Music (BMI) - track 6, 9
> BMG Songs / Next Decade Entertainment (ASCAP) - track 7
> Prestige Music (BMI) - track 8
℗ © 1983 Fantasy.
Remastered using 20-bit A/D converter with digital K2 interface
Audiophile quality reissue of the 1959 Riverside original.
The entire pressing limited to 150 copies.
Each copy comes with a numbered, signed and embossed card insert, banderole and a generic embossed PVC sleeve.
Faithful reproduction of original sleeve, label and inner sleeve using a bespoke letter-press.
Recorded at Reeves Sound Studio in New York December 1958
Track 11 is a bonus track not on original LP.
From a master recording owned by Fantasy Inc., U.S.A.
Manufactured and distributed by Victor Entertainment, Inc., Tokyo, Japan.
Ⓟ & Ⓒ 2005 Stereo JASRAC (Digital Remaster)
K2HD Coding
Noise Information:
This recording is taken from the original analog1960's source
material and therefore contains inherent tape flaws, such as hiss, distorsion, and analog dropouts.
These tape flaws became more evident on low level passages and on most fades.
Early stereo repress with black and silver deep-groove labels having "Inc" after "Bill Grauer Productions" at bottom of labels.
Includes liner notes in Japanese.B
Manufactured By Victor Musical Industries, Inc. From A Master Recording Owned By Milestone Records, Inc. U.S.A.
On center labels:
Category (SRS-6044) & (RLP-1129 A/B)
The twenty-page colour booklet contains Orin Keepnews' original LP notes and reissue notes. An additional twelve-page b/w booklet contains new liner notes in Japanese by Takao Ogawa and a Japanese translation of Keepnews' 2007 notes.
SHM-CD. List of other Keepnews Collection titles on reverse of obi.
"Made in W. Germany"
Similar to release Bill Evans Trio* - Everybody Digs Bill Evans but diffrenet Riverside logo on front cover.
Catalog # on spine and booklet: OJCCD-068-2; on disc: OJCCD 068-2
Track 11 is additional track which was not on the original LP release.
Digitally remastered directly from the original analog master tapes at Fantasy Studios, Berkeley, CA.
Made in Germany
German Pressing. Distributed by ZYX Music, Germany
Recorded at Reeves Sound Studio in New York December 15, 1958.
Comes in mini LP replica.
DSD Remastered at JVC Mastering Center, Yokohama, Japan 2007
Jewel case (dark gray tray) with 8 page booklet in Japanese & English.
Also includes 4 panel leaflet Jazz The Best (In Japanese) and OBI strip
Track 11 is Mono
Made in Japan
Track duration's are not printed on the release.
Uncertain on when this version was released. This layout of the label was used by Riverside 1968-72 so it should be released within this frame.
Recorded in at Reeves Sound Studios, New York on December 15, 1958.
Digitally remastered 1987 at Fantasy Studios, Berkeley, CA.
Track 11: Additional track not on original LP release and is mono.
Similar to Bill Evans Trio* - Everybody Digs Bill Evans (Newbury Comics release) however on black vinyl instead of red.
Jewel case with transparent tray.
White Riverside label, similar to the UK version, including barcode.
www.concordmusicgroup.com
Printed in U.S.A.
Stereo pressing with Black label and Silver text
Label has “Mic and Reels”, but NO deep groove.
It does have a slight indentation toward spindle center.
Bill Grauer Productions Inc. on label and back cover
Address on back cover “553 West 51st Street”
20bit K2 mastering.
1st stereo press with black and silver deep-groove labels having no "Inc" after "Bill Grauer Productions" at bottom of labels.
Recorded at Reeves Sound Studio in New York December 15, 1958
White with Dark Blue boxed Riverside label, 'Everybody Digs Bill Evans' in italic letter.
Recording first published 1960.
RIVERSIDE Records are distributed in Europe by INTERDISC (on bottom back of sleeve)
This record will provide highest quality reproduction on both standard long-play and stereophonic playback systems (on bottom back of sleeve)
MADE IN ENGLAND (on label)
Produced in England (on label)
Cat Number on label 12-291
Cat Number on sleeve RLP 12-291
Sleeve printed in US. Could be Red or Blue letters on cover.
Advertised as one of "Riverside's First Four Released in Britain" with a release date of "November 10" on page 9 in the October 26th 1960 issue of "Jazz News".
Deep groove, 'Everybody Digs Bill Evans' in italic letter.
Recording first published 1960
Cat Number on label RLP 12-291
Housed in a Jewel Case with Obi strip.
Some Other Time (Additional track not on original LP release)
Deep groove, 'Everybody Digs Bill Evans' NOT in italics.
RM 12-291 on labels, RLP 291 & RS 9291 on back cover.
(p) 1983 Made in Italy
Лицензионное соглашение №58/М3-98 от 24.08.98.
Для продажи на территории России. shally_jo@mail.ru
Factory pressed CD. Regular jewel case with 4-page booklet.
Track 11: Additional track not on original LP release.
Recorded at Reeves Sound Studios in New York; December 15, 1958.
℗ 1983 Riverside
Made in France

Barcodes

Matrix / Runout (Side A): RLP-12-291 A
Matrix / Runout (Side B): RLP-12-291 B
Barcode: 4988005467911
Matrix / Runout: UCCO-9065 1W V
Mastering SID Code: IFPI L244
Mould SID Code: IFPI 4011
Rights Society: JASRAC
Barcode (Scanned): 0025218106818
Barcode (Text): 025218 10681 8
Matrix / Runout (Side A runout, hand etched): OJC-068 A3 2 7642.1
Matrix / Runout (Side B runout, hand etched): OJC 68 B1 4 7642.2 (T)
Rights Society: ASCAP
Rights Society: BMI
Barcode (Text): 4 988005 484017
Barcode: 753088112935
Matrix / Runout (Side A runout): APJ-1129-A, 182651, KPG+SH@ATM
Matrix / Runout (Side B runout): APJ-1129-B, 182652, KPG+SH@ATM
Barcode (Text): 0 09119-0020-2 8
Barcode (String): 009119002028
Matrix / Runout: JVCXR-0020-2- 1F V
Mastering SID Code: IFPI L232
Barcode (Black Vinyl): 025218106818
Barcode: 8032979642259
Matrix / Runout (Side 1): 12-291 1L 1 670
Matrix / Runout (Side 2): 12-291 2L 1 670
Barcode (Scanned): 888072301825
Barcode (Printed): 8 88072 30182 5
Rights Society: BIEM / SABAM
Label Code: LC 15025
Matrix / Runout (Variant 1): [Universal logo x4] 08880 723 018-2 01 ✳ 51899727 Made in Germany by EDC A
Mastering SID Code (Variant 1): IFPI LV26
Mould SID Code (Variant 1): IFPI 0119
Matrix / Runout (Variant 2): [Universal logo x4] 08880 723 018-2 01 ✳ 51899727 Made in Germany by EDC I
Mastering SID Code (Variant 2): IFPI LV26
Mould SID Code (Variant 2): IFPI 0149
Rights Society: SACEM SGDL SACD SDRM
Other: D 151519
Rights Society: SACEM
Barcode: 4988002 493036
Other (Price): ¥2,415
Matrix / Runout (Runout Side A stamped): Ⓑ 〄 RLP 1129A 111 ✢ D
Matrix / Runout (Runout Side B stamped): RLP 1129B Ⓢ 112 ✢
Rights Society (on label A & B): JASRAC
Other (on label A & B): FOLSTER
Other (Price): ¥2,200
Other (Category US release): 1129
Barcode: 4 988005 524690
Matrix / Runout: UCCO-9489 1W V
Barcode: 029667729116
Barcode (Text): 0 90204 02162 8
Barcode (Scanned): 090204021628
Matrix / Runout: OJCCD 068-2 ZYX MUSIC #1
Mould SID Code: IFPI 3059
Rights Society: GEMA
Label Code: LC 0325
Matrix / Runout (Side 1 etched): OJC-068/A et
Matrix / Runout (Side 2 etched): OJC-068/B et
Barcode: 0 25218-6068-2
Barcode (Text): 090204 021628
Matrix / Runout: ZYX MASTERING OJCCD 068-2
Matrix / Runout (SIDE 1): RLP 291 A5
Other (SIDE 1): (RLP 12-291 A)
Matrix / Runout (SIDE 2): RLP 12 - 291 B
Matrix / Runout (SIDE 2): 2
Other (SIDE 2): (RLP 12-291 B)
Barcode (Scanned - From OBI Strip): 4988005546579
Barcode (Text - From OBI Strip): 4 988005 546579
Other (Inner Matrix Ring): Universal Music x4
Matrix / Runout: [Universal Logo x4] UCCO-5041 1W V
Barcode: 889397557270
Matrix / Runout: MW-2057A A-1-2 J12
Matrix / Runout: MW-2057B A-1-2
SPARS Code: AAD
Barcode: 0 90204 70472 9
Rights Society: BIEM
ASIN: B0000248DY
Matrix / Runout: ZYX MASTERING OJC 20068-2
Barcode (String): 888072301825
Barcode (Text): 8 88072 30182 5
Matrix / Runout: Sony DADC [Universal logo] 7230182 13 A00
Mastering SID Code: IFPI L553
Mould SID Code: IFPI 944A
Barcode: 4988002226375
Barcode: 8 88072 30182 5
Matrix / Runout (Side 1 etched ): RLP 1129 A5 R1
Matrix / Runout (Side 2 etched ): RLP 1129 B5 R1
Barcode: 4 988002 386437
Matrix / Runout (SIDE 1): RLP 1129A-1
Other (SIDE 1): RLP 1129
Matrix / Runout (SIDE 2): RLP 1129B-1
Other (SIDE 2): RLP 1129
Matrix / Runout (Side A): RLP-12-291 A-2L
Matrix / Runout (Side B): RLP-12-291 B-1L
Barcode: 4 988002 476978
Barcode: 4526180352143
Rights Society: SACEM SACD SGDL SDRM
Price Code: CA 332
Barcode: 889397272715
Matrix / Runout (Side A etched): RLP 291A AB/3/29/5
Matrix / Runout (Side B etched): RLP 291B AB/3/29/5
Barcode: 2521-80068-4
Barcode: 0 25218-4864-2 2
Matrix / Runout: PN-1160
Barcode: 0 25218-0068-2 8
Distribution Code: CA 693
Matrix / Runout (Side A): 68944A
Matrix / Runout (Side B): 68944B

About Bill Evans Trio

Name Vars

Bill Evan's Trio
Bill Evans
Bill Evans Trio
Bill Evans Trio & Guests
Bill Evans Trio Europe '65
Das Bill Evans Trio
Evans, Motian, Peacock
The Bill Evans Golden Trio
The Legendary Bill Evans Trio
Trio Bill Evans
Two Super Bill Evan's Trios
Трио Билла Эванса
Óëû¨ô¡ó¹ûÈêª

Members

Bill Evans
Paul Motian
Sam Jones
Chuck Israels
\"Philly\" Joe Jones
Larry Bunker
Scott LaFaro
Eddie Gomez
Marc Johnson
Marty Morell
Alex Riel
Joe LaBarbera
Arnold Wise
Eliot Zigmund

Summary by Mary Mart

Everybody Digs Bill Evans is a timeless masterpiece that continues to inspire and captivate listeners over 60 years after its initial release. It's a must-listen for any fan of jazz music and a testament to the genius of Bill Evans and his talented trio.

Comments

midimixmanger

2023-04-15

So sad this magnificent album didn't get a more iconic and decorative record sleeve, kinda Dark side of the moon of the Jazz Scene-thing. Something that would have stand out, something you want to have as a poster too....

hawlett01

2023-04-15

B.E.....the Chopin of Jazz

hollywoodcome

2023-04-15

Superb

thegypsyrevival

2023-04-14

이정도면 먼가 파일 다루는 노하우가 있는 듯, CD 재생한 것 준하거나 대등한 수준의 음질의 보여주는군요

francoisla

2023-04-13

Between Jobim and Bill Evans....Speechless and motionless.

debbysintya1996

2023-04-12

Es lo mas extraordinario de Bill que he escuchado. Ningun otro album tiene estos frasdeos y expresiones jazzisticas !!!. Muy bueno. Lo tengo desde que venia en cassettes.

mckennacunningham

2023-04-11

indicated to clean the ears of current noise pollution

dnbit

2023-04-10

Thanks for keeping me inspired:)

elanders

2023-04-09

When I bought this album many years ago I always loved the cover because what a great list of endorsements. This was also my first Evans album, obviously had kind of blue and liked his playing there and bought this. Cannonball’s point was extremely well put and very true! Also it’s was good to start my Evans listening with a more bop orientated rhythm section then on to what he was doing in his trio with Scottie and Paul!

hussanali991

2023-04-09

its next level beautiful thank you Archive

sleeperbabystore

2023-04-08

666 name ov the beast

attitudeplus8

2023-04-07

Arguably Evans' finest moment. Gotta wonder what his music would have sounded like without the drugs--less brooding, less nuanced perhaps but OMG the attack on these tracks--incredible.