Art Ensemble Of Chicago - Tutankamun

Review by Daniel Barros

The Art Ensemble of Chicago's album, Tutankhamun, is a masterpiece of avant-garde jazz. The album, released in 1969, features a blend of African rhythms, free jazz, and experimental sounds that create a unique listening experience.

The album opens with "The Ninth Room," a hauntingly beautiful piece that sets the tone for the rest of the album. The track features a mesmerizing melody played on a kalimba, which is accompanied by a slow, steady drumbeat.

The album continues with "Tthinitthedalen," a track that showcases the ensemble's improvisational skills. The musicians take turns playing solos, each one building upon the last to create a complex, layered sound.

One of the standout tracks on the album is "Tutankhamun," a tribute to the famous Egyptian pharaoh. The track features a repetitive, hypnotic melody played on a bass clarinet, which is supported by a driving rhythm section.

The album ends with "Lori Song," a beautiful ballad that showcases the ensemble's softer side. The track features a gentle, melodic piano line that is accompanied by soft percussion and a haunting saxophone solo.

Summary by Daniel Barros

Tutankhamun is a must-listen for fans of avant-garde jazz. The Art Ensemble of Chicago's blend of African rhythms, free jazz, and experimental sounds create a unique and captivating listening experience.