Bartok, The London Symphony Orchestra, Georg Solti - Concerto For Orchestra Dance Suite
Artist: Bartok, The London Symphony Orchestra, Georg Solti
Album: Concerto For Orchestra Dance Suite
Rating: 4.0
Album: Concerto For Orchestra Dance Suite
Rating: 4.0
Table of Contents
Download
Filename: bartok-the-london-symphony-orchestra-georg-solti-concerto-for.rar- MP3 size: 122.4 mb
- FLAC size: 1341.6 mb
Tracks
Track | Duration | Preview |
---|---|---|
Dance Suite | ||
5. Comodo | ||
Finale | ||
Concerto For Orchestra | ||
Elegia | ||
4. Intermezzo Interrotto | ||
Allegro Molto | ||
4. Molto Tranquillo | ||
Comodo | ||
Intermezzo Interrotto | ||
Giuco Delle Coppie | ||
1. Moderato | ||
2. Allegro Molto | ||
2. Giuco Delle Coppie | ||
Giuoco Delle Coppie | ||
Allegro Vivace | ||
Introduzione | ||
Moderato | ||
5. Finale | ||
3. Allegro Vivace | ||
1. Introduzione | ||
6. Finale | ||
Molto Tranquillo | ||
3. Elegia |
Video
Bartók in Budapest Concerto for orchestra Solti
Bartók - Dance Suite - LSO / Solti
Images
Catalog Numbers
- SXL 6212
- 478 8558, SXL 6212
- SLA 6107
- SXL 6212, SXL.6212
Labels
- Decca
- Decca Music Group Limited, The Decca Record Company Limited
- London Records
Listen online
- escuchar en línea
- online luisteren
- online anhören
- ouvir online
- écouter en ligne
- lyssna på nätet
- kuunnella verkossa
- ascolta in linea
- lytte på nettet
Formats
- Vinyl
- LP
- Stereo
- Reissue
- 180gr
- Album
- Repress
- ED2
Companies
Role | Company |
---|---|
Recorded At | Kingsway Hall |
Mastered At | Decca Studios |
Pressed By | Decca Record Co. Ltd., Pressing Plant, UK. |
Printed By | MacNeill Press Ltd. |
Copyright (c) | The Decca Record Company Limited |
Published By | Hawkes |
Recorded By | The Decca Record Company Limited |
Phonographic Copyright (p) | The Decca Record Company Limited |
Manufactured By | King Record Co. Ltd |
Made By | The Decca Record Company Limited |
Credits
Role | Credit |
---|---|
Composed By | Bartók |
Conductor | Georg Solti |
Engineer | Kenneth Wilkinson |
Mastered By | W |
Orchestra | The London Symphony Orchestra |
Producer | John Culshaw |
Sleeve Notes | Margaret Bent |
Liner Notes | Margaret Bent |
Notes
- This is the first UK stereo version.
- LABELS:
- Black/silver 'grooved wideband' labels
- "Original recording by" at 11 o'clock
- "Made in England" at bottom
- "℗ 1965" on the left hand side
- Matrix numbers printed upside-down
- SLEEVE:
- Laminated on front only
- Straight flipbacks on top and bottom
- Bold "stereo" caption on spine
- Sleeve notes in English only on back
- "Laminated with 'Clarifoil' made by British Celanese Limited"
- "© 1965, The Decca Record Company Limited, London."
- "Printed in England by MacNeill Press, London, S.E.1."
- PUBLISHERS:
- Side 1: "Hawkes"
- Side 2: "Universal Edns."
- OTHER INFORMATION:
- Recorded 15 - 26 February 1965 in Kingsway Hall, London
- Labelography code: ED1
- Corresponding mono issue has Category LXT 6212
- Sub tracks in track B2 are not banded on vinyl
- (P) 1965
- Recorded 15 - 26 February/May 1965 in Kingsway Hall, London
- ℗ 1976 ㊁
- ロンドンレコード
- 発売元 ・ キングレコード株式会社
- Repress from ca. 1968 - 1970.
- Decca 'ffss' wide band labels, no groove.
- Available in ED1, ED2, ED3 (this version) and narrowband (ED4).
- Black/silver labels - grooved under copyright rim text
- "ALL RIGHTS OF ..." copyright text
- "ffss FULL FREQUENCY STEREOPHONIC SOUND ffss" banner
- "MADE IN HOLLAND at bottom
- "[P] 1965" on the left hand side
- Matrix numbers printed rightside up
- "SPEED 33 ⅓" on left side above "HAWKES" with some space in-between
- Glossy sleeve
- negative stamped S on spine between DECCA and Category
- "℗ © 1965, The Decca Record Company Limited, London."
- "Printed in England by Robert Stace"
- "Made in England" vertically in the lower left corner
- ED4 label repress, similar to 8252316, but with no “STEREO” above the catalogue number on rear, and Stereo information text on the flipback instead.
- Early repress from ca. 1966 - 1968.
- Originally released with ED1 labels in late 1965.
- "Made in England by" at 11 o'clock
- Labelography code: ED2
- UK stereo version.
Barcodes
- Matrix / Runout (Runout side 1, stamped): ZAL-6915-4W U KT 1
- Matrix / Runout (Runout side 2, stamped): ZAL-6916-1W I KT 2
- Matrix / Runout (Matrix on label, side 1): ZAL 6915
- Matrix / Runout (Matrix on label, side 2): ZAL 6916
- Other (Tax code on labels): K/T
- Other (On labels): S
- Matrix / Runout (Side A): 96164 2A LPCI-DK 4676862
- Matrix / Runout (Side B): 96164 3B LPCI-DK 4676862
- Barcode: 028947885580
- Matrix / Runout (Side A Label): ZAL 6915 (SDLB 1781) L
- Matrix / Runout (Side B Label): ZAL 6916 (SDLB 1782) L
- Other (Price): ¥2,500
- Matrix / Runout (Runout side 1): ZAL 6915-10W
- Matrix / Runout (Runout side 2): ZAL 6916-3W
- Matrix / Runout (Runout side 1, stamped): ZAL-6915-1W
- Matrix / Runout (Runout side 2, stamped): ZAL-6916-8W
- Matrix / Runout (Runout side 1, stamped): ZAL-6915-10W 1 2
- Matrix / Runout (Runout side 2, stamped): ZAL-6916-3W 2 2 D
- Matrix / Runout (Runout side 1, stamped): ZAL-6915-10W
- Matrix / Runout (Runout side 2, stamped): ZAL-6916-3W
- Matrix / Runout (Matrix on label, side 1): ZAL.6915
- Matrix / Runout (Matrix on label, side 2): ZAL.6916
- Matrix / Runout (Runout side 1, stamped): ZAL-6915-7W C KT 1
- Matrix / Runout (Runout side 2, stamped): ZAL-6916-1W N KT
- Matrix / Runout (Runout side 1, stamped): ZAL-6915-9W G J7 1
- Matrix / Runout (Runout side 2, stamped): ZAL-6916-2W I J7 1
About Bartok, The London Symphony Orchestra, Georg Solti
Born: 1881-03-25 (Nagyszentmiklós, Magyar Királyság).
Died: September 26, 1945 (New York, New York, United States).
Béla Viktor János Bartók was a Hungarian composer, pianist, ethnomusicologist and collector of Eastern European and Middle Eastern folk music (born 25/03/1881 in Nagyszentmiklós, today Sânnicolau Mare, Romania - died 25/09/1945 in New York, U.S.A).
He is considered one of the greatest composers of the twentieth century; his vast production reveals a daring and restless harmonic instinct that is affected by his passionate studies on Hungarian folk songs. Typical elements of Béla Bartók style (derived from Hungarian, Transylvanian and Romanian folklore) consists in the use of irregular rhythms and a clear preference for obsessive rhythms. His compositions have sonorities, sometimes abstract, but often harsh, rough and barbaric.
Married to the pianist . His 2nd son, became a recording engineer.
Real Name
- Béla Viktor János Bartók
Name Vars
- B Bartok
- B Bartók
- B. B.
- B. Bartok
- B. Bartokas
- B. Bartók
- B.Bartok
- B.ÐëÈü¯
- B.෴ఓɘŋ
- Bala Bartok
- Bartok
- Bartok B.
- Bartok Bela
- Bartok Bela Viktor Janos
- Bartók
- Bartòk
- Bartòk Bèla
- Bartók
- Bartók B.
- Bartók Béla
- Bartók, Béla
- Bar´tok
- Bela
- Bela Bartok
- Bela Bartòk
- Bela Bartók
- Bella Bartok
- Belà Bartôk
- Blaskovic
- Bártok
- Bèla Bartok
- Béla Bartok
- Béla Bártok
- Béla Bártók
- Béla Viktor János Bartók
- Bēla Bartōk
- Vela Barto
- Б. Барток
- Б.Барток
- Барток
- Барток Бела
- Бела Барток
- ÐëÈü¯
- ÙéûÐëÈü¯
Comments
I miss my poster of Solti in my apartment. The brass section!!!!
Música estranya i misteriosa que m'emociona. En alguns moments tan obscura, i en d'altres, tan brillant.
Gràcies!
Gràcies!
This was played October 1972 in Milwaukee to the delight of 9th floor classical Marquette University freshmen and sophomores, only 2 of which are still living. I've never forgot it since it was tied in with The Rite of Spring. Anyone know who was the conductor that Saturday night for the Milwaukee Symphony?
That music was all over the show!
Thank you for this upload. A great performance of great music by a great conductor.
E P I C !
Legend..
Az Elégiában a honvágy fájdalmas hangját halljuk.
Abban biztos voltam, hogy a Solti György vezényelte Bartók - mű nagy élmény lesz. De azt is figyeltem, hogy a notórius ízlésrombolók hányszor fogják megzavarni az előadást. Nos, két ízben! Javaslom nekik a két évet - felfüggesztve.
2nd violins 32:40
Bud Herseth on the 1st trumpet! Great !
A masterpiece in every way! Why only one or two?
8:10 13:55
One of the best recordings of this piece I've seen/heard.
Solti - malac.
4:40
5:35
5:35
Like Mozart, Bartok died in poverty, either because we all know something that he didn't know, or because he knew something that we don't know.